EarlyMusicNews.Org

“Collegium Cantorum is a concert choir, organized in 1986, specializing in "large forms for small choirs" and drawing most of its repertory from the great masterpieces of medieval and Renaissance Europe. The Latin name, loosely translated above, was chosen to suggest a concentration on "early music"; to us, this means music composed before 1600.

Our performances, held in Washington-area churches with acoustics appropriate to medieval and Renaissance "cathedral music", are open to the public without charge, though voluntary, tax-deductible donations are solicited.  …“

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Added on: Nov 12, 2012 | Hits: 96

“Blue Heron is a professional vocal ensemble that combines a commitment to vivid live performance with the study of original source materials and historical performance practice. Blue Heron's principal repertoire interests are fifteenth-century English and Franco-Flemish polyphony, ranging from Dunstable and Du Fay through Ockeghem to Josquin; Spanish music between about 1500 and 1575; and neglected early sixteenth-century English music, especially the rich and unexplored repertory of the Peterhouse partbooks (c. 1540). Founded in 1999, Blue Heron presents its own series of concerts in Cambridge, Massachusetts and New York City; it has appeared as part of the Boston Early Music Festival, travelled all over the Northeast, and sung at the Festival Mozaic in San Luis Obispo, California. In 2009 Blue Heron presented the opening concert of the Boston Early Music Festival Concert Series and ended the season with a performance at the Connecticut Early Music Festival. Last season the ensemble performed with Piffaro in Philadelphia, at Dumbarton Oaks in Washington, DC, and on the Music Before 1800 series in New York City. This season they will appear at the Cloisters in New York City and on the Renaissance and Baroque series in Pittsburgh, PA. …”

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Added on: Mar 28, 2012 | Hits: 98

“The Tallis Scholars were founded in 1973 by their director, Peter Phillips. Through their recordings and concert performances, they have established themselves as the leading exponents of Renaissance sacred music throughout the world. Peter Phillips has worked with the ensemble to create, through good tuning and blend, the purity and clarity of sound which he feels best serve the Renaissance repertoire, allowing every detail of the musical lines to be heard. It is the resulting beauty of sound for which The Tallis Scholars have become so widely renowned. …”

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Added on: Mar 28, 2012 | Hits: 104

“The liturgical choir Cantores in Ecclesia, established in 1983, began a long and happy residence at St. Patrick's Church in June, 1985, through an arrangement with its pastor, Fr. Frank Knusel, and Bishop Paul Waldschmidt of the Archdiocese of Portland. The choir's first sung Mass at the historic NW Portland Church was the Solemnity of Corpus Christi, for which it sang William Byrd's Mass for Five...

The principal service of Cantores in Ecclesia has been and will remain the task of combining music and liturgy. At its heart will always be the ancient sung prayer of Gregorian chant, surrounded and supported by the sacred music of great masters such as Palestrina, Victoria, and Byrd. In this respect, Cantores in Ecclesia has changed very little since its inception: a choir fully dedicated to the preservation and promotion of Gregorian chant and sacred polyphony in liturgical context within the Latin Mass of the Catholic Church.”

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Added on: Mar 28, 2012 | Hits: 107

“The Renaissance Singers was founded in 1944 by Michael Howard as the performing arm of the Renaissance Society, and led the revival of interest in Renaissance sacred polyphony-the beginnings of the "early music movement". Their first concert was on 3rd June 1944 in St Marylebone Parish Church. The Singers made many recordings and broadcast regularly-the first broadcast being on Christmas Day 1945. They often sang from hand-written and -copied parts produced by scholars such as Bruno Turner-now one of the choir's vice-presidents.

In 1992, after a gap of some ten years, the Singers were re-formed by Michael Procter as a chamber choir specialising in this repertoire. In recent years their activities have included performances at festivals in Warwick, Bath and Southwark and tours in France, Germany, Ireland, the Netherlands and the Czech Republic. These engagements, and their annual programme of concerts and workshops in central London and Oxford have earned the Renaissance Singers the reputation of being one of the best specialist amateur choirs in the country.  Edward Wickham took the reins in 1995, and was followed by JanJoost van Elburg in 2005. 

