EarlyMusicNews.Org

“Praised by The Times as ‘exceptionally gifted’ and by Early Music Today for his ‘sensitivity and vibrance,’ the Iranian-born Mahan Esfahani (b. 1984) is quickly establishing himself as the leading concert harpsichordist of his generation. He was the first harpsichordist to be named a BBC New Generation Artist and to be awarded a fellowship prize by the Borletti-Buitoni Trust. Recent highlights have included performances of of Kalabis’ Concerto for Harpsichord and Orchestra (1975) with the BBC Concert Orchestra, Martinu’s Concerto for Harpsichord and Orchestra (1935) with the BBC Symphony Orchestra under Jiri Belohlavek, and Poulenc’s Concert Champetre (1928) with the BBC National Orchestra of Wales. Last season, he also gave his solo debut at the Wigmore Hall (broadcast on BBC Radio 3) – about which the Daily Telegraph exclaimed ”the harpsichord comes out of hiding…magnificent” – and appeared at the City of London and York Early Music Festivals. In addition, his recording of the Poulenc concert was selected as a CD of the month for the May 2010 issue of BBC Music Magazine, and he has been featured as a “Hot Property” by Classic FM magazine.

Further highlights of the upcoming season include a May 2011 appearance at the Wigmore Hall with the countertenor James Bowman, and directing the Manchester Camerata, the Arion Baroque Orchestra (Montreal), and The English Concert at the 2011 Lufthansa Festival. Further afield, he will return to the United States for solo recitals and make his concerto debut in the Far East with the Malaysian Philharmonic Orchestra in March 2011.

As a soloist and guest director Esfahani has appeared with The English Concert, the Manchester Camerata, and the Seattle Baroque Orchestra; His series and festival appearances include the BBC Proms, Tage Alter Musik Regensburg, the Goettingen Handel Festival, the Settimana Mozart of Milan, New York’s Metropolitan Museum of Art and the San Francisco Early Music Society.

Esfahani studied as a President’s Scholar at Stanford University where his principal mentor was the musicologist George Houle; he went on to pursue his performance studies under the supervision of the Australian harpsichordist Peter Watchorn (Boston) and the Italian organist Lorenzo Ghielmi (Milan) before settling in the United Kingdom in as Artist-in-Residence at New College, Oxford. In the autumn of 2010 he was further elected an honourary member of Keble College, Oxford.”

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Category: Ensembles/Performers/Associations/Societies / Keyboards

Added on: Nov 25, 2011 | Hits: 335