EarlyMusicNews.Org

"Empire Viols formed in 1994 and has been in residence at Second Presbyterian Church since 1998. The core group of two viols and harpsichord frequently expands to include more viols or other instruments, while maintaining a focus on the rich duo viol repertoire of the seventeenth and eighteenth centuries. The 2008-2009 season features a tour of the southwestern United States. ... " Visit website for more information. (ed.)

Added on: Aug 06, 2008 | Hits: 415

"Debra Lonergan performs with the early 17th century ensembles La Gente d’Orfeo and Anaphantasia, as well as Milwaukee's Ensemble Musical Offering, and the period string quartet Mirabel. She has played continuo in concert for several of today’s leading soloists, among them, Enid Sutherland, Jaap Schroeder, Stanley Ritchie, Marilyn McDonald and John Holloway.

Ms. Lonergan has made an extensive study of string pedagogy, and with nearly 30 years of experience teaching all ages, maintains an active studio in Ann Arbor, Michigan. " See website for more information. (ed.)

Added on: Mar 03, 2008 | Hits: 354

“ .. His abiding interest in early music naturally led him to the lute.  His primary area of performance is in the baroque lute, especially very late music in the classical style.  Wilke is also one of the few performers who concentrates on solo music for the theorbo.  His album on Centaur Records of Charles Hurel’s suites for the instrument was the debut recording of this music and remains one of only a handful of solo theorbo recordings available.  Today Wilke is pursuing his doctorate in early music at the Eastman School of Music with Paul O'Dette.

Wilke performs widely, having given solo recitals in Italy and Germany as well as throughout the United States.  He has done live on-air performances and interviews for WGUC, WNKU and WVXU radio stations.  Selections from his Hurel album were featured on NPR's national early music show, Sunday Morning Baroque. Wilke recently performed for the Lute Society of America's "Emerging Artist Series" at the 2009 Boston Early Music Festival.“

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Added on: Mar 19, 2010 | Hits: 394

“Tanya Tomkins, a virtuoso on both the Baroque and modern cello, is equally at home playing a Bach cello suite in an intimate house concert or anchoring the cello section of the internationally renowned Philharmonia Baroque Orchestra on concert stages around the world. NRC Handelsblad (The Netherlands) describes her as “a cellist with a very special and unusual intensity,” and the Cleveland Plain Dealer calls her "a performer who combines an intense dramatic fire with Apollonian poise.”

Added on: Jan 22, 2011 | Hits: 300

“Born in Florida, Carter received a rigorous but conventional training as a classical guitarist with Bruce Holzman at The Florida State University before falling in love with the earlier plucked instruments and the world of historical performance. Following initial guidance from Pat O’Brien in New York City, he travelled to London as a Fulbright Scholar where he studied the Lute with Nigel North and quickly established himself as one of the leading players on old instruments.

Added on: Nov 25, 2011 | Hits: 207

“For thousands of years, the sound of the lyre dominated European and Celtic music.  Today it is almost unknown.

Rediscover the sound of this captivating instrument, and of the bone flutes, skin drums and songs that shared its musical world.

Thor Ewing, the Lyre Man, is deeply versed in the lyre’s history, and in the music and song of the Early Middle Ages, from Anglo-Saxon and Viking times to the last days of the lyre in the twelfth and thirteenth centuries.  The repertoire can include music from as far apart as Ancient Greece, and modern British and Scandinavian folk traditions.

He is also an accomplished exponent of the storytelling traditions and verse of early Britain and Scandinavia.

The Lyre Man can call on other musicians where appropriate, to create a unique Ancient Ensemble.“

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Added on: May 11, 2009 | Hits: 373

“The Hurdy-gurdy Forum was started as an online forum for hurdy-gurdy enthusiasts on the 31st of May 2006 by Scott Marshall, then a newcomer to hurdy-gurdies. Although there was an existing hurdy-gurdy mailing list in the US, Scott wanted to contact and meet players from the UK. Somehow the idea of meeting up grew into the First UK Hurdy-gurdy Festival, which took place on the 20th-22nd of April 2007 in Lancaster. Ever since the Forum has been growing and thriving, and we have new subscribers every week! It has become an important hub for friendship, discussion, resources and trade for hurdy-gurdy fans worldwide. ..“

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Added on: Jun 05, 2010 | Hits: 346

“ Solo-CD, Music by Carl Friedrich Abel ( www.hyperion-records.co.uk/al.asp?al=CDA67628 ), winner of Editor's Choice Gramophone Award 2008 .. .

