EarlyMusicNews.org

"Peter Martin started playing the guitar while living as a child in Spain. He studied music at Churchill College, Cambridge during which time he became a founder member of the English Guitar Quartet. In recent years, Peter has concentrated increasingly on the lute, theorbo and baroque guitar. He is active as a solo recitalist, accompanist and continuo player. " Visit website for more information. (ed.)

Added on: Apr 19, 2008 | Hits: 1138

"Welcome to the website of the French Lute Society (S.F.L.), a community of lutenists, music lovers, luthiers, professors, amateurs, professionals ... In a word, people crazy enough to be interested in an instrument which is 4 or 5 centuries old, but whose rich repertoire and entrancing sound continue to charm hundreds, even thousands of people throughout France, Europe and the world! "

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Added on: Mar 11, 2008 | Hits: 1139

“"Grey Aengus" is Jim Petersen

Rewind back to 1990, early fall. It's nighttime at a buckskinner's camp. Jim and a
small group are gathered around the warmth of the campfire singing songs and
carrying on. A stranger pulls a most unusual-looking instrument from its case,
attaches a single leg to the back, and, balancing it on his knees, proceeds to
produce the most hauntingly beautiful tunes by hammering its strings with what
appear to be little wooden spoons. This was Jim's introduction to the hammered
dulcimer, an instrument that would soon become an obsession.

Upon researching the instrument and finding out how much one would cost, Jim
decided that building one would be the better option. Proceeding with plans by
Sam Rizzetta acquired at the local library, armed only with ninth-grade
woodworking skills and very few tools, he built his first instrument. (Hey, nobody
told him he couldn't do it.)

Three years later after teaching himself to play (hey, nobody told him he couldn't
do it), he was hired at the "Bristol Renaissance Faire" in southeastern Wisconsin.
It was there that he taught himself to play mandolin and later hurdy-gurdy. (By
now you would think somebody would have told him he couldn't do it.)

"Grey Aengus" now plays at many little weekend "Renaissance Faires" throughout
the Midwest, occasionally doing studio work for other musicians and playing for
special events and gatherings. His repertoire is heavily laced with the
compositions of Turlough O'Carolan, the renowned 17th century blind Irish
harper, his absolute favorite composer, followed closely by Robert Burns the
well-known Scottish poet. (go ahead ask him).

Jim also plays the hurdy-gurdy and has recently renewed his high school romance
with the guitar, working on developing a small repertoire of traditional
Irish/Scottish/Celtic songs. Jim's thought on the idea is "Hey, you don't really
need a good voice to sing 'Trad'. Besides, nobody told me I couldn't do it."“

Visit website for more information. (ed.)

Added on: Sep 20, 2009 | Hits: 1141

“ .. His abiding interest in early music naturally led him to the lute.  His primary area of performance is in the baroque lute, especially very late music in the classical style.  Wilke is also one of the few performers who concentrates on solo music for the theorbo.  His album on Centaur Records of Charles Hurel’s suites for the instrument was the debut recording of this music and remains one of only a handful of solo theorbo recordings available.  Today Wilke is pursuing his doctorate in early music at the Eastman School of Music with Paul O'Dette.

Wilke performs widely, having given solo recitals in Italy and Germany as well as throughout the United States.  He has done live on-air performances and interviews for WGUC, WNKU and WVXU radio stations.  Selections from his Hurel album were featured on NPR's national early music show, Sunday Morning Baroque. Wilke recently performed for the Lute Society of America's "Emerging Artist Series" at the 2009 Boston Early Music Festival.“

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Added on: Mar 19, 2010 | Hits: 1146

"Cette Association a pour buts :

