EarlyMusicNews.Org

“The American Bach Soloists touch musical audiences through live performances, recordings, and educational programs that emphasize the engaging repertoire and historically accurate performance practices of the Baroque, Classical, and Early Romantic periods with a special focus on the works of Johann Sebastian Bach.

Named "the best American specialists in early music" by The Washington Post, the American Bach Soloists ("ABS") were founded in 1989 with the mission of introducing contemporary audiences to the cantatas of Johann Sebastian Bach through historically informed performances. Under the leadership of Co-founder and Music Director Jeffrey Thomas, the ensemble has achieved its vision of assembling the world's finest vocalists and period-instrument performers to bring this brilliant music to life.

Critical acclaim has been extensive. The San Francisco Chronicle recently extolled the ensemble's "Divinely inspired singing," and has called ABS' performances "a model of what the early music movement can offer at its best: a thoughtful, passionate rendition of great music, attuned to both the stylistic characteristics of the past and to the artistic requirements of our own time." The Wall Street Journal named ABS "a flawless ensemble…a level of musical finesse one rarely encounters," and San Francisco Classical Voice declared: "There is nothing routine or settled about their work. Jeffrey Thomas is still pushing the musical Baroque envelope." 

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Added on: May 03, 2010 | Hits: 267

“Formed in 2002, Belsize Baroque is one of the leading amateur baroque orchestras. It comprises young professionals, students and committed amateurs. The orchestra performs on period instruments in an historically informed style. It collaborates regularly with leading baroque directors to give orchestral perfomances as well as working with choral groups.“

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Added on: Jun 17, 2010 | Hits: 298

Al Ayre Español was founded in 1988 by Eduardo López Banzo with the objective of avoiding the mistaken clichés that often surrounded the performance of Spanish baroque music. The spirit of the ensemble made this possible thanks to musicological rigor, performance excellence and with the main purpose of giving new breath to music from the past, making them appear as recent compositions, and then offering them to the contemporary audience.

The name of the ensemble was inspired by the title for a guitar Fugue of the Calanda (Aragón) composer, Gaspar Sanz. In this Fugue he indicated the musician to play with "ayre español" (in the Spanish way). Unfortunately, precisely what that meant has remained in the 17th Century.

With the passing of the time, Al Ayre Español has become not only a prestigious ensemble, but moreover a performance philosophy, finally giving meaning to the Gaspar Sanz's indication. This has been achieved through lot of reflection, performance and mastery. Al Ayre Español is now a way of performing and enjoying music that Eduardo López Banzo has being creating as a work-in-progress, recognisable, requested and acclaimed all over the world, and for all these reasons was awarded the 2004 Spanish National Music Prize.

The fact that Al Ayre Español is more than a specialised early music ensemble, that represents the musical philosophy "al ayre español", has allowed the project to be flexible. This has made it possible to adapt itself to different formats, as a baroque orchestra -acknowledged by its performances of Handel and Bach- and lately as a classical-romantic orchestra -with opera and concert performances of Haydn and Mozart.

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Added on: Jan 30, 2011 | Hits: 465

“The Academia Montis Regalis's orchestra has become a professional activity thanks to the numerous concerts and the flourishing discography since 1994.
It has been conducting by the most important international specialists in the field of ancient music: Ton Koopman, Jordi Savall, Christopher Hogwood, Reinhardt Goebel, Monica Huggett, Lucy van Dael, Luigi Mangiocavallo, Enrico Gatti, Chiara Banchini, Alessandro De Marchi, who has been the main conductor for the latest years.

Today the orchestra is ever more in demand and performs in notable concert series and festivals in Italy and abroad. They have appeared at the Accademia Nazionale di Santa Cecilia in Rome, the Musica e Poesia a San Maurizio in Milan, the Amici della Musica in Perugia, Florence and Padua, the Giovine Orchestra Genovese in Genoa, the Settembre Musica in Turin, the Istituzione Universitaria dei Concerti in Rome, the Théâtre de l'Opera in Lille (France), the Théâtre Municipal in Lausanne (Switzerland), the Théâtre Poissy and the Théâtre des Champs-Elysées in Paris (France).”

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Added on: Apr 24, 2011 | Hits: 224

“Parallel to the professional orchestra and its concert and recording activities, the Fondazione Academia Montis Regalis Onlus hosts an orchestral training course for young musicians interested in 17th and 18th century repertoire on original instruments ("Corso di Formazione Orchestrale Barocca e Classica").
The course is divided into five cycles of five days each and is directed by tutors of international reputation.

