News » Books/Manuscript
(UK) From Cambridge University Press: "The Musician in Literature in the Age of Bach" by Stephen Rose (Royal Holloway, University of London)
(US) New at J & J Lubrano Music Antiquarians LLC: New Catalogues of "Mozart Books" and of "On Violins & Violin Makers"
(US) New from Palgrave Macmillan's Early Modern Literature in History series: "Early Modern Women in Conversation" by Katherine R. Larson (02 sep 2011)
“To converse is, in its most fundamental sense, to engage with society. The potency of conversation as an early modern social networking tool is complicated, however, both by its gendered status in the period and by its conflation of verbal and physical interaction.
Great written works from authors such as Shakespeare and Jane Austen that you'll never have a chance to read by Megan Gambino
September 20, 2011
While not directly related to the early music field, some of this information may add to historical facts helping us better understand historical incidents influencing such era in music. Read of 10 authors and mishaps to some of their works. -- EarlyMusicNews.Org editor
Improvisation in Western Music of the Eighteenth and Nineteenth Centuries
edited by Rudolf Rasch
Pages: 14 + 768
Format: 17 x 24 - bound
From MUZIEKHANDEL SAUL B. GROEN, many new titles available on their catalogues:
MUSIC & LITERATURE July - September 2011
NB: in each section the music has been listed in chronological order
Kerll, J.C. 11 Organ works from the Neresheim organ book, c.1670, wrongly attributed to J.C. Kerll and 2 pieces by by J.B. Moggi and L. Haydt
Fasolo, G.B. "Annuale", 1645: 56 organ works: hymns, masses, magnificats, ricercars,canzonas, fugues; complete edition; set of 5 volumes
Lübeck, V. Complete organ works; ed. Harald Vogel …
(US) Opera Today: "GOEHRING: Three modes of perception in Mozart — the philosophical, pastoral, and comic in Così fan tutte" (Book review by Dr. Brad Eden, University of Nevada, Las Vegas)
“Balbi and his time”
by Alberto Da Ros and Stefano Lorenzetti
with a foreword by Giulio Cattin
Edition: Lucca, LIM, 2011 (Biblioteca Musicale Lim - Saggi)
Pages: 19 + 87
Format: 14 x 21 - Paperback
Paolo Da Col
Ai confini della Serenissima
Ludovico Balbi ‘magister musicae’ nel Veneto del secondo Cinquecento
L’eredità musicale di Costanzo Porta nelle composizioni di Ludovico Balbi
Il manoscritto di Feltre
(DE) "Bach and the “Snake-Fire-Sprayers” - Fire-Fighting Regulations and Equipment During Bach’s Time in Leipzig"
“One might rightfully ask how this topic will enhance our understanding of Bach’s life and music. For this I do not have a reasonable answer. Perhaps this topic was selected out of frustration that other digitized scholarly sources like the 1733 revision of the Schulordnung for the Leipzig Thomasschule are not available online.
(IT) Recently Published at LIM Editrice srl, "Pianoforte, organo e attività musicale in Italia nel XIX e XX secolo"
(Piano, organ and musical activities in Italy in the nineteenth and twentieth century)
Edition: Lucca, LIM, 2011 (Music Library Lim - Wise)
Pages: 20 + 440
Format: 17 x 24 - Paperback
Brought to our attention on the “Society for the Study of Early Modern Women (SSEMW)” mailing list, the following books have been published on the subject of women’s work in the arts:
Labors Lost: Women's Work and the Early Modern English Stage (University of Pennsylvania Press), examines women's unacknowledged contributions to theatrical production in Shakespeare's time.
Working Subjects in Early Modern English Drama (Ashgate Press), is an essay collection co-edited with Michelle M. Dowd, and includes a number of essays that focus on gender and women's work. Ashgate Press offers a 20% discount to SSEMW members.
Not yet published - available from February 2012
Edited by: Kate Flint, Rutgers University, New Jersey
Series: The New Cambridge History of English Literature
“This collaborative History aims to become the standard work on Victorian literature for the twenty-first century. Well-known scholars introduce readers to their particular fields, discuss influential critical debates and offer illuminating contextual detail to situate authors and works in their wider cultural and historical contexts.
Annual periodical of the“Socità Italian di Musicolgia” Marco Gozzi, director
Edition: Lucca, LIM, 2011 (Rivista Italiana di Musicologia, 46)
Pages: 340 +
(Edited by Michael Kassler, Michael Kassler and Associates, Australia)
Published: August 2011
“In contrast to today's music industry, whose principal products are recorded songs sold to customers round the world, the music trade in Georgian England was based upon London firms that published and sold printed music and manufactured and sold instruments on which this music could be played. The destruction of business records and other primary sources has hampered investigation of this trade, but recent research into legal proceedings, apprenticeship registers, surviving correspondence and other archived documentation has enabled aspects of its workings to be reconstructed.
(US) New from Oxford University Press: "Dividing the Spoils The War for Alexander the Great’s Empire" (Author: Robin Waterfield)
A Gripping Account of One of the Great Forgotten Wars of History
Hardback, May 2011, 304 pp.
List Price: $27.95
“Alexander the Great conquered an enormous empire—stretching from Greece to the Indian subcontinent—and his death triggered forty bloody years of world-changing warfare. These were years filled with high adventure, intrigue, passion, assassinations, dynastic marriages, treachery, shifting alliances, and mass slaughter on battlefield after battlefield. And while the men fought on the field, the women, such as Alexander’s mother Olympias, schemed from their palaces and pavilions. …
(US) OXFORD BIBLIOGRAPHIES ONLINE "New Publishing Opportunity for Doctoral Students at the Dissertation Level"
Catalan Organ Music from the XVIIth century from the Trito catalogue.
(AU) "Giovanni Antonio Terzi and the Lute Intabulations of late sixteenth-century Italy" (Doctoral Thesis Author: Suzanne E. Court, 2010)
New additions to the Symétrie catalogue:
“French Society of Musicology: scores of Esther and Athalie”
Penultimate tragedy of Racine, Esther was written for the “Demoiselles” of the royal house of Saint-Cyr, founded at the initiative of Madame de Maintenon, wife of Louis XIV. It opened in this institution a short-lived tradition of theater with musical interludes. The music involves a three-part instrumental ensemble (prelude, overture, interlude), a choir of girls from Esther’s retinue, solos and vocal ensembles. This edition displays for the first time the declaimed text, preserved in old spelling, and the entire music drawn up from sources contemporary with the creation of the work.
Full score (foreword in French and English, 12 fac-siimiles)
From the recently published A-R Editions Spring “Embellishments” newsletter, a list of recent and forthcoming publications.