• de promouvoir l'étude de la Viole de Gambe ;
• de promouvoir l'étude des techniques anciennes et modernes de facture des instruments de la famille de la Viole de Gambe ;
• de promouvoir l'étude de la musique pour les Violes et de ses sources, en particulier par la publication d'index et de catalogues, de maintenir le contact avec la recherche musicologique dans ces domaines ;
• de publier de la musique pour les Violes au nom de l'Association et encourager les publications faites sous d'autres auspices ;
• d'encourager la composition de musiques nouvelles pour les Violes par concours ou autres manières ;
• de produire du matériel d'enseignement pour les interprètes et les luthiers ;
• d'organiser des rencontres périodiques, conférences, concerts, démonstrations ainsi que des stages d'interprétation ou d'ensembles, etc ;
• d'éditer périodiquement un ou plusieurs journaux pour établir un lien entre les Sociétaires et disséminer les informations concernant les buts et fonctions de l'Association ;
• d'établir des liens à l'échelle internationale entre musiciens professionnels, amateurs, musicologues, luthiers et toutes les personnes intéressées par les buts de l'Association." ...
  

Added on: Aug 05, 2007 | Hits: 1147

"The Baroque Cello International Society (Associazione Internazionale del Violoncello Barocco) was founded in 2006 by the cellists Renato Criscuolo and Andrea Fossà.

The purpose of the Association is being a point of reference for all those interested in the baroque cello and related instruments (such as il basso di violino, il violoncino, il bassetto etc.) as well as musicians, philologists, researchers, violin makers, organists, string makers etc.

The Association organizes concerts, courses, workshops, recordings and and all that can help fulfil the above mentioned purpose of the Association. As well, the Association is developing and maintains an on-line library, iconography and virtual museum with pictures of several instruments from all over the world. ... "

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Added on: Aug 02, 2008 | Hits: 1148

“Thierry MEUNIER and Jean-Marie POIRIER both studied plucked instruments (lute, baroque guitar, vihuela) and early music under Javier HINOJOSA. At the same time, they followed courses with other world famous specialists, Hopkinson SMITH and Paul O'DETTE. Moreover, their research in major libraries allow them to add a good deal of unpublished material to their repertoire. ..“

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Added on: Nov 23, 2009 | Hits: 1152

“I was born in 1983 in Israel, raised in the city of Karmiel, where I started to study Guitar with Erez Suto. Beside my late grandfather, who played the Oud, the was not much connection between my family and music. In my early twenties I relocated to the small town Kiryat-Tivon in where I still live today.

I started to learn Lute and early music and became a student of Dr. Levi Sheptovitsky and a student in Thomas Edison State College, New Jersey where I study for my B.A. in Music. My goal is to be able to teach young children on the importance of music to our life, as I came to learn and as many before me learned.


As you may already understood, I see music and art as the basic building blocks of our civilization and these building blocks must be maintained to keep the civilization alive. ..“

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Added on: Mar 30, 2010 | Hits: 1157

“Stephen Tyler began playing the hurdy gurdy in 1993, adding this instrument to the sound of the recently formed medieval music ensemble Misericordia, which he founded with Anne Marie Summers.  He also plays Gothic Harp, Cittern and Citole.

In 1996, they joined with melodeon player Julian Sutton to form The Wendigo, playing their own compositions inspired by the traditional dance music of central France. It was with two such pieces that Steve, with Anne Marie, won first place in the competition for duets at Saint Chartier festival in 1999, playing hurdy gurdy and bagpipes.

In 2001 he joined medieval music and dance theatre group Daughters of Elvin for their spectacular medieval circus show "Garden of Earthly Delights", commissioned by the National Trust, and continues to play with them.

With these bands he has travelled and performed throughout Europe and recorded numerous CDs, most recently "Passion, Pestilence and Polyphony" comprising music and song from the fourteenth century, with Misericordia.

In 2006 he was featured on Radio 3's Early Music Show on the hurdy gurdy, along with Nigel Eaton, and played at Anost Fete de la Vielle with Jon Swayne and Becky Price.

