(US) Submit proposals by September 30, 2015 | 2016 5th Annual Meeting of the Historical Keyboard Society of North America (HKSNA)
Oberlin College’s Conservatory of Music (Ohio, USA) will host the fifth annual meeting of the Historical Keyboard Society of North America (HKSNA) from Monday, 21 March, to Wednesday, 23 March 2016. The meeting’s theme “The Compleat Keyboardist: harpsichord, fortepiano, organ, clavichord, continuo” hopes to inspire us with the variety of instruments played by our forefathers and foremothers.
Three days of morning and afternoon events (Monday to Wednesday) will include papers, lecture-recitals, mini-recitals, and an exhibition of publications, recordings, and contemporary instrument makers’ work. Proposals for individual presentations or for themed sessions with multiple participants on any subject relating to historical keyboard instruments, their use and repertories from the Middle Ages to the twenty-first century, are welcome.
*Of special note: Oberlin College will also host the Eighth Jurow International Harpsichord Competition during 22-24 March 2016. For more details, visit: http://historicalkeyboardsociety.org/2016-jurow-competition/.
The deadline for the 2016 Jurow International Harpsichord Competition is fast approaching! Entries must be received by October 1, 2015. More information can be found at: http://historicalkeyboardsociety.org/2016-jurow-competition/.
(From a recent Brill newsletter)
"The 2015 Frank Watson History Prize has been awarded to Governing Gaeldom. " (The Scottish Highlands and the Restoration State, 1660-1688
Allan Kennedy, University of Manchester)
"Conventional accounts of the Scottish Highlands tend to assume that they remained detached from the mainstream of British affairs until well into the eighteenth century. In Governing Gaeldom, Allan Kennedy challenges this perception through detailed analysis of the relationship between the Highlands and the Scottish state during the reigns of Charles II and James VII & II. ..."
"August 15th marks the Feast of the Assumption, an important feast day in the liturgical calendar and an active day for those inclined to dedicate their Saturday to singing a Missa Solemnis. In addition to the chant propers, today we are treated to a banquet of renaissance polyphony as we sing the "Missa Ave maris stella" by Victoria and the motets "Hodie Maria Virgo caelos ascendit" by Luca Marenzio, "Quae est ista quae ascendit" by Thomas Crecquillon, and "Surge amica mea" by Giovanni Pierluigi da Palestrina. ...
"Masaaki Suzuki playing the Schnitger/Hinz organ in the Martinikerk, Groningen
The recipient of the 2012 City of Leipzig Bach Medal, Masaaki Suzuki has earned an enviable reputation as an interpreter of the music of Johann Sebastian Bach – as a reviewer in International Record Guide has put it: 'With Suzuki you can hear Bach's heart beat'. To a wide audience he is known as the director of Bach Collegium Japan, and the moving force behind the ensemble's acclaimed recordings of Bach's complete sacred cantatas. Perhaps less well known is that he began his career – at the age of 12! – playing the organ at church services in Kobe, where he was born. ...
(From a recent Oxford Journals newsletter)
Oxford Journals announces the release of its most current issue of "Early Music" of which the following articles may be of interest to some of you:
- Rose A. Pruiksma ~ Pomey rewrites Scudéry: the novel source for Pomey’s rhetorical sarabande description
- Géraldine Gaudefroy-Demombynes ~ Achille et Polyxène (1687): the Trojan war and a plea for peace at the Académie royale de musique
(UK) Hyperion CD Release: Loyset Compère (c1445-1518) "Magnificat, motets & chansons" by The Orlando Consort (August 2015)
"The Orlando Consort’s third recording for Hyperion turns to the music of Loyset Compère, a composer the group first investigated some twenty years ago. In the intervening decades musicological goal-post shifting has elevated our composer from also-ran outsider to something of a trailblazer, the wonderfully complex Magnificat recorded here, for example, now being thought to predate the masterworks of Josquin by some fifteen years. A gorgeous selection of motets and chansons further charts this period of radical musical experimentation." ...
Location: Palisades Amphitheater on the Point, 6301 Birchwood St, San Diego, CA 92120
"This new production by Opera NEO is conducted by the world renowned early music specialist Nicholas Kraemer (UK) and staged by the artistic director, Peter Kozma."
