That Antonio Vivaldi’s name is know the world over can be attributed almost entirely to a single piece of music, The Four Seasons, first published in 1725 and still enjoying tremendous success today. Who would have thought that tucked away in the composers private library were hundreds of other pieces from his hand ranging from operas and sacred music to hundreds of concertos for one, two, three or more instruments. Most of it had not been published in his lifetime and was consequently forgotten after his death. Incredibly, this vast collection of music reappeared nearly intact in 1930 when it was purchased by the Biblioteca Nazionale in Turin, Italy, but it is only in recent years that this music has begun to be recorded and included in public concerts.
(IT) The courts in Europe. Musical Iconography and Princely Power (May 23-25. 2010) -- Call for Papers (June 30, 2010)
The courts in Europe. Musical iconography and princely power
Le corti in Europa. Iconografia musicale e potere principesco
Call for papers
The Istituto per i Beni Musicali in Piemonte, in collaboration with the Regione Piemonte and under the patronage of the Società Italiana di Musicologia is pleased to invite scholars from different countries and from various disciplines to participate in the
International Musicological Society
Study Group on Musical Iconography
THE COURTS IN EUROPE. MUSICAL ICONOGRAPHY AND PRINCELY POWER
LE CORTI IN EUROPA. ICONOGRAFIA MUSICALE E POTERE PRINCIPESCO
Torino (Italy), Archivio di Stato, May 23-25, 2011
New issue of Perf. Practice Review is available online.
Volume 14 (2009) includes:
- - JOHN BASS: "Improvisation in Sixteenth-Century Italy: Lessons from Rhetoric and Jazz"
- - ROLAND JACKSON: "Realizing the Continuo in Monteverdi's Lamento della ninfa and its Implications for Early Seventeenth-Century Italian Continuo Practice"
- - NOEL O'REGAN: "What can the organ partitura to Tomás Luis deVictoria’s Missae, Magnificat, motecta, psalmi et alia quam plurimaof 1600 tell us about performance practice?"
- - STEWART POLLENS: "Some Misconceptions about the Baroque Violin"
- - ROLAND JACKSON reviewing Timothy Watkins, Performance Practice:Issues and Approaches
My Lady’s Chamber July Concert Cancelled
Owing to circumstances beyond our control, My Lady’s Chamber regrets having to pull out of our 1st July concert at 7.30pm at The Red Hedgehog, Highgate, UK, which was previously advertised here. My Lady’s Chamber apologises for any inconvenience caused.Visit website for more information: My Lady’s Chamber
The Harpsichordist's Touch: A Historical and Contemporary Perspective
Touch is one of the primary means toward expressivity on the harpsichord. Seattle teacher and performer Jillon Stoppels Dupree will draw upon historical sources, the teachings of today's finest masters, and the evolution of harpsichord building in the 20th century in presenting her approach to touch.
Historical to Contemporary Harpsichord and Vocal Accompaniment
Baritone Zachary Gordin and harpsichordist Jonathan Davis will present a concert and discussion.
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