The twenty-three musicians who are selected by an international jury receive a study scholarship and the refund of their expenses for the journey, board and lodging every year.
The scholarship holders take part in an experience that is unique in Italy: they play in a chamber orchestra which is conducted by Italian and foreign directors of international fame for a period of six days every month from January to June.

The orchestra takes part in more public concerts in Mondovì, Turin and other Italian and foreign cities to show the attained artistic level at the end of every cycle.

The tutors and the artistic management decide the programs of the courses by mutual consent: the programs regard the orchestral repertory from the end of 17th to the second half of 18th century, and often they offer the possibility to take part in soloist concerts for the best of musicians.

Thanks to this formula, the young musicians have the possibility of meeting artists of great experience and international prestige and they can examine thoroughly the technical and interpretative points of view of a wide repertory from the first baroque to the threshold Viennese classicism.

The best of the participants have the possibility to be part of the professional orchestra at the end of the five cycles of study.

All the young people who are interested in being part of the Youth Orchestra can visit the web page concerning the auditions.” 

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Added on: Apr 24, 2011 | Hits: 228

“The Prague baroque orchestra Collegium 1704 and vocal ensemble Collegium Vocale 1704 were founded by harpsichordist and conductor Václav Luks in 2005 on the occasion of the BACH – PRAHA – 2005 project. This marked the beginning of their regular collaboration with the Prague Spring International Music Festival.

Since 2007 Collegium 1704 and Collegium Vocale 1704 have been residential ensembles of the Saint Wenceslas Music Festival in Ostrava. The year 2007 was dedicated to the composer Jan Dismas Zelenka and his Missa votiva for which the ensembles received critical acclaim at La Chaise-Dieu and Sablé festivals in France. Collegium 1704 and Collegium Vocale 1704 are also frequent guests of festivals such as the Festival de Festival de Musique de Sully & du Loiret, Festival Baroque de Pontoise, Rencontres Musicales de Vézelay.  …”

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Added on: Apr 24, 2011 | Hits: 435

“Our aim -- to bring good music, played well to everyone. Simple and approachable. We're not a group who believes in gimmicks nor do we believe that our concerts are exclusively for the elite. We put a particular emphasis on communication both with each other and with our audience. It's this that gives us a special freedom of expression in our performances.

Born out of a highly successful year of touring with the European Union Baroque Orchestra,the 27 members were driven by their enjoyment of playing together and the wonderful musical experiences they shared to create a new orchestra.The diversity of culture within the orchestra creates a very special and vibrant sound. Every member brings,from their eleven different countries, their own experiences and musical ideas.

New Century Baroque gave their very successful debut concert in May of 2010 to a packed hall in Newbury and have since performed with soprano Gamma Bertagnolli in Trento, Brixen and Taufers. With EUBO, the group have performed under the directionof some of Europe's finest baroque musicians and have given concerts all over the continent from Slovenia to Bulgaria, Italy, Spain and Latvia to name but a few.”

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Added on: Jul 21, 2011 | Hits: 239

“The Baroque Orchestra of New Jersey (BONJ), founded by Conductor/Music Director Robert W. Butts in 1996, originally specialized in the music of the seventeenth and eighteenth centuries: the Baroque and Classical eras. The Orchestra now performs a wide variety of symphonic, chamber and operatic classical music from all periods.

Initially performing at the historic Darress Theatre in Boonton, the Orchestra became the ensemble in residence at Grace Episcopal Church in Madison in 2002.  In 2008, the BONJ moved to a beautiful new auditorium for its larger concerts- Dolan Hall in the Annunciation Center at the College of St. Elizabeth's, in Convent Station.

As part of its mission, the Orchestra inaugurated in March, 2003 its free annual Family Concert, produced to encourage young people and families to enjoy the orchestra concert experience.  To encourage the development and recognition of classical music students, the BONJ sponsors the Pearl and Julius Young Rising Starts Music Competition.  Winners of the competition, and other young musicians, are given the opportunity to play with the Baroque Orchestra.

In August of 2006, BONJ offered its first Summer Festival of Baroque Music at Grace Church in Madison. The Festival, which has become an annual event, offers a great variety of musical and related performances in the space of a week.“

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Added on: Aug 04, 2011 | Hits: 308

“London Early Opera  is a new baroque ensemble whose members are leading exponents of early music and consist of a flexible number of singers, soloists and instrumentalists. The aim is to showcase treasures of the baroque era using a fine balance of instrumentalists and singers, which can be tailored to suit a particular space or venue. LEO links dramatic music and singing with narration and art history to create magical performances.  
 
