The year 2017 will mark the 250th anniversary of the death of Georg Philipp Telemann, one of the most prolific composers of the Baroque era.
Giovanni Antonini and Il Giardino Armonico have taken this opportunity to pay tribute to his eclecticism in a programme juxtaposing works that move constantly between French and Italian stylistic traditions.
On this disc, Giovanni Antonini not only directs the ensemble, but also returns to the recorder, his own instrument of choice (as it was the composer’s), and performs the Suite in A minor, the Concerto in C major and the Concerto da camera in G minor. ...
(BE) Outhere Music CD release: Vox Luminis "Actus Trigicus Cantatas BWV 106, 150, 131, 12 - J.S. Bach"
"The year ends in fine style with a programme of cantatas by J.S. Bach performed by Vox Luminis. The Belgian group directed by the bass Lionel Meunier is now acknowledged as belonging among the world’s elite vocal ensembles, especially for its interpretations of German Baroque sacred music. Its recording of works by the ancestors of J. S. Bach on Ricercar (RIC 347) won many awards. Vox Luminis now tackles Johann Sebastian himself, in a programme of cantatas composed in 1707/1708, which are thus among the composer’s earliest. ...
(US) International Dance Summer School - European and American Ballroom Dances from the Period 1800-1900 (6-12 Aug 2017)
Location: Højskolen Snoghøj, Denmark
"At the end of the 18th century, English Longways Dances dominated the ballrooms, but from the year 1800 new dances were introduced: Francaises, big Quadrilles like Lanciers, Eugenie Quadrille and the exciting Country and Contra Dances. ...
(FR) Harmonia Sacra Conference: "Musical History of Valenciennes (XIV-XVIIIth Centuries)" (10-12 Dec 2016)
Location: Multimedia Library, rue Ferrand - F-59300 Valenciennes
News from Harmonia Sacra this week of it's new website portal and online reorganization. As well, reminder of its upcoming conference:
"After several years of studying the city's archives, Fabien Guilloux proposes to lead you to the discovery of a long unknown Valenciennes history: its musical history. Synthesis of his research and testimony of his recent discoveries, this cycle of conferences take you into the musical life of the city and its institutions from the 14th to the 18th centuries. An unprecedented look at heritage not to be missed! ...
(US) The New Yorker Article: "The Factory of Fakes - How a workshop uses digital technology to craft perfect copies of imperilled art." (by Daniel Zalewski, 28 Nov 2016)
" ... The man who led the facsimile project, a proudly dishevelled Englishman named Adam Lowe, was admiring the fake walls alongside me. Lowe prefers to call them “rematerialized” walls. He whispered, “Amazing—it looks just like the real thing, doesn’t it?” He is fifty-seven years old, and looks like what Paul McCartney might look like had McCartney never undergone restoration. Lowe, a former painter, who, in the nineteen-eighties, became obsessed with printmaking, runs Factum Arte, a “digital mediation” workshop that is based in Madrid. It took two years for Lowe and several dozen technicians to remake the Tutankhamun walls—considerably longer than the ancient Egyptians took to produce them. Perfecting the digital printout, he told me, had involved hundreds of hours of analog assessment: thousands of paint samples were mixed by hand, in Luxor, to match the tones in the original tomb, then compared with ink-jet outputs. ...
(US) Public Radio International (PRI) Article: "Historians imagine what Paris sounded like in the 18th century" (by David Leveille, 21 Nov 2016)
"Imagine the sounds coming out of a busy blacksmith shop in an alleyway in Paris sometime back in the 18th century: the hammering of wrought iron, the rhythmic whoosh of air as the blacksmith uses a bellows to stoke a fire.
We have no recordings of the actual sounds of Paris in those early days, so to try and make those 18th-century streets and alleys of Paris come to life takes a bit of careful historical research and a little imagination.
That's where French musicologist Mylène Pardoen, who's been described as an "archaeologist of sound," comes in. She's created an "interpretation" of what Paris might have sounded like way back then. ...
(SE) eClassical CD Release: "C.P.E.Bach – Solo Keyboard Music, Vol. 32 (SpányiMiklós, Tangent Piano)" (10 Dec 2016)
"Even before the publication of the first collection of Clavier-Sonaten für Kenner und Liebhaber in 1779, Carl Philipp Emanuel Bach began composing works intended for a follow-up. This time he expanded the original concept, however, and included not just three sonatas, but also three rondos 'for the fortepiano'. In his treatment of the rondo-form, Bach was – as always – a mould-breaker and in the ‘Kenner und Liebhaber’ rondos the refrain melody inevitably creeps into the episodes, which in turn wander through distant tonalities. The phrase structure is frequently asymmetrical, and the borders between sections are often blurred, making this rather schematic form into something of a roller-coaster ride. Taking note of Bach's instructions regarding the choice of instrument, Miklós Spányi performs them on a tangent piano, an early form of the piano. ...
Just a reminder of the Tafelmusik Winter Institute (TWI) in January 2017. (ed.)
" ... our fifth annual Tafelmusik Winter Institute, to be held in Toronto January 5–11, 2017. We will once again welcome a select group of period players to join us for an intensive week of specialized orchestral study.
This year we will focus on the string orchestra in baroque Italy, exploring music written in Rome, Bologna, Naples, and Venice 1650-1750, by composers such as Caldara, Corelli, Cazzati, Locatelli, Torelli, Scarlatti, Durante, Leo, and Vivaldi. ...
(From a recent BEMF newsletter.)
"The complete line-up of Festival Concerts has just been announced for the June 2017 Boston Early Music Festival. You won't want to a miss a full week bursting with opera and concerts performed by some of the most engaging artists and ensembles on the world stage today! ...
"In previous posts, we have offered background and details on versions by William Byrd and Tomás Luis de Victoria. This week’s post is devoted to the beautiful setting of “O magnum mysterium” by Spanish composer, Cristóbal de Morales (c. 1500 – 1553), offering background and essential insights that lead to an historically-sensitive performance. ...
To activate your newsfeed, click on the newsfeed icon next to your browser's URL window (if the newsfeed icon is missing choose this link: EarlyMusicNews Feed and choose your setting for the feed. You will then be able to see any news additions to the site in your "Bookmarks" or "Favourites" toolbar without even visiting the site. If you find a particular item of interest, choose that item and you will be taken to the http://www.EarlyMusicNews.org site to read that particular article. Feeds for specific news categories are also available on the “News Categories” page. (ed.)
Translate this Website
Get Mentioned On Our Pages!
Post your news item on your website and let us know of it. We will then publish a short excerpt of your news item linking it back to your site.
Increase your website's traffic! Read the FAQ for more details! (ed.)
Summer Workshops 2017
The “Summer Workshop and Festival 2016” season has come and gone! Have you posted a review of a recent workshop on your site or blog page? Let us know and we will mention it on our news pages. Feel free to browse our summer workshops list, it is never too early to plan for the next installment of summer workshops. Let us know if we have missed a workshop listing or if updated information is needed. Summer Workshop Organizers: let us know of your plans as your summer workshop details are finalized for 2017. Visit our Summer Workshop Links ("Web Links" section) for past/next year summer workshop details. Should you wish, you may also browse our news articles filtered by “Workshops/ Festivals 2016” category for more “up-to-the-minute” details of this year’s workshops.
Magnatune mini browser
(Note: This will open a new window. (ed.))
20 anonymous guests on-line.
You are an anonymous guest.