He is currently recording a second CD with Daughters of Elvin and working on new pieces, some of which involve obscure rhythms and multitracked hurdy gurdies with diverse other instruments. ”

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Added on: May 11, 2009 | Hits: 1179

“Inspired by the intriguing sound of the viola da gamba, the musicians Barbara Pfeifer, Sabine Kreutzberger, Adina Scheyhing and Franziska Finckh founded the viol consort Les Escapades in 2000. The name refers to intrigues or liaisons and gives the flavour of the ensemble’s programmes: besides their concerts as a viol quartet they perform frequently with other instrumentalists, singers, dancers and actors in unusual concerts which create space for a new listening experience. The four players studied at noted centres for Early Music (The Hague, Basel, Trossingen). Numerous solo appearances by individual members of the ensemble, as well as involvement in various chamber music projects, shape and enrich their teamwork in the consort. The consort has become well-known through recordings for Southwest German Radio (SWR) and SWR­TV, and collaboration in several choral projects. Ich will in Friede fahren, published by Christophorus records (Note 1) in March 2009, is the result of a long, intensive and stimulating collaboration with the countertenor Franz Vitzthum.“

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Added on: May 09, 2009 | Hits: 1181

“  I studied instrument making for five years at the London Guildhall University (the former London College of Furniture).  During this time I trained firstly to make early plucked instruments (lutes, baroque guitars) then moved on to hurdy-gurdy making in the last three years of my course.  This led to me obtaining a degree in Music Technology in 1999.

After college, I went on to further my knowledge by joining a woodcarving and sculpture class for two years with Mike Leman, and by working in London for leading boxmaker Andrew Crawford.

I set up my own workshop in Ramsgate during the summer of 2001, and have been a full time hurdy-gurdy maker ever since. I share my workshop with my husband the mandolin & bouzouki maker Kai Tönjes.”

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Added on: May 11, 2009 | Hits: 1187

"Hideki just moved to Portland, Oregon to pursue more performance opportunities. He would like to thank all his fans in Central Oregon for their support and friendship. He will still visit Bend on a regular basis to teach lessons and for engagements, and is still taking students and bookings there.

Hideki Yamaya is a guitarist and lutenist who has been active as a performer and teacher in the West Coast for over 12 years. He currently resides in Portland, Oregon, and is actively teaching and performing in the Portland area and in Central Oregon. He has a B.A. in Music and an M.A. in Ethnomusicology from University of California, Santa Cruz, and an M.F.A. from University of California, Irvine, in Guitar and Lute Performance. His primary instructors have included Paul Beier, Mesut Ozgen, John Schneiderman, Anita Sheer, Robert Strizich, and James Tyler; he has had master classes with Robert Barto, Ronn McFarlane, Richard Savino, Stephen Stubbs, and Benjamin Verdery. He is an internationally acclaimed musician and has performed in Canada, Japan, Great Britain, and Italy.

Added on: Mar 04, 2009 | Hits: 1205

“Multi-instrumentalist and vocalist Shira Kammen has spent well over half her life exploring the worlds of early and traditional music. A member for many years of the early music Ensembles Alcatraz and Project Ars Nova, and Medieval Strings, she has also worked with Sequentia, Hesperion XX, the Boston Camerata, the Balkan group Kitka, the Oregon, California and San Francisco Shakespeare Festivals, and is the founder of Class V Music, an
ensemble dedicated to performance on river rafting trips. She has performed and taught in the United States, Canada, Mexico, Europe, Israel, Morocco, and Japan, and on the Colorado, Rogue and Klamath Rivers.

Shira happily collaborated with singer/storyteller John Fleagle for fifteen years, and performs now with several new groups: a medieval ensemble, Fortune's Wheel: a new music group, Ephemeros; an eclectic ethnic band, Panacea; as well as frequent collaborations with performers such as storyteller/harpist Patrick Ball, sopranos Anne Azema , Susan Rode Morris, medieval music expert Margriet Tindemans, and in many theatrical and dance productions.