The group is directed by harpsichordist, conductor and early music specialist Bridget Cunningham and has performed to acclaim at Southwark Cathedral and in a programme for Advent at St Martin-in-the-Fields. Their recent 'Handel in Italy' concert at St James' Church, Piccadilly was met with great success. …”

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Added on: Sep 07, 2011 | Hits: 473

“Barokksolistene counts up to 20 musicians, all on a solistic level. The ensemble is flexible and its versatility remarkable, appearing as a chamber orchestra, but also as a pub-band, free improvising group, cross-over ensemble or intimate chamber group. Barokksolistene is a platform where excellent musicians can meet, and they offer concert productions normally not found in the context of classical music. Bjarte Eike’s imaginative programming and the ensembles’ infectious music making have been met with great enthusiasm by a wide audience.”

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Added on: Sep 26, 2011 | Hits: 178

“Arion Baroque Orchestra, founded in 1981, is the only early music orchestra performing on period instruments in Québec and one of the most renowned early music ensembles in North America. Led by the enlightened artistic vision of flutist Claire Guimond, the orchestra offers a prestigious concert series in Montréal featuring more than twenty musicians and with the participation of internationally known guest conductors. The clarity and freshness of Arion’s interpretations have been remarked through the concert tours in Japan, United States, Europe and Mexico. Arion has also put together an impressive recording collection with 26 titles both as an ensemble and as an orchestra, distributed internationally and on the web.”

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Added on: Sep 26, 2011 | Hits: 754

“Taking its inspiration from Les Nations, a work by François Couperin symbolising the coming together of musical tastes and heralding a “European artistic space” which, far from being a recent invention, bears all the hallmarks of the Age of Enlightenment, Le Concert des Nations, the youngest of the ensembles directed by Jordi Savall, was founded in 1989. Created during the preparation of the Canticum Beatae Virgine by Charpentier, this group arose out of the need for an orchestra of period instruments that could play the orchestral and symphonic repertoire from the Baroque to the Romantic periods (1600-1850). Le Concert des Nations is the first orchestra of its kind made up chiefly (although not exclusively) of musicians from Latin countries (Spain, Latin America, Italy, Portugal, France, etc.), all of whom are outstanding specialists in performance using period instruments. The impact of the ensemble’s recordings and concerts given in the major cities and music festivals over the last fifteen years has established its reputation as one of the best original instrument orchestras performing today, with a broad and varied repertoire that ranges from the earliest music to be composed for orchestra (L’Orchestre de Louis XIII, 1600-1650) to the masterpieces of the Romantic period, including the key Baroque and Classical composers. …”

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Added on: Oct 03, 2011 | Hits: 315

“Sinfonia New York is a period instrument orchestra that specializes in historically informed, vibrant performances of 17th, 18th and early 19th century music.

Since its debut on October 1st, 2007 at The Town Hall in New York City the group has established itself as a première ensemble that presents old music in thrilling new ways. …

Sinfonia New York was co-founded by Artistic Director Christine Gummere and Executive Director Gene Murrow.  The orchestra has a two-fold mission: to create work for seasoned musicians as well as young players just starting their careers, providing them with an environment that encourages their best playing; and to perform music by famous and lesser-known baroque and classical composers in period style.

Under the leadership of John Scott, the orchestra has received critical acclaim for the high quality of its playing.  As the Sinfonia Players the group has excelled in presenting chamber concerts featuring music from Monteverdi to Mendelssohn.”

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Added on: Oct 22, 2011 | Hits: 184

“A baroque orchestra? Yes. But more importantly - an orchestra in a baroque manner. That means an orchestra searching for more than just performing in a historically informed fashion the pieces that were written 300 years ago. That means an orchestra with a truly baroque approach to music making. That means an orchestra for which the score, the treatises and the instruments are merely a pretext for artistic experiments; for long journeys that lead to the unknown; for creating rather than re-creating!

AdS gives on average nearly one hundred concerts a year, performing in various settings and instrumental combinations. The orchestra has initiated as well as hosted five early music festivals in Poland: "Early Music - Persona Grata" (since 1998); "Music in Paradise" (2003-2009 in Paradyz); "Torun Haendel Festival" (2004-2006); "Three Baroques Festival" (2004-2007 in Wroclaw) and "Baroque Strings and Bows Festival" (2005-2009 in Poznan).