Susanne Heinrich studied at the Meistersinger Conservatory of Nuremberg, and at the Frankfurt State Academy of Music, where she passed her recital diploma with the highest distinction. She was then granted the prestigious DAAD (German Academic Exchange Service) scholarship to study with Wieland Kuijken at the Royal Conservatory of The Hague. She has performed and recorded with many leading period-instrument ensembles of Europe, and has made over 15 recordings with the award-winning ensemble  “Charivari Agréable“. Susanne has been a member of the“Palladian Ensemble” (the “Palladians” from 2007) since 1994 and she has written for various journals, including “The Consort“, and  “Chelys“. Sought after as a teacher, her last position was Professor for Viols and Violone at the Guildhall School of Music and Drama, London; Susanne is now devoting some of her time to the chief editorship of  “Charivari Agréable Publications”. The revised New Grove Dictionary of Music & Musicians refers to her as one of the 'leading players' of this generation.“

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Added on: Apr 13, 2009 | Hits: 370

“Stephen Tyler began playing the hurdy gurdy in 1993, adding this instrument to the sound of the recently formed medieval music ensemble Misericordia, which he founded with Anne Marie Summers.  He also plays Gothic Harp, Cittern and Citole.

In 1996, they joined with melodeon player Julian Sutton to form The Wendigo, playing their own compositions inspired by the traditional dance music of central France. It was with two such pieces that Steve, with Anne Marie, won first place in the competition for duets at Saint Chartier festival in 1999, playing hurdy gurdy and bagpipes.

In 2001 he joined medieval music and dance theatre group Daughters of Elvin for their spectacular medieval circus show "Garden of Earthly Delights", commissioned by the National Trust, and continues to play with them.

With these bands he has travelled and performed throughout Europe and recorded numerous CDs, most recently "Passion, Pestilence and Polyphony" comprising music and song from the fourteenth century, with Misericordia.

In 2006 he was featured on Radio 3's Early Music Show on the hurdy gurdy, along with Nigel Eaton, and played at Anost Fete de la Vielle with Jon Swayne and Becky Price.

He is currently recording a second CD with Daughters of Elvin and working on new pieces, some of which involve obscure rhythms and multitracked hurdy gurdies with diverse other instruments. ”

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Added on: May 11, 2009 | Hits: 436

“Rob MacKillop - Rob has recorded seven CDs of historical music, three of which reached the Number One position in the Scottish Classical Music Chart. In 2001 he was awarded a Churchill Fellowship for his research into medieval Scottish music, which led him to studying with Sufi musicians in Istanbul and Morocco. He broadcast an entire solo concert on BBC Radio 3 from John Smith's Square, London. He has presented academic papers at conferences in Portugal and Germany, and has been published many times. Rob has been active in both historical and contemporary music. Three of Scotland's leading contemporary composers have written works for him, and he also composes new works himself. In 2004 he was Composer in Residence for Morgan Academy in Dundee, and in 2001 was Musician in Residence for Madras College in St Andrews. He created and Directed the Dundee Summer Music Festival. He works as a Reader of schools literature for Oxford University Press, and as a reviewer for Music Teacher. He has also been Lecturer in Scottish Musical History at Aberdeen University, Dundee University (where he created an evening class), and at the Royal Scottish Academy of Music and Drama. He is presently Musician In Residence to Queen Margaret University in Edinburgh. ..“

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Added on: Jul 25, 2009 | Hits: 386

“Richard Gwilt is well established as one of Europe's better-known baroque violinists (London Baroque) and teachers (Hochschule für Musik, Köln). Born and educated in Edinburgh, he has degrees in music from the University of Birmingham, and the University of Michigan (Ann Arbor), U.S.A. While at Birmingham, he studied violin with Orrea Pernel. He started playing the baroque violin in 1980 while at the University of Michigan, and on returning to England in 1983 joined the mainstream of the English period instrument performing scene.

He has played and recorded with many orchestras, including the English Concert with Trevor Pinnock, the Academy of Ancient Music with Christopher Hogwood, the English Baroque Soloists with John Eliot Gardiner, and the London Classical Players with Roger Norrington. He has also worked with many orchestras in Europe, including Anima Eterna with Jos von Immerseel and La Chapelle Royale with Philippe Herreweghe.

