EarlyMusicNews.Org

"Our aim is to

• help disseminate knowledge and foment research o­n early keyboard instruments (harpsichord, organ, clavichord, fortepiano) and their literature both in Hungary and abroad; organize concerts, courses, professional meetings
• support - by competitive grants - performing artists, educators, musicologists, instrument makers and, in particular, students of the Liszt Ferenc Academy of Music
• promote research and performance of Hungarian keyboard music
• organize youth concerts and lectures
• sponsor new compositions
• promote the publication or recording of musical compositions
• support research and practice of music therapy "
  

Added on: Feb 02, 2008 | Hits: 409

"Ton Koopman was born in Zwolle in 1944. After a classical education he studied organ, harpsichord and musicology in Amsterdam and was awarded the Prix d'Excellence for both instruments. Almost from the beginning of his musical studies he was fascinated with authentic instruments and a performance style based on sound scholarship.

Even before completing his studies he laid the foundations for a career as a conductor of seventeenth- and eighteenth-century music and this fascination with the Baroque era led him in 1969, at age 25, to establish his first Baroque orchestra and, in 1979, to found the Amsterdam Baroque Orchestra followed in 1993 by the Amsterdam Baroque Choir. " ...

Added on: Aug 14, 2007 | Hits: 372

"The Moir Duo, Ronald and Ruth Moir, took their undergraduate education as pianists at the University of Manitoba. Grants from both the Canada Council as well as the Manitoba Arts Council allowed them to undertake 3 years of study in the UK. They studied with Joan Davies (a pioneer in the reintroduction of the historic fortepiano) who performed regularly at the Colt Collection and at the Hazelmere Festival organized by Carl Dolmetsch. Upon their return to Canada they began to tour as the Moir Fortepiano duo, and appeared throughout Ontario."

"They specialize in 18th century keyboard music and take great pleasure in performing on instruments identical to those used by both Mozart and Beethoven. To this goal they have focussed on developing a superb idiomic keyboard touch, a great variation of sonority, a refined awareness of stylistic nuances, a strong sense of ensemble, and a spontaneous musical personality. Concerts are fun without violating the integrity of the music."

Added on: Apr 10, 2007 | Hits: 464

“Barbara Cadranel is a dynamic harpsichordist who has delighted audiences across the globe with her fresh interpretation of the Baroque Period and contemporary music. Along with performing throughout the United States, Europe, South America, she’s also given master classes and appeared on a number of radio and TV shows.

…

At the moment, she is editing one of Fernando Valenti’s books including “The Scarlatti Handbook” which was dedicated to her. She has recently toured Peru, Canada, and performed in “The Boston Early Music Festival” where she has played numerous times, and as usual, after that festival, she played a recital for William F. Buckley, Jr. and has done so until his last year. She has concert bookings globally through 2014, and many of these concerts include mini residencies at universities and “informances” that engage kids and teens, making classical music relevant and fun. Please keep an eye out as we will be streaming live webisodes of Barbara here on the website in 2011.“

Visit website for more information. (ed.)

Added on: Apr 10, 2007 | Hits: 403

"Pedro Persone was born in Tietê, SP, Brazil, and started his harpsichord study at the Conservatório Musical "Dr. Carlos de Campos", Tatuí, SP, with Maria José Carrasqueira. He studied privately with Roberto de Regina in Rio de Janeiro, and received his Bachelor degree in Harpsichord at the Universidade Estadual de Campinas (UNICAMP) in the class of Dr. Helena Jank. In Europe, he attended courses with Felipe Nabuco-Silvestre (Brazil/Portugal), Christophe Rousset (France), and Rinaldo Alessandrini (Italy). In 1977 Mr. Persone studied with Huguette Dreyfus at the Ecole Nationale de Musique de Bobigny, France; in 1988 with Jacques Ogg, at the Academie voor Oude Muziek, Amsterdam. With a scholarship from the Fundação Vitae, he attended the "Primer Curso de Música Barroca Ciudad de Segovia" in the fortepiano class of Patrick Cohen (Fance). He is the fortepianist of the "Klassisch!" duo (with the soprano Andrea Kaiser). There is no other active performer of Fortepiano besides Persone in Brazil. As teacher, he has worked at the Festival de Londrina, Oficina de Música de Curitiba, Festivais de Artes de Itu, and is the professor of harpsichord, chamber music, and thoroughbass at the Conservatório Dramático e Musical "Dr. Carlos de Campos", Tatui. In 1996, he received his Master of Musical Arts from UNICAMP, with research o­n unmeasured works. In 2000, with a scholarship from CAPES, Persone began a doctorate program (D.M.A.) in Historical Performance o­n the Harpsichord and the Fortepiano at Boston University with Professor Mark Kroll, continuing now under the orientation of Professor Peter Sykes."

