From a recent Opera Today newsletter
"L’Arpeggiata did not simply perform arrangements of Purcell; rather they created entirely new, highly original, works. Their musicianship, technical prowess and the joy that their shared musical dialogue so obviously inspired, both on the platform and among the audience of the Wigmore Hall, made this performance an absolute delight. ..."
From a recent newsletter item from Harmonia Early Music, an hour-long podcast of anything of "Catherines"
"We’re listening to music for, by or about famous Katies, Catherines, and Katerinas. Next, we’re shining a spotlight on that namesake and getting to know one visionary in the revival of early music: Catherine Mackintosh. ...
From a recent "Unquiet Thoughts" post
"Now in its fourth year, Unquiet Thoughts was and is primarily an outlet for musings on music for the lute and how it does or does not fit into the aesthetics of modern life. In our ever-growing archive of essays, one of the more frequently visited posts posed a handful of questions that asked whether the lute was an appropriate medium for modern sounds. ...
From a recent Via Artis Konsort newsletter item
"Anaustia is a popular tune, probably from around the XVII century, found in the archives of the Bolivian Jesuit Missions. This kind of Spanish, Latinamerican Baroque music, based on a local tune, was quite common in the 16th and 17th centuries. The words of the tune are in a local Indian language. ..."
From a recent Bach-Archiv Leipzig Newsletter
"Yesterday, the XIX. Leipzig International Bach Competition 2014, ended with a concert in the Leipzig Gewandhaus. For ten days, 100 musicians from 28 countries competed in the categories piano, harpsichord and violin/Baroque violin for the title »Bach Prize Winner«. As the youngest finalist, 18-year-old Hilda Huang (USA) won the piano category, Schaghajegh Nosrati (Germany) and Georg Kjurdian (Latvia) came to the second and third position. Jean-Christophe Dijoux (France) achieved the title in the harpsichord final, followed by Olga Pachchenko (Russia) and Alexandra Nepomnyashchaya (Russia). The first prize in the category violin went to Seiji Okamoto (Japan), the second to Marie Radauer-Plank (Austria), and the third to Niek Baar (Netherlands).
"The Rameau Project is a major international multidisciplinary research project devoted to the operas of Jean-Philippe Rameau (1683-1764). With the 250th anniversary of Rameau’s death taking place in 2014, this ambitious venture is uniting international scholars, performers, institutions and organisations to advance our understanding of the most significant composer of the French Enlightenment. ...
From a recent announcement on the AMS mailing list:
News from Dr. Frank Heidlberger (Professor of Music Theory, Chair, Division of Music History, Theory and Ethnomusicology, University of North Texas, College of Music) that the journal “Theoria – Historical Aspects of Music Theory” is now online. ...
Location: St. Mary’s Anglican Church and Holy Rosary Cathedral, Regina Saskatchewan, Canada
"Workshops suitable for beginners and more advanced practitioners will include sessions on chant notation, chant by ear, ancient hymnody and psalmody, ornate chanted antiphons, and choral music for contemplative quiet. ...
From the latest newsletter from Harmonia Early Music ...
"The first time you see a claviorganum, you might feel like you’re seeing a mythical creature. Like the part lion-part man griffen, or part girl-part fish mermaid, the clavigorganum is part harpsichord and part organ. ...
From a recent newsletter from Lufthansa Festival of Baroque Music
For 30 years, the Festival has been lucky enough to benefit from one loyal sponsor: Lufthansa German Airlines. It is with profound gratitude and respect that we acknowledge Lufthansa’s decision to cease funding after the 2014 Festival has ended. But ...
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