It is, however, as a chamber musician that Richard Gwilt has built his reputation. He has been a member of London Baroque since 1984, and has worked with numerous chamber ensembles throughout Europe. He has performed in most of the major chamber music concert halls (including the Concertgebouw in Amsterdam, the Konzerthaus and Musikverein in Vienna, the Wigmore Hall and Purcell Room in London and the Alice Tully Hall in New York) as well as other venues throughout Europe, Japan and the Americas. He has also made frequent radio and television performances, and recorded over thirty CDs, as both chamber musician and soloist.

A recent expansion of his chamber music activities has been the formation of the ensemble, Arcomelos, with violinist Irmgard Schaller and cellist Sibylle Huntgeburth.

In addition to his work as a chamber musician, Richard Gwilt also works as a conductor and musical director, and is very active as a teacher. As conductor and musical director, he has worked among others with the Remix Baroque Ensemble in Porto (Portugal) with Concerto Armonico in Freiburg, and with the Altemusik ensemble in the Musikhochschule in Köln.  …”

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Added on: Sep 07, 2011 | Hits: 227

"Peter Wendland performs as a soloist, specializing in the repertoire for unaccompanied solo viola da gamba, and is a member of various ensembles in the UK and Germany, including the acclaimed Rose Consort of Viols. Peter has made numerous recordings for radio and television and CD, including Bach’s Art of the Fugue with the Kölner Violen Consort, the first recording of the twelve sonatas for violin, viola da gamba and basso continuo by Johann Philipp Krieger (1649-1725) with the Baroque violinist Mihoko Kimura, and a recording of contemporary music by the American cult composer, "Moondog". Recent recordings with The Rose Consort of Viols on Naxos include "Elizabethan Songs and Consort Music" with Catherine King, Mezzo-soprano. Peter is also an experienced teacher and lecturer. " Visit website for more information. (ed.)

Added on: Mar 23, 2008 | Hits: 319

"British lutenist Nigel North has been sharing music with audiences for nearly 30 years. His quiet and gentle personality goes, literally, "hand in hand" with his choice of instrument; the lute is one of the most gentle, subtle yet technically demanding of "ancient" instruments. Through this medium, as soloist, accompanist and ensemble musician, Nigel has inspired appreciation from concert public and recording listeners ... " Visit website for more information. (ed.)

Added on: Apr 16, 2008 | Hits: 361

"Mike Parker is a harpist and musicologist who initially studied instrument building at the London College of Furniture, building and restoring 'early' and folk harps. His repertoire covers many styles of music from 'early' and folk styles through baroque and classical and into the world of 'light music' and pop.

He is the only Englishman to have been awarded Olamh Sui (Doctorate) by the Institute of Traditional Celtic Music, which was awarded for his work relating to the historical usage of the harp in the Celtic nations. He researches all aspects of the historical harp and modern folk music, resulting in a collection of 23 harps (with 2 more under construction) to enable him to use the most appropriate instrument and technique for each type of music.

Mike Parker completed an MMus in Performance & Related Studies in 2003 on the single action harp, at Goldsmiths College, University of London.

A specialist on the development technique and repertoire of the single action harp (1770-1825) and he has written a book, 'Child of pure harmony' on this subject. The solo recording 'A twist of the rope' [JNL CD1] is available in larger UK music stores and features Celtic music from the last 900 years played on 5 harps. " Visit website for more information. (ed.)

Added on: Apr 18, 2008 | Hits: 523

"Matthew Wadsworth, lutenist, is in great demand as a soloist, continuo player and chamber musician. He has appeared at major festivals in the UK, Europe and North America and can frequently be heard on radio, both in live performance and on disc.

Matthew has recorded for Avie, Deux-Elles, Linn and EMI Records. His CDs, “When Laura Smiles”, (featuring music by Phillip Rosseter), “Away Delights” (Robert Johnson) and “14 Silver Strings” (Kapsberger and Piccinini) have received international critical acclaim.

Matthew is delighted to have recently been taken on as a solo artist by Channel Classics, and their first collaboration, ‘Masters of the Lute’ was Editor’s Choice in Gramophone Magazine, December 2006. " Visit website for more information. (ed.)