The choir appointed David Allinson as our Musical Director in 2009.  David’s academic and performing interests converge in his love of Renaissance choral music.  His infectious energy, enthusiasm and humour combined with a wealth of historical expertise and technical know-how is telling in our performances …”

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Added on: Feb 28, 2012 | Hits: 125

“Blackdowns Early Music Projects have been happening every year since 2004.  The Project was principally conceived  to draw together groups of experienced singers to work under the expert guidance of specialist music directors on programmes of infrequently performed early music (mostly pre 1720).   The singers are invited from all over Europe and the UK and spend 3 or 4 days working together on music that is performed in Blackdown Hills area venue.  The resulting choral concerts  have become a mainstream event in the Blackdowns calendar for anyone who loves renaissance or baroque vocal music.”

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Added on: Nov 08, 2012 | Hits: 125

“Lionheart is one of America's leading ensembles in vocal chamber music. Acclaimed for its "smoothly blended and impeccably balanced sound" (Allan Kozinn, The New York Times), Lionheart (Jeffrey Johnson, Lawrence Lipnik, John Olund, Richard Porterfield, Kurt-Owen Richards, and Michael Ryan-Wenger) is best known for its interpretation of medieval and Renaissance a cappella music, with Gregorian Chant as the keystone of its repertoire. The ensemble also collaborates with instrumental ensembles, dance companies, and contemporary composers, and was recently selected for inclusion on the Star Spangled Touring Roster, the first year of an initiative by Early Music America.

Lionheart has released two CDs on the Nimbus label: "My Fayre Ladye: Tudor Songs and Chant: (1997), and "Paris 1200: Chant and Polyphony from 12th Century France" (1998). The ensemble is also heard on Sony Music's CD companion to A History of Western Music, and on NPR's "Christmas Around the Country II," a collection of favorites from NPR's Performance Today. The grpup recently recorded a new CD of the music of Palestrina and his contemporaries with Koch International which is due for release in October of 2001.  On radio, Lionheart has been featured on Performance Today, on PRI's Harmonia, on WGBH, and appears regularly on WNYC. Lionheart has also received significant air play on Radio Shanghai, which broadcasts Western music to a wide audience in China.”

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Added on: Mar 28, 2012 | Hits: 131

“… A versatile countertenor equally at home on both the opera and concert stage, Iestyn has sung the roles of Ottone (L'incoronazione di Poppea’Monteverdi) for Zürich Opera and Glyndebourne Festival Opera; Arsace (Partenope/Handel) for New York City Opera; Oberon (A Midsummer Night’s Dream/Britten) for Houston Grand Opera; Apollo (Death in Venice/Britten) for English National Opera and Hamor (Jephtha/Handel) for Welsh National Opera and Opera National de Bordeaux.

Performing across the world, Iestyn has made appearances in concert at Teatro alla Scala, Milan with Dudamel, the Concertgebouw and Tonhalle with Koopman, the Barbican, Théâtre des Champs-Élysées, Lincoln Centre and at the Royal Albert Hall in the BBC Proms. He has worked with many of the leading orchestras including the OAE, AAM, Scottish Chamber Orchestra, London Philharmonic, Britten Sinfonia, Concerto Köln, Concerto Copenhagen, Ensemble Matheus and Bournemouth Symphony Orchestra. …“

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Added on: Nov 08, 2012 | Hits: 132

“The Swedish soloist Susanne Rydén is one of Europe's sucessful sopranos specialising in early music. Her love and understanding of the colourful Baroque repertoire regularly has led her to work with internationally acclaimed ensembles and conductors, recent concert seasons having included the part of Dorinda in Handel's opera Orlando at the Handel Festival in Göttingen, at the Drottningholm Court Theatre in Stockholm as well as in San Fransisco under the direction of Nicholas McGegan, the St. Matthew Passion with the Nederlandse Bachvereiniging, a programme of Handel with Harry Bicket and the Royal Philharmonic Orchestra in Stockholm, Haydn's Creation with the Kölner Akademie, Handel's Messiah with the Bach Collegium Japan under Masaaki Suzuki, concerts with Lars Ulrik Mortensen and Concerto Copenhagen, Mozart Concert Arias with the Australian Brandenburg Baroque Orchestra and Paul Dyer, and European tours with Emma Kirkby as well as Collegium Vocale and Philippe Herreweghe.
In 2009 she could be seen and heard as the soloist at the Nobel Banquet in Stockholm.”