"Opera NEO investigates the role of opera today and in the future by engaging broader audiences and finding new possibilities for contemporary interpretations. By marrying historically informed musical performance with stagings that speak to the theatergoers of today, we build a bridge that connects performers and audience members to the artists of the past and keeps their timeless work alive and relevant. ..."
(US) Detroit Free Press: "DSO launching archive of webcasts for on-demand viewing" by Mark Stryker, Detroit Free Press (13 Aug 2015)
In what is expected to grow in trend, the Detroit Symphony Orchestra (DSO) has put to public view all of its recent video archives of its performances. The DSO has recently been more than active on the electronic scene and is hoping to boost its brand on a larger scale through its free video archives. ...
Not sure what dance steps were undertaken during the brawl, but they were at best most lively. (Marc Paré, EarlyMusicNews.org Editor)
"... He promptly kicked one of the dancers in the shin, sending him flying over a table and crashing into a flower pot. A hanging basket then fell on his head. ... More blind footballers then joined the melee, kicking out at the bells and then being surprised when they were punched by furious morris men. ...
(From a recent Talfelmusic newsletter post)
Joining the 21st century, Tafelmusik Baroque Orchestra and Chamber Choir launches an app to keep track of their offerings. No doubt a trend that will continue with other early music groups. ...
Publication planned for: September 2015
Few now remember that the guitar was popular in England during the age of Queen Elizabeth and Shakespeare, and yet it was played everywhere from the royal court to the common tavern. This groundbreaking book, the first entirely devoted to the renaissance guitar in England, deploys new literary and archival material, together with depictions in contemporary art, to explore the social and musical world of the four-course guitar among courtiers, government servants and gentlemen. Christopher Page reconstructs the trade in imported guitars coming to the wharves of London, and pieces together the ...
(From a recent British Library post)
"As we are sure you are all aware, today (July 31st) is Uncommon Musical Instrument Appreciation Day, the day on which we are urged to take time to think about the rare and unusual instruments that have gone obsolete, or are otherwise beyond our ken. ...
(US) The New York Times Article: "Music Artists Take On the Business, Calling for Change" By Ben Sisario, 31 Jul 2015
State of affairs of online streaming. Although not specifically speaking of early music artists, this article does discuss some points that may be of interest to those who are keeping tabs on the ongoing tug of war between online streaming giants and musicians regarding compensation. -- Marc Paré, Editor, EarlyMusicNews.org
"Musicians are known for speaking out on issues like human rights, politics and the environment. They are less known for speaking out about how the music business itself should operate. ...
EarlyMusicNews.org brings you news in many ways. One particular way of receiving the latest on EarlyMusicNews.org is by RSS Feed. If you are unfamiliar with RSS feeds, it is a method whereby you allow a RSS link-botton of EarlyMusicNew.org to be posted on your browser's personal toolbar (or other location depending on your browser's setup). Once on your personal toolbar, the EarlyMusicNews.org RSS Feed button will post in realtime any new news items posted on the site. This allows you to check if any new articles have been posted without visiting the EarlyMusicNews.org. It also allows you to pick/choose the items of interest you would most be likely want to read. ...
Location: KU Leuven, Campus Carolus, Korte Nieuwstraat 33, Antwerp, Belgium
"Organised by the KU Leuven (Department of Musicology), Alamire Foundation (Leuven), AMUZ (Flanders Festival, Antwerp), in collaboration with Conference and Events Office KU Leuven.
THEME AND FOCUS
In August 2015 the Alamire Foundation, International Centre for the Study of Music in the Low Countries, and the KU Leuven Musicology Dept., will organize an ambitious conference centred on the music scribe Petrus Alamire and his manuscripts. The event will coincide with ...
"The International Young Artists Presentation held during Laus Polyphoniae 2015 has been rechristened the International Petrus Alamire Lab, for this years edition. The focus is on the musical oeuvre collected by Petrus Alamire in the countless manuscripts he created. Young musicians and ensembles draw inspiration from the music in Alamires manuscripts, leading to historical performances, contemporary adaptations or multidisciplinary creations. ...