Added on: Apr 16, 2008 | Hits: 507

“ .. . She now performs widely as a viola da gamba soloist, having appeared with the Britten-Pears Baroque Orchestra, the Essex Baroque Orchestra, the Lecosaldi Ensemble, the Choir of St. John’s College Cambridge and the Sweelinck Ensemble among others. In 1995 she performed a viola da gamba concerto by Leonard Salzedo at Benslow Hills Music Trust in the presence of the composer.
Since 2000 Mary Pells has worked for the Associated Board of the Royal Schools of Music as an examiner and as a mentor on their Certificate of Teaching course. ..“ Visit website for more information. (ed.)

Added on: Apr 19, 2009 | Hits: 382

"Manuel Minguillón was born and raised in Madrid, Spain. He obtained his bachelor degree in guitar performance from the Conservatorio de San Lorenzo de El Escorial where he studied with Gerardo Arriaga. Captivated by the music of the Renaissance, he continued his studies in Early Plucked Instruments at the Conservatorio de Arturo Soria, in Madrid, with Jesús Sanchez. Subsequently, Minguillón studied in Seville with Juan Carlos Rivera at the Conservatory Manuel Castillo, and thereafter perfected his skills under the guidance of master lutenist Hopkinson Smith in Basel, Switzerland. In 2005 he completed a Master's Degree in Lute and Early Plucked Instruments with the world renowned lutenist Paul O'Dette at the Eastman School of Music in Rochester, New York where he is currently completing a Doctorate in Musical Arts. Since 2004 he has served as Professor O'Dette's primary teaching assistant for lute at the Eastman School. " See website for more information. (ed.)

Added on: Mar 03, 2008 | Hits: 382

“I have been making instruments for the past fifteen years, at first at instrument making courses in the school holidays in Germany, then working with a harpmaker in Scotland for six months prior to joining the London College of Furniture in 1992.  After a six year training in making baroque instruments, violins and guitars/mandolins I graduated with an honours degree in 1998.  I moved to Ramsgate, Kent in the south east of England in 2002 where I share a workshop with my wife, the hurdy-gurdy maker Claire Dugué.

I mostly make mandolins, irish bouzoukis, mandolas and citterns for a wide range of players in various countries.“

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Added on: May 11, 2009 | Hits: 411

"John Hollowayis o­ne of the pioneers of the modern “Early Music” movement in Britain. He played his first public concert in aid of Hungarian refugees in 1956. He was 8 years old. After a conventional training at the Guildhall School of Music and Drama and various international competitions, he worked as a freelance in London: throughout the 1970s he combined concert-mastering and managing the orchestra of Kent Opera, appearances with all the prominent chamber-orchestras in London, contemporary music and string quartet concerts, and, after encountering Sigiswald Kuijken in 1972, performances o­n Baroque violin" ...

Added on: Jul 13, 2005 | Hits: 513

"Jakob Lindberg was born in Djursholm in Sweden and developed his first passionate interest in music through the Beatles. He started to play the guitar and soon became interested in the classical repertoire. From the age of fourteen he studied with Jörgen Rörby who also gave him his first tuition on the lute. After reading music at Stockholm University he went to London to study at the Royal College of Music. Here he further developed his knowledge of the lute repertoire under the guidance of Diana Poulton and decided towards the end of his studies to concentrate on renaissance and baroque music. " Visit website for more information. (ed.)

Added on: Mar 23, 2008 | Hits: 418

"The American-born lutenist Jacob Heringman studied with Jakob Lindberg at the Royal College of Music in London, and later with Pat O'Brien in New York.

Based in England since 1987, he has established himself as one of the world’s most respected and most innovative solo lute players, and as a much sought-after ensemble player performing regularly throughout Europe and North and South America, and making many CD and radio recordings of medieval and renaissance music with leading English ensembles, including The Rose Consort of Viols, Fretwork, Musicians of the Globe, The Kings Singers, The New London Consort, Virelai and The Dufay Collective.

As a continuo player, Jacob Heringman performed and recorded with The King's Consort, The English Baroque Soloists, The Parley of Instruments and The Taverner Consort, among others. In 1993, he left the continuo circuit to focus on renaissance solo and ensemble projects.

Jacob's playing is also to be heard on the soundtracks of many Hollywood films (most recently, Harry Potter III and Kingdom of Heaven), and occasionally on pop albums (most recently, Joni Mitchell's Travelogue). " Visit website for more information. (ed.)

