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Books/Manuscript: (US) Oxford Journals: Early Music Table of Contents for November 2011; Vol. 39, No. 4

Contributed by Admin on Jan 25, 2012

News from the latest Oxford Journals newsletter that the November 2011 edition of the “Early Music” journal is available online for its subscribers.
  

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November 2011 Early Music Table of Contents

EDITORIAL
Francis Knights and Nicholas Kenyon
Early Music 2011 39: 487-488

MONTEVERDI

Winds, cupids, little zephyrs and sirens: Monteverdi and Le nozze di Tetide (1616–1617)
Tim Carter
Early Music 2011 39: 489-502
‘In grembo a Citherea’: the representation of ingenium and ars in Claudio Monteverdi’s Tempro la cetra

Gordon Haramaki
Early Music 2011 39: 503-518
An emblem of modern music: temporal symmetry in the prologue of L’Orfeo (1607)

Ilias Chrissochoidis
Early Music 2011 39: 519-530
‘The high and lowe keyes come both to one pitch’: reconciling inconsistent clef-systems in Monteverdi’s vocal music for Mantua
Roger Bowers
Early Music 2011 39: 531-546
‘His name will be called John’: reception and symbolism in Obrecht’s Missa de Sancto Johanne Baptista

Michael Alan Anderson
Early Music 2011 39: 547-562
Significance and effect of the stile antico in Handel's oratorios

Minji Kim
Early Music 2011 39: 563-574
‘The ripienists must also be at least eight, namely two for each part’: The Leipzig line of 1730—some observations

Andreas Glöckner
Early Music 2011 39: 575-586
J. S. Bach’s Trauer-Music for Prince Leopold: clarification and reconstruction

Andrew Parrott
Early Music 2011 39: 587-596


OBSERVATION
More on Vivaldi in Switzerland
Claudio Bacciagaluppi
Early Music 2011 39: 597-604

BOOK REVIEWS
The beginnings of Christian singing
William Flynn
Early Music 2011 39: 605-607
Purcell's elusive life
Bryan White
Early Music 2011 39: 607-609
Kromeríz explored
Robert Rawson
Early Music 2011 39: 609-611
Instrumental fantasy in the Habsburg lands
James Clements
Early Music 2011 39: 611-613
The lives of German musicians in novels and autobiographies
Bettina Varwig
Early Music 2011 39: 613-614
A classicist tackles opera
Thomas McGeary
Early Music 2011 39: 614-616
Mozart: text and interaction
Tilman Skowroneck
Early Music 2011 39: 616-618
A Viennese woman composer
Janet K. Page
Early Music 2011 39: 618-620

MUSIC REVIEWS
English Masses at home and abroad
Lisa Colton
Early Music 2011 39: 621-623
Celebrating the Eton Choirbook
Fabrice Fitch
Early Music 2011 39: 623-624
D’Anglebert in multiple texts
David Chung
Early Music 2011 39: 624-626

RECORDING REVIEWS
Medieval repertories
Elizabeth Eva Leach
Early Music 2011 39: 627-629
Renaissance masterworks
David R. M. Irving
Early Music 2011 39: 629-633
Frescobaldi keyboard music
Naomi J. Barker
Early Music 2011 39: 633-636
Monteverdi past and present
Gregory Camp
Early Music 2011 39: 636-638
Buxtehude vocal music
Markus Rathey
Early Music 2011 39: 639-641
New variations on Bach’s chorus
Burkhard Schwalbach
Early Music 2011 39: 641-644
Instrumental Handel
Elizabeth Roche
Early Music 2011 39: 644-647
Fortunate Iberia
Tess Knighton
Early Music 2011 39: 647-650
A Mozart bonanza
Rohan Stewart-MacDonald
Early Music 2011 39: 650-655
‘Kleinmeister’ music—A conflict of interests?
Wiebke Thormählen
Early Music 2011 39: 655-658
Period-instrument performances of choral works, 1794–1846
Stephen Groves
Early Music 2011 39: 658-662

REPORTS
Magnano Clavichord Symposium
Peter Bavington
Early Music 2011 39: 663-664
Bach in Edinburgh
Katharine Pardee
Early Music 2011 39: 664-665
The fortepiano at a crossroads
Damien Mahiet
Early Music 2011 39: 665-667


NEWS AND EVENTS
News and events
Early Music 2011 39: 668-669

ABSTRACTS
Abstracts
Early Music 2011 39: 670-672

INDEX FOR 2011
Index for 2011
Early Music 2011 39: 673-683

ADVERTISERS' INDEX
Advertisers' Index
Early Music 2011 39: 683-684

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