(US) Viola da Gamba Society of America "Operation Treble Viol" at Conclave 2015 (26 Jul - 2 Aug 2015)
"Makers Marc Soubeyran and Francis Beaulieu will join forces to make a treble viol in the Emporium over Conclave: in addition to illuminating the building process, Francis and Marc will then donate the finished instrument to the VdGSA to raffle away at the Saturday banquet. Aside from the learning experience, this is a rare opportunity to get a world-class instrument for the mere price of a raffle ticket (and without the years it would take to commission an instrument from either maker)! ...
(ES) Al Ayre Español - Eduardo López Banzo Video (15 Apr 2015): G. F. Handel. Sonata 4 op. 5 HWV 399 (Passacaille)
"Al Ayre Español was founded in 1988 by Eduardo López Banzo, in an effort to challenge the pervading clichés that often surrounded the performance of Spanish baroque music at that time. The spirit of the ensemble has always been to refute these clichés with musicological rigour, performance excellence and by striving to insufflate new life to music from the past, thus opening them up to contemporary audiences. The name of the ensemble was inspired by the title of a guitar fugue by the Aragonese composer Gaspar Sanz. ...
"A brilliant theatrical event, bringing Handel’s theatre of the mind to life on stage ...
Though not an opera and never intended for the stage, Handel’s oratorio Saul is one of his most dramatic works and Kosky created from it a remarkable piece of theatre. ...
"What do LCD Soundsystem, Johannes Suzoy, the Beastie Boys, and Antoine Busnoys all have in common? Give up? They’ve all engaged in the art of musical name-dropping, paying respect to the masters that came before them. This week on Harmonia, we’ll bring you music that ...
(US) The New York Times Article: "Playing Mozart’s Piano Pieces as Mozart Did" by Rachel Nuwer (20 Jul 2015)
"Classical piano pieces by such composers as Beethoven, Mozart and Chopin likely sounded much different when the masters first performed those works than they do today. Pianos themselves have changed considerably — but so, too, has technique.
Over the past decade, a growing number of musicologists have begun to take a closer look at how technique shapes not just the sound of music, but also the audience’s emotional response to it. ...
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