(BE) International Masterclass Wim Becu, Director - Polyhymnia Caduceatrix & Panegyrica by Michael Praetorius (Nov. 1-7, 2010)
David Van Ooijen advises those interested that more lute lessons have been added to his YouTube website.
Ever since the onset of Mad Cow Disease (BSE), we have done our best to maintain our business activity. Unfortunately, however, despite all our efforts, we must inform you that SOFRACOB will terminate its business at the end of February 2010.
We recommend that you purchase some inventory before our closing, but we must receive your order no later than late January.
(italy) on the viola da gamba, myself on the recorder, Nitai Zori on the
baroque violin and Miri Singer on the harpsichord, shall be broadcasted live
on the internet on Monday, January 11th, at 17:00 - Israeli time...
Integrated Repository of Musical Resources at the Research Institute for Digital Media and Content (DMC), Keio University
In Japan, there are many unavailable collections of musical sources (musical notes, books on music, etc.). Of primary consideration is the Nanki Music Library, founded by Marquis Yorisada Tokugawa (1892-1954) in Azabu-Iikura, Tokyo in 1918, which includes autographs of Beethoven, Liszt, and other composers. The Nanki Music Library was the first public musical library in Japan and actively collected many rare musical sources from throughout the world, such as the bibliotheca of William Hayman Cummings (1831-1915), a British music educator. The Library was closed to the public in 1931 due to financial difficulty of the Tokugawa family; nevertheless, international attention has remained focused on the collection.
Summer School of Early Music is an Early Music course targeting the historically informed performance mainly of Medieval, Renaissance and Baroque Music. Some of the recorder classes concentrate on contemporary, world and folk music.
The workshop takes place every July in beautiful South Bohemian town Prachatice (130 km south from Prague, 200 km north-west of Vienna). In 2010 we will be there for the 12th time, until 1998 the course took place in Bechyně.
Visit this YouTube site (Stuart Walsh) for a short video clip on the Greenwich Festival of Nov. 2009.
Santuario Madonna della Quercia
Location La Quercia (Viterbo)
Sacred music of the Venetian '600
Cristina Paolucci, soprano
Schinaia Joseph, organ
Girolamo Frescobaldi - Selection from the Mass of Our Lady (Fiori Musicali, 1635)
Francesco Cavalli - O quam suavis et decora, motet for solo voice and bc (1645)
Barbara Strozzi - Salve Regina, antiphon for soprano and bc (1655)
Natale Monferrato - Exaltabo te Deus, Glorious Mary, two motets for solo voice and bc (ca. 1650)
(US) American Innovators Series, 2009 Wright State Department of Music -- Call for papers (March 13-14, 2010)
For a non-pianist, the idea of a microtonally fluid piano might seem either no big deal or baffling. But this weekend a composer will reveal the result of a 10-year mission – nothing less than the reinvention of one of the most important instruments in western music.
“The building of keyboard instruments began over 300 years ago. The development started with the organ and the Harpsichord, continued through the pianoforte, and reached its high point with what today is known as the modern grand piano - which remains until now virtually unchanged. (The Golden Years of grand piano construction were between 1825 and 1925).
Library of Congress
May 26 to 29, 2010
“The Library of Congress will host the 39th annual meeting of the American Musical Instrument Society from May 26 to May 29, 2010.
An article on “The Influence of Leather in the Fortepiano Evolution in the XVIII and XIX Centuries” by Gustavo Adrián DEFEO F.S.L.T.C.
The Fortepiano origin
I can imagine most of the presents will have many questions on my presentation: First of all
what is the relation between Leather and the Fortepiano? Why here in the Palazzo della
Signoria? Let’s look back three centuries ago in this same room, during the baroque period, the times of the Great Prince Ferdinando de Medici.
Observations on the Development of Wood Screws in North America by Christopher White, Mellon Fellow, Furniture and Frame Conservation Lab, Museum of Fine Arts, Boston Currently: Project Conservator Arizona State Museum“The following is the result of research conducted between September 2004 and August 2005 at the Museum of Fine Arts, Boston. Physical characteristics of a series of wood screws from the museum’s collection of 18th and 19th-century American furniture are summarized and their characteristics related to curatorial-assigned dates of fabrication and to a chronology of screw manufacturing techniques.