La Simphonie du Marais Hugo Reyne informs us of their latest CD release: “Viennoiseries musicales”. Out of the usual real of the Baroque era, the “Viennoiseries musicales” reflect the ambiance of the Vienese “salons” at the beginning of the XIXth century.
Visit website for more information of this latest CD: La Simphonie du Marais Hugo Reyne
When Music Professor Ruth Griffioen suggested to Evan Callaway ‘12 that he spend his scholarship money building a six-foot-tall instrument that lost popularity after the 17th Century she was joking. However, the computer science major and music minor said he "took it more as a challenge than as a joke."
Fans of early music don’t need an introduction of Claudio Monteverdi. For a long time, he was known for the first unsurpassed highlights of the early Western opera. Yet, his operas did not raise eyebrows, his madrigal bundles did. An example: in the foreword of his fifth Madrigal bundle, we read the discussion between Artusi and Monteverdi whether or not to use the new monidistic style.
“Live music blended with astronomy?
Not usually, but a great fit Sunday afternoon at the Registry Theatre when Nota Bene Period Orchestra (local Baroque music ensemble under the leadership of Borys Medicky) and the Royal Astronomical Society of Canada (Kitchener-Waterloo chapter) teamed up to present a most unusual performance — part concert, part lecture, part visual display.
“EXHIBITION - The Greenwich Exhibition of Early Musical Instruments is the largest Early Music Exhibition of its kind! A wide cross-section of early instrument makers from around the globe, shops, music publishers, societies, recording companies and early music forums all gathered under one roof.
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