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Added on: Mar 24, 2012 | Hits: 138

“Carmina, directed by Vera Kochanowsky, is an early music vocal ensemble which has been presenting performances regularly in the Washington DC area since 1998. Carmina has been praised by both the Baltimore Sun and the Washington Post and was featured in the Washingtonian magazine articles "Perfect Pitch" and "Good Arts Groups You Might Not Know About." Carmina's sister organization, the women's vocal ensemble Illuminare, formed in 2006, has also established a reputation in the Washington area for tastefully persuasive interpretations of early repetoire.

To learn more about Carmina and Illuminare programs, past and future, please click on History and Upcoming Performances. Many of our programs are free or by donation. We hope to see you at a concert in the near future!”

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Added on: Mar 02, 2012 | Hits: 142

“Now in its 136th season, The Bach Choir has long been established as one of the world's leading choruses. A succession of eminent musical directors, including Sir Charles Villiers Stanford, Dr Ralph Vaughan Williams, Sir David Willcocks and now David Hill, has each ensured that the Choir performs to the highest standards; excellence which has resulted in invitations to sing in prestigious venues, and with the very best professional orchestras and soloists.

The Bach Choir has some 220 active members, talented singers from all walks of life, all of whom are committed to a challenging schedule of up to twenty concerts in a season, as well as recordings, overseas tours and special engagements. In April 2008 the Choir returned from a three-week tour to Sydney and Melbourne, where it gave six concerts with the late Richard Hickox, Oleg Caetani and David Hill. In July 2009 the Choir was invited back for a third visit to Dresden, where it gave a performance of Haydn's The Seasons in the city's beautifully restored Frauenkirche. The Bach Choir regularly undertakes film score work, featuring prominently on the soundtracks of Kingdom of Heaven, Disney's Chronicles of Narnia, Dreamworks' Shrek the Third, Ridley Scott's Robin Hood and, most recently, Journey 2: The Mysterious Island.

David Hill has been Musical Director of The Bach Choir since 1998, and has earned enormous respect for his musical acumen and high standards. Under his direction the Choir has extended its repertoire with new and challenging works, including regular new commissions. The performance in March 2011 of Vaughan Williams' A Cambridge Mass at the Fairfield Halls was The Bach Choir's fifth world premiere since 2001, and a further new commission is planned for first performance in 2012. In May 2009 the Choir marked the 100th anniversary of the premiere of Delius's A Mass of Life with a concert in the Royal Festival Hall, and the Choir has recorded this work with the Bournemouth Symphony Orchestra for release in 2012. …”

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Added on: May 01, 2012 | Hits: 158

“Aitone was formed in the autumn of 2005 and is based in the east Midlands town of Long Eaton (between Derby, Nottingham and Leicester). Although a recent collaboration, the members have a wealth of singing experience between them, both in early music and other repertoires.
 
We are a mixed a capella group singing a range of music from the 11th to the 18th centuries, including Anglo-Saxon chant, West Gallery psalmody, medieval English discant and Renaissance music.
 
Whenever possible our music is freshly edited from the original sources, providing authentic and sometimes surprising new interpretations of pieces.”

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Added on: Dec 28, 2011 | Hits: 159

“The Baroque Camerata de Caracas was founded in December 1985 by Professor Isabel Palacios in order to achieve a natural expansion of the repertoire that had been working with the Camerata de Caracas Renaissance and to develop, with the new choir, the music of the baroque period to early classical, whose most outstanding are located in the seventeenth century in Europe and the Colony in America. …”

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Added on: Feb 29, 2012 | Hits: 167

“Carmina, directed by Vera Kochanowsky, is an early music vocal ensemble which has been presenting performances regularly in the Washington DC area since 1998. Carmina has been praised by both the Baltimore Sun and the Washington Post and was featured in the Washingtonian magazine articles "Perfect Pitch" and "Good Arts Groups You Might Not Know About." Carmina's sister organization, the women's vocal ensemble Illuminare, formed in 2006, has also established a reputation in the Washington area for tastefully persuasive interpretations of early repetoire.