She has played on several television and movie soundtracks, including 'O', amodern high school-setting of Othello. Some of her original music can be heard in an independent film about fans of the work of JRR Tolkien. The strangest place Shira has played is in the elephant pit of the Jerusalem Zoo. She hopes to spend more time playing music of all kinds in the wilderness.“

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Added on: May 03, 2010 | Hits: 1210

"The Deutsche Lautengesellschaft e.V. (German Lute Society) was founded in Stuttgart 1996. To support research, to encourage the performance of lute music and to increase the public awareness of this instrument are the main aims of the activities in international contacts, like to the other European Lute Societies and the Lute Society of America for example. " Visit website for more information. (ed.)

Added on: Apr 18, 2008 | Hits: 1222

"Hopkinson Smith has been called the most moving of present day lutenists...he approaches the lute's universe with a musicality which goes far beyond the seemingly limited voice of his instrument. We invite you to explore on this website the magic of his lute and its music. " Visit website for more information. (ed.)

Added on: Apr 18, 2008 | Hits: 1223

"This website has been created as an information-sharing network to facilitate communication among Canadian players of the viola da gamba. Whether you are new to the viol (curious for more information, wanting to rent or buy an instrument or find a teacher), an amateur (perhaps interested in attending a workshop or concert) or a professional (who wants to post information about an upcoming event or locate players in a different region), we hope this website will serve as a useful resource. Travelling across the country on holiday or for business? There may be other players in the area who'd like to get together to play informally, or perhaps there is a concert or workshop that fits within your schedule.

Who are we? The concept for a Canadian Viol Players information-sharing network was originally proposed at an informal meeting of the Canadian participants in the Viola da Gamba Society of America's annual Conclave, during the summer of 2005. In response to that demand, the information on this website was compiled by Joëlle Morton (Toronto), assisted by Sara Blake (Toronto), Peter Payzant (Halifax) and Chrissy Spencer (Vancouver). "

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Added on: Mar 23, 2008 | Hits: 1248

"Like many lute players, Liz Kenny started out by playing the classical guitar. As a junior at the Royal Academy of Music she received intelligent guidance from Michael Lewin (now a colleague there) and came within reach of London concert life. Her first encounter with the lute was hearing a performance by Nigel North - later to be an inspiring teacher. After going down the byways of an English degree and back to the guitar, she returned to this sound. Discovering everything from the subtle feeling of playing on double strung lutes to the freedom of improvisation that playing continuo offered was an exhilarating and at times frustrating experience. Just as well she didn't know at the outset that playing the lute for a living would entail mastering and giving houseroom to a dozen different instruments …

Now her repertoire extends from the early 16th century through the domain of the theorbo and baroque lute to the 19th century, thanks to stumbling across a beautiful small French romantic guitar at a London dealer's.

Her career has always had a strong international bias since it began during the recession in the UK in the early 90s. She went to Paris instead and began a long association with William Christie's Les Arts Florissants, which has had a big influence on her performing style. Playing with an unusually diverse range of ensembles in France, Germany and the USA as well as at home has given her a wide perspective on different ways of making music. She is now committed to drawing on this in devising her own programmes. Groups she has appeared with regularly in over a decade of touring include Les Arts Florissants, Concerto Vocale, The English Concert, Tragicomedia, Teatro Lirico, Tira mi sú, The Gabrieli Consort, The Taverner Consort, The Parley of Instruments, The King's Consort, The Orchestra of the Age of Enlightenment and Concordia. ..." Visit website for more information. (ed.)

Added on: Jul 16, 2008 | Hits: 1265

"Masako Art (née Fujimura), began to play harp after long years of piano. After the university, she took historical harp lessons from William Taylor in Scotland and began her studies in medieval and renaissance music at Schola Cantorum in Basel, which she finished with a diploma in Baroque harp in 2004. Currently she has been in the class of Mara Galassi in Milan. Masako took part in opera productions with Jean-Claude Malgoire in Staatsoper Stuttgart, Theatre Lyrique de Tourcoing and Theatre Champs Elysee and with René Jacobs in Innsbrucker Festwochen, Theater an der Wien and Staatsoper Unter den Linden Berlin, as well as in diverse baroque orchestras and chamber ensembles. She participated in recordings including those with New London Consort (Frottole), Luca Scandali and Stefano Molardi (Giovanni Maria Trabaci), and with Il Vero Modo (Arcadia, Love Letters) and in CD/DVD "L'Orfeo" with Le Grand Ecurie et la Chambre du Roy, as well as radio/TV recordings by DRS, ORF, 3SAT, arte and FranceMusique. ... " Visit website for more information. (ed.)