Added on: Apr 09, 2007 | Hits: 371

The Association of Clavecin en France is a collection point for professional/amateur harpsichordists, makers, musicologists, composer on a national scale in France. Please see site for more information. / "Ce site s’adresse aux clavecinistes professionnels ou amateurs, luthiers, musicologues, compositeurs... Vous trouverez dans la rubrique Association une présentation de l’association, ses prochaines activités, et un bulletin d’adhésion à télécharger. "

Added on: Feb 14, 2006 | Hits: 709

"Cynthia Hiebert has performed both traditional and contemporary harpsichord works in Canada, the United States and England. She studied with Colin Tilney and Arthur Haas, and as a recipient of the Gelber Fellowship, completed a doctorate in harpsichord performance at the State University of New York at Stony Brook. In addition to work as a soloist, she has collaborated with numerous ensembles including New York Baroque, North Shore Pro Musica, I Furiosi, Spiritus, Numus, the York Symphony Orchestra, the Penderecki String Quartet, the Kitchener-Waterloo Symphony Orchestra and the Nota Bene Period Orchestra." ...

Added on: Jul 22, 2005 | Hits: 528

"Boyd McDonald began his career as a pianist giving his Wigmore Hall debut in 1960 followed by a New York Debut in 1963 as winner of the Leschetizky Town Hall Debut Prize. He toured North America, Europe and England as a member of the Beckett and McDonald Piano Duo. Since 1982 he has been an active fortepianist recording the Complete Works for Cello and Fortepiano by Beethoven with Paul Pulford. As an academic he taught composition at the University of Manitoba. He joined the Faculty of Music at Wilfrid Laurier University in 1976 where he currently teaches piano as Professor Emeritus. As a composer McDonald studied with Murray Adaskin, three years with Nadia Boulanger o­n a Canada Council grant and summer schools with Darius Milhaud, John Cage and Stefan Wolpe. His works display a synthesis of virtuosity combined with a theatricality valued by performers whose concerts must be seen as well as heard!" ...

Added on: Jul 09, 2005 | Hits: 561

"Well known in the New York area, Rebecca Pechefsky has performed in such venues as Carnegie Hall’s Weill Recital Hall, Merkin Hall, and the eighteenth-century Morris-Jumel Mansion, where she is co-director of the early-music series Music at
Morris-Jumel. Outside New York she has been heard at the Boston Early Music Festival and in the concert series of the San Diego Harpsichord Society; the Harpsichord Center (Pasadena and Brentwood, California); the Miami Bach Society; the Zoellner Arts Center at Lehigh University in Bethlehem, Pennsylvania; and the  Beeville Concert Association in Beeville, Texas.

A frequent performer at the American Festival of Microtonal Music, she can be heard on its recent compact discs Early and Odysseus (by Johnny Reinhard). For Quill Classics she has recorded a recital of works by Brunnemüller, Bach, and La Guerre
(QC 1001), the complete harpsichord music of François d’Agincour (QC 1002 and 1004), and Bach and His Circle (QC 1006). With Andrew Bolotowsky she has recorded sonatas by Johann Ludwig Krebs for Baroque flute and harpsichord (QC
1003) and flute works by J. S. Bach (also with cellist David Bakamjian; QC 1008, forthcoming). With Brooklyn Baroque, of which she is a founding member (with Bolotowsky and Bakamjian), she can be heard on Northern Lights (QC 1005), a
program of German Baroque works, and The Pleasures of the French (QC 1007), a recital of eighteenth-century French works. (For more information on Brooklyn Baroque, click on the button to the left.) Her recording of Bach's Well-Tempered Clavier, Book I, was released in May 2009. Her recordings have been played across the United States on NPR stations, and Bach and His Circle won the 2009 Just Plain Folks Music Award for best Classical Solo Album.

Also committed to new music, Ms. Pechefsky has premiered works by Mary Inwood, Graham Lynch, Frank J. Oteri, Louis Pelosi, Johnny Reinhard, and Ben Yarmolinsky. In March, she gave the world premiere of Graham Lynch’s prizewinning Petenera at the Aliénor Competition in Winston-Salem, North Carolina. Currently organist at Redeemer Lutheran Church in Glendale, Queens, she lives in Brooklyn with her husband, Erik Ryding, with whom she has coauthored Bruno Walter: A World
Elsewhere, winner of an ASCAP-Deems Taylor Award. ...“

Visit website for more information. (ed.)

Added on: Jun 17, 2005 | Hits: 534