Added on: Mar 23, 2008 | Hits: 423

"Ibrahim (Ibi) Aziz was born in Malaysia and began music lessons when he was eight. In 1999 he went to Trinity College of Music London to study the viola da gamba under Alison Crum. During his studies he was also privately taught by Sarah Cunningham, and attended various master classes in the UK and Europe given by Jordi Savall and Wieland Kuijken. He is the recipient of many awards and prizes: while at Trinity he became the first winner of their Early Music Prize, and was the first person in the college’s history to win its prestigious Gold Medal on a period instrument over all other mainstream instrumentalists. Mr Aziz now divides his time performing and teaching. He plays with a number of period groups and ensembles in the UK and abroad, most notably Sestina Consort, Charivari Agreable and The Maresienne Consort, with whom he has recorded for Signum Classics. He is a member of the internationally acclaimed Rose Consort Consort of Viols. As a young player he recently helped found ‘Chelys’, a young professional viol consort based in the UK. Mr Aziz is the viol tutor at Morley College, London, and regularly teaches at The Dartington International Summer School, The Benslow Early Music Courses, The Ascot (and Irish) Early Music Courses, among others. Recent engagements include appearances in concerts at the City of London Festival, The York Early Music Festival, Italy, Ireland and on BBC Radio 3's In Tune with Sean Rafferty. Forthcoming events include performances in Switzerland, at the Brighton Festival, Greenwich International Early Music Festival, The Snape Maltings concert hall in Aldeburgh, and a broadcast on the Early Music Show on BBC Radio 3 with The Rose Consort of Viols. Mr. Aziz plays a seven-string bass viola da gamba by Jane Julier after Nicholas Bertrand, and a treble viola da gamba by Kazuya Sato. " Visit website for more information. (ed.)

Added on: Mar 23, 2008 | Hits: 803

"Named after the 19th century baryton virtuoso Vincenzo Hauschka, the Hauschka Ensemble has been amazing audiences for the last ten years. It specialises in the remarkable repertoire of works for self-accompanied baryton, from 17th century works in modified lute tablature through to contemporary works written especially for them. " Visit website for more information. (ed.)

Added on: Apr 16, 2008 | Hits: 674

“Having initially studied classical guitar at Napier University, Gordon Ferries went on to study at the RSAMD where he specialised in lute and early guitar music. He has now established himself as one of the UK's leading exponents of the baroque guitar. Gordon has worked for both television and radio: arranging and performing music for Radio 4; featuring on 'Scotland's Music' with Concerto Caledonia, and for BBC 2 television. He has performed in venues and festivals across the UK both as a soloist and in ensemble and has appeared with The Scottish Ensemble, The Scottish Early Music Consort and the Edinburgh Quartet, amongst others. Gordon directs his own group, Symphonie des Plaisir.

Gordon has been awarded two grants from the Scottish Arts Council towards study at the Bibliotheque Nationale de Paris, reasearching the baroque guitar; the fruits of which appear on his recordings. He lectures in lute and guitar at Napier University in Edinburgh, and is involved in teaching young people in many musical styles.“

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Added on: Jul 24, 2009 | Hits: 720

"Like many lute players, Liz Kenny started out by playing the classical guitar. As a junior at the Royal Academy of Music she received intelligent guidance from Michael Lewin (now a colleague there) and came within reach of London concert life. Her first encounter with the lute was hearing a performance by Nigel North - later to be an inspiring teacher. After going down the byways of an English degree and back to the guitar, she returned to this sound. Discovering everything from the subtle feeling of playing on double strung lutes to the freedom of improvisation that playing continuo offered was an exhilarating and at times frustrating experience. Just as well she didn't know at the outset that playing the lute for a living would entail mastering and giving houseroom to a dozen different instruments …

Now her repertoire extends from the early 16th century through the domain of the theorbo and baroque lute to the 19th century, thanks to stumbling across a beautiful small French romantic guitar at a London dealer's.

Her career has always had a strong international bias since it began during the recession in the UK in the early 90s. She went to Paris instead and began a long association with William Christie's Les Arts Florissants, which has had a big influence on her performing style. Playing with an unusually diverse range of ensembles in France, Germany and the USA as well as at home has given her a wide perspective on different ways of making music. She is now committed to drawing on this in devising her own programmes. Groups she has appeared with regularly in over a decade of touring include Les Arts Florissants, Concerto Vocale, The English Concert, Tragicomedia, Teatro Lirico, Tira mi sú, The Gabrieli Consort, The Taverner Consort, The Parley of Instruments, The King's Consort, The Orchestra of the Age of Enlightenment and Concordia. ..." Visit website for more information. (ed.)

Added on: Jul 16, 2008 | Hits: 425