Added on: Apr 18, 2008 | Hits: 1279

"The Lute Legends Ensemble is a new collaboration between three of Toronto’s most noted performers and teachers of plucked-string instruments. Each player represents one of three ancient musical traditions: the glorious polyphony of the European Renaissance and Baroque, the virtuosic modal improvisation of the Middle East, and the picturesque musical depiction of nature from China. The lute, the oud, and the pipa each evolved extremely different playing techniques and styles along different parts of the Silk Road centuries ago. This new ensemble now brings the three instruments together in a cross-traditional experiment for the twenty-first century."

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Added on: Jun 18, 2013 | Hits: 1298

"When harpist Ann Fierens completed her training at the Hogeschool voor de Kunsten in Utrecht, she was convinced that she should continue her orchestral career. She commenced her continuing education with the iWhen harpist Ann Fierens completed her training at the Hogeschool voor de Kunsten in Utrecht, she was convinced that she should continue her orchestral career. She commenced her continuing education with the intention to follow the same road and to discover the possibilities within the music scene in Belgium. She was given the opportunity to work with Dick van der Harst in an Oxalys production and het Muziek Lod and she played works by Debussy, Ravel, Glière and Fontyn as a soloist accompanied by an orchestra.

Her teacher Erika Waardenburg urged her to dedicate herself to the repertory from the classical period. She soon discovered that the eighteenth century represented a fascinating episode in harp history: the single action pedal harp was invented and soon entered a glorious period when it was introduced to the French court and the Concert Sprituel.

When Ann first met ‘her’ Erard, it was love at first sight. Fascinated by the rich sound of the instrument, she dived into libraries looking for old methods and writings which would teach her how to play and look after her instrument in the best way. The cooperation continued to improve and Ann developed a passion for music, musicians and instruments dating from the 18th and the early 19th century. ntention to follow the same road and to discover the possibilities within the music scene in Belgium. She was given the opportunity to work with Dick van der Harst in an Oxalys production and het Muziek Lod and she played works by Debussy, Ravel, Glière and Fontyn as a soloist accompanied by an orchestra. Her teacher Erika Waardenburg urged her to dedicate herself to the repertory from the classical period. She soon discovered that the eighteenth century represented a fascinating episode in harp history: the single action pedal harp was invented and soon entered a glorious period when it was introduced to the French court and the Concert Sprituel. When Ann first met ‘her’ Erard, it was love at first sight. Fascinated by the rich sound of the instrument, she dived into libraries looking for old methods and writings which would teach her how to play and look after her instrument in the best way. The cooperation continued to improve and Ann developed a passion for music, musicians and instruments dating from the 18th and the early 19th century. " Visit website for more information. (ed.)

Added on: Apr 18, 2008 | Hits: 1303

" Raphaella Smits plays worldwide in her unique way eight-string guitars and historical instruments. Solo recitals as well as performances in duo with the most distinguished colleagues. Besides that stage-work she has made 16 albums, many of them being listed as indispensable to refined music lovers.

Raphaella Smits is internationally praised as an inspiring teacher for both guitar and chamber music. In addition to her chair at the Lemmens Institute in Belgium, she regularly gives master classes in West and East Europe, in North and South America and in Japan.

Organizers of international music competitions ask Raphaella as a member of the jury because of her ability to listen and to judge so accurately. Here again she shows her talent to combine professional skills with a great sense of empathy.