The CD's of AdS have been released by such renowned labels as Alpha, Channel Classics and BIS Records. They have received an international acclaim and won many prestigious awards: 2003 Gramophone Award for Best Baroque Instrumental recording (for Vivaldi's "La Stravaganza" with Rachel Podger), Diapason d'Or, Gramophone Editor's Choice, Choc du Monde de la Musique, Luister 10, 10 de Repertoire, Classics Today, Classic CD. 

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Added on: Nov 09, 2011 | Hits: 214

“Silete Venti! was born in 2004 to deepen the study of the Baroque and Classic period, with the peculiarity of using authentic instruments and of giving a great attention to the original techniques and to search for the ancient sources. The orchestra has from the beginning cooperated with important hystorical researchers and well known international musicians such as Corrado Rovaris. Silete venti! is formed by musicians who are winner of international awards and have been Prime parti in famous orchestras, and who teach in schools full of prestige. Young talented musicians are also applied to the orchestra, with the desire of promoting an ambitious and deep cultural development. Silete Venti! has then become an important part in the Ancient Music panorama, and has been invited in famous festival focused on this repertoire.”

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Added on: Nov 16, 2011 | Hits: 181

“Sixty of the Chicago area’s finest professional musicians make up the chorus and orchestra of Music of the Baroque. Many have played and sung for years with the ensemble. Most members of the orchestra also perform with other leading groups, including the Chicago Symphony and Lyric Opera. Chorus members have active operatic, teaching and recital careers and several perform regularly as soloists with Music of the Baroque. The opportunity to perform early repertoire at a very high artistic level with fellow fine musicians keeps ensemble members coming back concert after concert.“

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Added on: Feb 19, 2012 | Hits: 157

“Barokkanerne is an all-Norwegian baroque orchestra, consisting of Oslo-based, young professional musicians, all with recognized special skills within the field of Early Music. The ensemble was established in 1989, and gives concerts both as a full orchestra and as smaller chamber-music groups. Venues have included the Oslo Chamber Music Festival, the Oslo International Church Music Festival, broadcasts on the NRK radio and television network (the Norwegian Broadcasting Company), and tours abroad, including most recently concerts in Israel and Lithuania.

In 2006 Barokkanerne performed with Det Norske Solistkor in the world premiere of Lasse Thoresen’s Ut Unum Sint, which was written specifically for this orchestra.

Barokkanerne’s activities have traditionally included performances of music for choir, soloists and orchestra, such as Haydn’s Creation, Mozart’s Requiem, the St John and St Matthew Passions by Bach, Monteverdi’s Vespers, and Handel’s Messiah.

During recent years Barokkanerne has begun to draw a wide audience as a purely instrumental ensemble. The increased level of skill, artistry and enthusiasm amongst its members has spurred the orchestra to aim for more independent tasks.”

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Added on: Feb 23, 2012 | Hits: 181

“A period-instrument orchestra with a fresh approach

The Finnish Baroque Orchestra specialises in performance on period instruments –  a mode of performance requiring profound study of the practices and instruments of the period in which a work was composed. Its foremost feature is, however, its fresh, vibrant and open-minded desire to establish a fresh approach to early music.

These days Finnish Baroque Orchestra is working with artists like Sirkka-Liisa Kaakinen-Pilch, Georg Kallweit, Topi Lehtipuu, Hannu Lintu, Sandrine Piau, Karina Gauvin, Juha Kangas, John Storgårds, Aleksei Lybimov, Piia Komsi, Wolfgang Gaisböck, Andres Mustonen, Björn Colell, Alfredo Bernardini,  Marianne Beate Kielland, Arttu Kataja, Erich Hoeprich...”

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Added on: Feb 23, 2012 | Hits: 239

“Since their first performance of Handel's "Messiah" in December 1983, the Galway Baroque Singers have established themselves as one of Ireland's most accomplished amateur choirs.