To learn more about Carmina and Illuminare programs, past and future, please click on History and Upcoming Performances. Many of our programs are free or by donation. We hope to see you at a concert in the near future!”

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Added on: Mar 02, 2012 | Hits: 173

“Inspired by, and dedicated to the music of William Byrd, AVIARIUM* was established in 2004 with the express purpose to revive the acapella choral tradition of the Church.   AVIARIUM is the only Southern California vocal ensemble entirely devoted to recreation of the High Anglican and Catholic musical life, from Medieval Chant to the repertoire of the Anglo-Catholic Revival.“

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Added on: Feb 18, 2012 | Hits: 178

“Formed in 1994 and directed by Alistair Dixon Chapelle du Roi is an ensemble of eight singers, many of whom are in the first few years of their professional careers. The choir specialises in performing and recording sacred music of the late medieval, and Renaissance periods.

Chapelle du Roi has two aims. First, to unearth music that has previously languished unseen and unheard on library shelves and that is deserving of greater prominence. Second, to help re-establish Renaissance music as repertoire that can be enjoyed by everybody by bringing it to wider audiences. Whilst the first aim is achieved by careful research and preparation of new editions (many of which are published by the group's director, Alistair Dixon, through The Cantiones Press the second is met by giving live concerts in the UK and abroad and by making recordings and broadcasts. Chapelle du Roi places great emphasis on presenting programmes that are appealing and engaging and which allow the development of a strong rapport between audience and performers.

Chapelle du Roi is based in London, England, and in addition to accepting concert engagements it also promotes occasional concerts in and around London each year.”

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Added on: Feb 28, 2012 | Hits: 180

“Internationally renowned, Acadian soprano Suzie LeBlanc has established an extraordinary career specializing in Baroque and Classical repertoire and exploring and recording a substantial amount of unpublished material while living in Europe. Her thirst and curiosity for new vistas now lead her toward the repertoire of French mélodies, lieder, Acadian folk music, contemporary music as well as exploring the art of improvisation with Helmut Lipsky and « Au parfum de Tango ».

Her contribution to Acadian culture with the CDs La Mer Jolie and Tout passe and with the documentary Suzie LeBlanc : A Musical Quest, directed by Donald Winkler, along with her performances of Early Music have earned her honorary doctorates from King’s College University in Halifax and Mount Allison University in New-Brunswick. …

She has worked with many of the world’s leading early music ensembles in concert and opera performances as well as on film and on disc. Concerts have taken her to Festivals all over the world as well as to the Concertgebouw (Amsterdam), the Wigmore Hall and the Konzerthaus in Vienna. On the opera stage, she has performed for De Nederlandse Opera, Festival de Beaune, Opéra de Montréal, the Boston Early Music Festival, Tanglewood, Festival Vancouver and Early Music Vancouver.

In recent seasons, she recorded Mozart’s Die Zauberflöte (Pamina) with La Petite Bande (Bayer Records) and Mozart lieder with Yannick Nézet-Seguin (ATMA) and returned to the Brooklyn Academy of Music for Bach’s St-Matthew Passion as staged by Jonathan Miller. Other recent recordings include Lully’s Thésée (CPO), Gluck’s Orphée (Naxos), Buxtehude motets with Emma Kirkby, Peter Harvey and the Purcell Symphony (Chandos), and a Handel Portrait (ATMA). …

Suzie LeBlanc is artistic director of Le Nouvel Opéra (www.lenouvelopera.com) which is ensemble-in-residence at the Montreal Conservatory and co-artisic director of the Elizabeth Bishop Centenary Festival (2011) in Nova Scotia (www.elizabethbishopcentenary.blogspot.com).”

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Added on: Mar 28, 2012 | Hits: 180

“The Renaissance Camerata de Caracas was founded in March 1978 by Professor Isabel Palacios with a group of Venezuelan musicians in order to interpret international early music from the Middle Ages in Europe to the Latin American Baroque …”

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Added on: Feb 29, 2012 | Hits: 181

“The Stanford Early Music Singers specialize in the performance of choral literature from the Medieval and Renaissance eras. EMS typically numbers 25–30 members, with smaller groups occasionally drawn from the ensemble. EMS’s repertoire for the year includes a broad range of literature from England and the Continent presented in the glorious acoustic of Memorial Church.