A millennium after ancient Greeks transcribed their myths, medieval scribes refashioned the written word into a republic of letters.
"In ancient Greece, writing arose among traders and artisans doing business in the markets with foreigners and visitors from other cities. Their alphabet emerged not in scribal colleges or the king’s halls, nor was it brought by conquerors, but instead came ashore in the freewheeling, acquisitive, materialistic atmosphere of the agora, the Greek marketplace that also birthed democracy and the public sphere. ...
(From a recent Early Music Review newsletter)
From Early Music Review, news of fresh reviews that are now posted on their website.
"Brian Robins writes about The Gabrieli Consort and Players at the event formerly known as the Beaune Festival, Clifford Bartlett and Barbara Sachs comment on new editions, and a wide range of new HIP recordings is put under scrutiny by our team of regular contributors." ...
"Roses are red, violets are blue…and this week on Harmonia, we invite you to go tripping through the tulips with us as we bring you a program of early music with texts inspired by both romantic and symbolic associations with flowers. Later in the program we’ll feature Anonymous 4’s recent recording, 1865: Songs of Hope and Home from the American Civil War. ...
"When he was skilfully negotiating the not inconsiderable complexities, upheavals and strife of musical and religious life at the English royal court during the Reformation, Thomas Tallis (c.1505-85) could hardly have imagined that more than 450 years later people would be queuing round the block for the opportunity spend their lunch-hour listening to the music that he composed in service of his God and his monarch. ...
Publication planned for: August 2015
"This is the first book to combine museum-based conservation techniques with practical instructions on the maintenance, repair, adjustment, and tuning of virtually every type of historical musical instrument. As one of the world's leading conservators of musical instruments, Stewart Pollens gives practical advice on the handling, storage, display and use of historic musical instruments in museums and other settings, and provides technical information on such wide-ranging subjects as ...
"Cambridge Woodwind Makers is a not for profit organisation, whose trustees are commited to providing a platform from which to preserve and teach the skills associated with woodwind instrument making.
Located within the ACE Foundation cultural center at Stapleford Granary, Bury Road, Stapleford, Cambridge, CB22 5BP, UK.
It is our objective to make a difference. By bringing together the best resources possible into a new visitors centre and learning environment, we can inspire new people to get making and improve the skills of those who are willing to learn.
With these skills learnt and preserved, we will continue to have ...
(From a recent Handel House newsletter)
"Two new instruments have recently joined the Handel House collection. A 1752 bureau organ by Joseph Snetzler and a 1754 double manual harpsichord by Jacob Kirkman were very generously donated in memory of Ellie Warburg (1932-2014) of Hamden, Connecticut, USA. Both instruments are now installed in the house and it is hoped that they will be used for performances before too long. ...
(US) The New Yorker August Issue Article: "I can't go on" "What's Behind Stagefright?" (By Joan Acocella)
We all suffer at some point of stagefright. But what are the reasons behind it and how does it affect some who perform on stage? (Marc Paré, Editor, EarlyMusicNews.org)
"Stagefright has not been heavily studied, which is strange because, as Solovitch tells us, it is common not only among those who make their living on the stage but among the rest of us, too. In 2012, two researchers at the University of Nebraska-Omaha ...
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The “Summer Workshop and Festival 2014” season has come and gone! Have you posted a review of a recent workshop on your site or blog page? Let us know and we will mention it on our news pages. Feel free to browse our summer workshops list, it is never too early to plan for the next installment of summer workshops. Let us know if we have missed a workshop listing or if updated information is needed. Summer Workshop Organizers: let us know of your plans as your summer workshop details are finalized for 2015. Visit our Summer Workshop Links ("Web Links" section) for past/next year summer workshop details. Should you wish, you may also browse our news articles filtered by “Workshops/ Festivals 2015” category for more “up-to-the-minute” details of this year’s workshops. Looking forward, we wish everyone a most enjoyable and wonderful fall/ winter/ spring concert season; plan early for the summer of 2015 summer workshop season and let us know about it! Merry musik making. (ed.)
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