Formed by Audrey Corbett, the choir has sung many of the major choral works:

• Masses by Haydn, Beethoven, Weber, Cherubini, Bruckner and Mozart
• Magnificats by Bach, Pergolesi, Rutter
• Glorias by Vivaldi and Poulenc
• Requiems by Mozart, Faure, Durufle, Verdi and Rutter
• Carl Orff's Carmina Burana …”

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Added on: Mar 02, 2012 | Hits: 187

“Cois Cladaigh is a mixed voice choir based in Galway and was founded in 1982. The name - Cois Cladaigh - is Irish and can be translated as "beside the Claddagh" which is a well-known area in Galway City. The choir specialises in European music from the late 15^th and early 16^th centuries and also performs a formidable repertoire of contemporary choral music, particularly from Ireland, but also from Scandinavia, Eastern European countries, and North America. …”

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Added on: Mar 02, 2012 | Hits: 117

“Crescendo's mission: 

To bring an innovative approach to rarely heard choral and instrumental music, sacred and secular, performed by amateurs and processionals with the Crescendo Period Instrument Orchestra; and to provide workshops and master classes in the musical arts - both in northwestern Connecticut and nearby New York and Massachusetts.“

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Added on: Mar 02, 2012 | Hits: 158

Ensemble & Orchestra L’Aura Soave in Cremona

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Added on: Mar 03, 2012 | Hits: 174

“Born of the stage [tradition], the Romeo & Julia Kören (Choir) honours a musical storytelling tradition.

The ensemble sings and emotes, making performances a visual as well as a musical experience. The result is a singular brand of vocal drama. ...

A Renaissance concert showcases the most playful side of the Romeo  Julia Choir. Benoît Malmberg deftly conducts his choir through selections from their sizable repertoire, some 150 pieces, generally accompanied by a Renaissance lute and percussion. ... When performing at other venues, the Renaissance concert format is adapted to suit the particular venue. ..."

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Added on: Mar 24, 2012 | Hits: 140

“Emerging in the early 1980s as a grass-roots cooperative of musicians, the [Portland Baroque Orchestra (PBO)] orchestra has matured as a polished, professional organization with a loyal and committed audience that now numbers some 1000 subscription ticket holders and 1100 single-ticket purchasers. The group offers performances in downtown Portland at the First Baptist Church and at Kaul Auditorium on the Reed College campus.

PBO inhabits a modest yet critical niche in the Portland arts community. PBO’s highly specialized orchestral mission complements the Oregon Symphony’s broader purpose. Its narrow focus contrasts well with Friends of Chamber Music and Chamber Music Northwest and its vocal offerings are on a different scale from those of Portland Opera. PBO joins the others to offer the classical music lover a multi-faceted array of options.

The Portland Baroque Orchestra specializes in performing baroque and classical music on original instruments, or replicas, from the time the music was composed. These instruments, and the techniques used to play them, produce an orchestral texture very different from that of their modern counterparts. The improvisation and wit of historically informed performance practices add freshness, clarity, and vitality to the music of Buxtehude, Corelli, Purcell, Scarlatti, Bach, Telemann, Couperin, Vivaldi, Handel, Mozart, Beethoven and many others, linking us directly to a rich and vital past.

PBO’s artistic excellence places it squarely within the ranks of the best baroque orchestras in North America and Europe. Many consider music director Monica Huggett to be the premier baroque violinist performing today. A growing list of the world’s best singers, guest conductors, and instrumentalists in the field of baroque performance now consider Portland an important addition to their musical resumes.”

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Added on: Mar 28, 2012 | Hits: 109

“Now in its fifth decade, the Toronto Chamber Choir holds a place of prominence in the early music scene. Mark Vuorinen, now entering his fourth season as Music Director, is one of Canada’s rising choral conductors, with more than ten years of experience conducting professional and amateur singers. He follows David Fallis, the choir’s Music Director Laureate, an expert in early music who led the choir for more than two decades. 

The choir distinguishes itself by its presentation of large-scale, often little-known, works of the Renaissance and Baroque repertoire, performed in authentic style. In 2007, we performed the Requiem by Francesco Cavalli,
a work rarely heard in Canada. A performance of the 40-voice motet Spem in Alium by Thomas Tallis was a fitting choice for celebrating our 40th anniversary in 2008. In 2010, we sang Media Vita by John Sheppard, an English composer who deserves to be heard more often.  On Good Friday in 2010, we performed the profound Passion oratorio Membra Jesu Nostri by Buxtehude.  Mark Vuorinen said, “This piece is comprised of seven discrete cantatas, each a meditation on a part of Christ’s crucified body. For the sixth cantata, a meditation on the heart, Buxtehude replaces the violins with a consort of five viols, a most extraordinary timbral effect!”  In the spring of 2011, the choir presented a concert of music by Josquin des Prez, arguably the most famous composer during his own lifetime.  Secular and sacred music was performed, including one of his greatest works, the Missa Pange Lingua. More notes are found in the Education and Outreach section of the website.“

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Added on: Mar 28, 2012 | Hits: 183