• To audition, contact Bill Mahrt (mahrt-AT-stanford.edu)
• Early Music Singers meets Tuesdays: 7:30–9:30 p.m.
• Community members are welcome to join at no charge, upon a successful audition.”

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Added on: Jan 16, 2012 | Hits: 187

“The Maryland Cantabile is a community chorus dedicated to exploring music from the early to contemporary period.  Our current focus is early music and we welcome the opportunity to collaborate with other music groups.”

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Added on: Nov 12, 2012 | Hits: 188

“Formed in 2009 by co-artistic directors John Brough and Jolaine Kerley, the Scona Chamber Singers are a professional vocal ensemble, based in Edmonton Alberta, who specialize in the music of the medieval, renaissance and baroque eras.  In their short existence, they have presented programs of rarely performed composers from these eras, including Christopher Tye, William Mundy, Orlando di Lasso, and Heinrich Schütz. 

Added on: Mar 28, 2012 | Hits: 189

“Schola Pietatis Antonio Vivaldi ("Vivaldi's Women") is an all-female ensemble of singers and players which aims to recreate the sound of Vivaldi's Figlie di Choro, those foundlings at Venice's Ospedale della Pietà who performed at Mass and Vespers from behind grilles in the high choir galleries or "cantorie". It reflects the age range and vocal range of Vivaldi's musicians, with women aged 14 to 60+, some singing tenor and bass. The group uses period instruments played at 18th-century Venetian pitch (A˜440Hz).

The work of Schola Pietatis Antonio Vivaldi is based on the findings of Vivaldi researcher Micky White, which give us a comprehensive picture of the daily life of this remarkable institution during the 18th century, the heyday of its musical tradition. We even know the names and ages of the women who sang and played at specific times, together with their instruments and voices; in some cases the names of soloists are written into the music.

Schola Pietatis Antonio Vivaldi includes several past and present members of Oxford Girls' Choir, and was founded by musicologist and choral director Richard Vendome. In 2005 it recorded “Vivaldi’s Women” and “Gloria” for BBC TV, and Vivaldi’s Vespers for Radio 3, with players drawn from the Orchestra of the Age of Enlightenment / Jerwood Experience. "Vivaldi's Women" was awarded a Gold Medal in the "Best Documentary on a Music Subject" category in the 2007 Park City Film Music Festival, Salt Lake City.

During October 2007 the choir performed in Antwerp, Utrecht, London and Bristol with the Orchestra of the Age of Enlightenment directed by Pavlo Beznosiuk, in a programme broadcast on Netherlands Radio 4 and BBC Radio 3. In February 2009 Schola Pietatis Antonio Vivaldi recorded music for the Sky Arts series "Peter Ackroyd's Venice", and this is now available on DVD.“

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Added on: Sep 07, 2011 | Hits: 194

“San Francisco Renaissance Voices made our debut in 2004 with a "standing room only" performance of Victoria's Requiem and quickly became a favorite of Bay Area Early Music audiences.
 
We have consistently earned praise for our "gossamer sound ... a sound something akin to spiritual levitation" as well as recognition for our imaginative programming and christened the Bay Area's"hipper than thou" Early Music ensemble by San Francisco Classical Voice and in 2010 SFWeekly chose us as
"Best Classical Music" for their Best of San Francisco edition.

We are a professional mixed-voice ensemble dedicated to performing and exploring the a cappella choral music of the Renaissance particularly lesser-known and rarely-performed works, as well as exploring music from this period outside of the traditional European canon.”

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Added on: Sep 26, 2011 | Hits: 195

“One of the leading vocal consorts in the UK, Alamire has an enviable line-up of some of the finest consort singers under the charismatic directorship of David Skinner. Inspired by the great choral works of the medieval and early modern periods, the ensemble expands or contracts according to its chosen repertoire and often combines with instrumentalists, creating colourful programmes to illustrate musical or historical themes. Recent collaborations with Andrew Lawrence-King (Peñalosa, Siglos De Oro festival, Madrid 2010; Henryʼs Music CD and 500th anniversary celebrations 2009) and QuintEssential Sackbut & Cornett Ensemble (Henryʼs Music) have been extremely well received.

