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(FR) 50 Renaissance and Baroque Standards (Authors: Pascale Boquet and Gérard Rebours)

Contributed by Admin on Jun 24, 2011

EarlyMusicNews.org Weblinks Revisited

144 pages. Price : 17,50 Euros.
Réf. 63966. Editions Fuzeau Classique

“Here, brought together for the first time, you will find 50 Renaissance and Baroque ostinato basses, songs and dances (1) on which composers repeatedly wrote variations over the course of decades or even centuries. These pieces circulated from country to country, from one publication or manuscript to another, and also served as a basis for improvisation by performing musicians of the time.

(IT) Early Music Masterclass and Prize (Perugia IT) (2011 September 13/17) (Application Deadline 2011 July 4)

Contributed by Admin on Jun 22, 2011

Conservatoria Di Musica -- Early Music Masterclass
With The Parley of Instruments (Great Britain)

To the best duo or trio of the Masterclass (judged at the sole discretion of masterclass teachers and organizers) the Associazione Culturale “Umbri-A Concerto” will give the opportunity, at expense of Associazione, to perform two concerts in Bulgaria (Sofia and Varna) in musical season 2011/2012.


(US) Sale on Sid Glickman's Personal Instrument Collection

Contributed by Admin on Jun 22, 2011

Word from Sid Glickman, that his 300+ instrument collection is for sale. "I was a good shopper until recently and  I would like to see them well placed before my time is up! (tongue in cheek)"
  


(UK) Cardiff Singer of the World Competition (2011 June 12-19)

Contributed by Admin on Jun 20, 2011
“The 2011 competition took place from 12-19 June 2011.

The competition was won by Valentina Naforniţă from Moldova, who also won the Dame Joan Sutherland Audience Prize.
 

(DE) ANDREAS STAIER Piano and Harpsichord

Contributed by Admin on Jun 20, 2011

EarlyMusicNews.org Weblinks Revisited

“Undoubtedly one of the most prominent harpsichord and forte piano performers in the world, Andreas Staier embarked upon a solo career in 1986 and, since then, his indisputable musical mastery has made its mark on the interpretation of baroque, classical and romantic repertoire.

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