Raphaella Smits is called quite rightly "une Grande Musicienne." Visit website for more information. (ed.)

Added on: Apr 19, 2008 | Hits: 1333

“DANIEL THONON  was born in 1949, in Brussels. His father, a Jazz pianist, owns a cabarets where artists such as Léo Ferré and Georges Brassens hold concerts, as well as an art Gallery.

Daniel immigrates to Canada in 1963 and settles in Montreal, where he finishes his High School Studies. He goes on to study at McGill University at the Faculty of Music, then leaves for Switzerland, where he will study Harpsichord and Early Music at the Conservatory of Music in Geneva. Daniel Thonon then moves to Annecy, France, where he will spend the next ten years playing and producing himself in various concerts around Europe with his Early Music Group "Le Concert dans L'Oeuf". He produces four records with this group, while at the same time, researching various aspects of Musicology, Instrument building, and works for two years as a Music Therapist in a psychiatric institute. He composes and arranges various works for theatre and cinema, traditional music groups, rock, jazz, contemporary, etc.

In 1978, he goes to study music of the Arab/Andaluz tradition in Tlemcen, Algeria, and returns to Canada to settle in St-Marc-sur-Richelieu, where he now lives with his spouse and three children. Upon his return to Canada, he plays with the Ensemble Claude Gervaise for two years, then forms "Ad Vielle que Pourra", a traditional folk Music group, which will rapidly acquire international reputation. During its twelve years of existence, "Ad Vielle que Pourra" has played in hundreds of concerts each year, across North America and Europe. The group has recorded four CD's on the American Label "Green Linnet", which were sold all over the world.

After the dissolution of "Ad Vielle que Pourra" in 1999, Daniel Thonon forms the group "Montcorbier", which carries on the works of the former group. Daniel Thonon composes and arranges for other artists, tours as soloist on the accordion and baroque hurdy-gurdy, and pursues his various activities in musicology and instrument building. ..“

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Added on: Apr 23, 2010 | Hits: 1342

“Robert Eisenstein is the director of the Five College Early Music Program,and conducts the Early Music Collegium and Euridice Ensemble, a 17th and18th century chamber ensemble. He teaches music history and directs the Madrigal Singers at the University of Massachusetts, and performs regularly on the viola da gamba with colleagues and in his capacity as founding member and programming director of the Folger Consort in Washington, DC. Mr.Eisenstein has performed with the New York Renaissance Band, Cappella Nova, the New York Consort of Viols, the Washington Bach Consort, and the National Symphony.“

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Added on: May 03, 2010 | Hits: 1349

"Named after the 19th century baryton virtuoso Vincenzo Hauschka, the Hauschka Ensemble has been amazing audiences for the last ten years. It specialises in the remarkable repertoire of works for self-accompanied baryton, from 17th century works in modified lute tablature through to contemporary works written especially for them. " Visit website for more information. (ed.)

Added on: Apr 16, 2008 | Hits: 1362

"Luciano Contini was born in Sassari, Sardinia, in 1958.

After completing his guitar studies with A.Marrosu and O.Ghiglia with awards in various competitions, he began, in the 1980's to dedicate himself to performance practice of renaissance and baroque music, and began playing the lute, exclusively.

From 1982, after graduating cum laude in musicology from the University of Bologna, he continued his studies at the famous Schola Cantorum Basiliensis, Basel, Switzerland, with H.Smith, E.Dombois and J.Christensen.

He began an intense concertistic career which carried him to Europe, the two Americas and Japan, performing for such prestigious institutions as the Gesellschaft der Musikfreunde and the Konzerthaus in Vienna, the Théâtre des Champs-Elysées in Paris, the Staatsoper in Berlin and the Teatro alla Scala in Milano with musicians like A. Curtis, B.Dickey, C.Banchini, J.Christensen, R.Clemencic, J.Savall, R.Muti. " See website for more information. (ed.)

Added on: Feb 09, 2008 | Hits: 1382