David Skinner and Alamire record exclusively for Obsidian Records, for whom they have won a number of awards. In March 2010 they received critical acclaim (Gramophone Record of the Month) for their ground-breaking CD of the complete motets of the Cantiones Sacrae (1575) of Thomas Tallis and William Byrd. This is the first in the exciting project entitled Library of English Church Music - a series of 30 recordings which will explore the highlights of the repertoire.  …”

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Added on: Mar 28, 2012 | Hits: 195

“Born in Monopoli near Bari in 1978, he studied at the Music Conservatory “N. Rota” of Monopoli with Serafina Tuzzi with the highest marks and he graduated in Violin highschool with Francesco D’Orazio. He also pursued training in Economics at the University of Bari, graduating in 2003.

He studied baroque music with: Maria Cristina Kiehr, Roberta Invernizzi, Rosa Dominguez, Claudio Cavina, Jill Feldmann, Renè Clemencic and with the English Countertenor Paul Esswood, teacher at the “Royal Academy of Music” in London.

He took part in many competitions: first prize at the “5th Premio città di Brindisi” and the Honour Diploma at the “TIM Competition”.

He’s been interpreter of Monteverdi’s Operas as: “L’Orfeo” staged by Trisha Brown and musical director Renè Jacobs at “59° Festival of Aix en Provence”; “Ottone” in “L’Incoronazione di Poppea” at “30° Festival of Ambronay” under the direction of Leonardo Garcia Alarcon.

He collaborate with “Academia Montis Regalis” directed by Alessandro De Marchi and with the chamber ensemble “L’Astrèe-Montis Regalis” and his director Giorgio Tabacco.

In 2008 he appears at the “Resonanzen” Festival of the Wiener Konzerthaus and “Mostly Mozart Festival” at “Lincoln Center” in New York, with “Concerto Italiano” and Rinaldo Alessandrini.

He is active in medieval music, being a member of the choir “Ars Antiqua”. With this ensemble he has sung for the “Elpidiense Organistic Academy” and for the “Ars Organi Festival”in Lecce.

In February 2002 he made his dedut as Liscione in “La Dirindina”of D. Scarlatti, for the “EuroOrchestra” in Bari and in Lecce with the Salentine Orchestra “Terra d’Otranto”.

He sings at the “XXXI Festival della Valle d’Itria” of Martina Franca in “Farinelli Imperatore del ’700” and at the “VIII Barocco Festival Leonardo Leo” in “La semiglianza de chi l’ha fatta”.

He took part in many concerts and festivals as : “Misteria Paschalia” in Krakow, “Lodz Philarmonic”,“Accademia filarmonica Romana”, “XI Festival Lodoviciano” in Viadana, “IX Festival dei Teatri possibili” in Foggia invited by “Solisti Dauni”, “The Organ Tradition in Puglia”, “V Festival Internazionale di Musica Antica” in Pescara, “VIII Festival dell’Aurora” in Crotone” singing “VIII Libro dei Madrigali” of Claudio Monteverdi. “IX Festival le Ore d’Organo” in Ancona, “Collegio Borromeo” Pavia.

He took part as a solist in contemporary music festivals in which he has sung “Carmina Burana” of Carl Orff for “Duni Festival” in Matera and in the Autumn 2004 he was interpreter, in a world premiere, “Der Misogyne” libretto by Gotthold Ephraim Lessing, music by Hans-Wilhelm Plate at the “Lessing Theater” in Wolfenbuttel and at the “Wolfsburg Theater” in Wolfsburg.

Still abroad as a solist, he took part in the “1st Miskolc International Opera Festival” in Hungary, and in the summer 2002 he was chosen by his music school to take part in a masterclass in South Corea at the “Chung-Ang” University in Seoul and he partecipated in the final concert at the famous “Art-Center”.

As a solist he has recorded several records, among which the whole “Missa Romana” ed NAÏVE, “Magnificat” ed Tactus, “Romanze da Camera” of Giuseppe Verdi to celebrate Verdi Centenary in 2001 and “Missa Borromea” for solist and choir of Costanzo Antegnati. His future projects include the role of “Ottone” in “L’Incoronazione di Poppea” with Claudio Cavina and “La Venexiana” at Festival MITO “Settembre Musica” in Milan.“

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Added on: Oct 07, 2011 | Hits: 201