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News

Indefatigable Musicians win Fenton House Competition (UK)

Contributed by Admin on Jun 22, 2008

Musici Infaticabili
, or the Indefatigable Musicians, lived up to their name when, after weeks of preparation and two elimination rounds, they took First Prize (£800) in the Finals of the Early Keyboard Ensemble Competition at Fenton House held o­n 29th May. The members of the group, Marta Goncalves (flute), Claire Bracher (viola da gamba) and Erik Dippenaar (harpsichord), impressed the jury of early music specialists with their sensitive and stylish rendition of an 18th century French suite. Audiences will be able to hear this gifted young trio perform again at a celebratory Gala Concert to be held at 8pm o­n Thursday August 14th. The Competition was the first of its kind to be held before an audience in this 17th century National Trust House. Finals Night featured the five groups that the jury had previously selected from a field of 12 in the first round and all used an 18th century English harpsichord from the Benton Fletcher Collection for their auditions. The Competition’s Audience Prize (£200) was awarded following a ballot, to the charismatic musicians of The Little Baroque Company (Helen Kruger, violin; Kinga Gábor Jáni-Szabó, cello; Laura Tivendale, harpsichord). ...

(IT) Laboratorio di musica antica-Musica vocale sacra del medioevo (Aug. 24-30)

Contributed by Admin on Jun 03, 2008
Alia Musica
Laboratorio di musica antica
Musica vocale sacra del medioevo
direzione musicale: Claudia Caffagni
in la collaborazione del Comune di Fontevivo (PR)
Seminario Estate 2008 - dal 24 al 30 agosto
(I Mottetti latini del Codice di Bamberg)

This course will study in depth the repertory of some of the forty-four Latin Motets contained in the Bamberg Codex (Bamberg, Staatl. Libr. Ed. IV. 6), a parchment paper manuscript of probable Parisian compilation, which goes back to the last quarter of the 13th Century. Beyond the richness of its musical material, the Codex is particularly interesting from the point of view of its notation. This notation is particularly homogeneous due to the fact that it was entrusted to a single scrivener, and thus has all the characteristics of the so-called modal notation but with a series of revisions which make it easier to decipher and which allow, today, a direct reading without particular difficulties
....

US) Berkeley Festival & Exhibition (June 3-7/2008)

Contributed by Admin on Jun 02, 2008
"Come be a part of o­ne of the world's most exciting celebrations of early music! Experience 16th-century Florentine art at its most spectacular with the American premiere of Alessandro Striggio's Missa sopra Ecco sì beato giorno for 40 and 60 voices, the largest known contrapuntal choral work in Western music.  ...

(UK) Tilford Bach Society - 56th Festival of Music (May 30 - June 7/2008)

Contributed by Admin on May 31, 2008
Friday, 30th May 2008, at 8pm in The Great Hall of Farnham Castle

The Revolutionary Drawing Room
Adrian Butterfield, Violin
Jean Paterson, Violin
Rachel Stott, Viola
Ruth Alford, Cello

Haydn Quartet in F minor Op.20 No.5
Haydn Quartet in C major Op.74 No.1
Mendelssohn Quartet in E flat major Op.12
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(US) Harpsichord Workshop XVIII (Santa Fe, New Mexico) (July 27-Aug. 1/08)

Contributed by Admin on May 31, 2008
SOUTHERN METHODIST UNIVERSITY
HARPSICHORD WORKSHOP XVIII
SANTA FE, NEW MEXICO
JULY 27-AUGUST 1, 2008

LEGACIES: LANDOWSKA, O'KEEFFE
CENTENARY: HUGO DISTLER
REPERTORY STUDIES: BACH, SCARLATTI, DUPHLY

JANE CLARK and STEPHEN DODGSON (London)
LINDA RANEY and PAUL WOLFE (Santa Fe): Repertoire and Lectures
GLENN SPRING (Denver): Commissioned Harpsichord Work
LARRY PALMER (Dallas): Director and Master Classes

Join us in "the Land of Enchantment" for stimulating musical experiences, including the American premiere of Stephen Dodgson's Carillon Concertante (2 harpsichords and strings), the world premiere of Glenn Spring's harpsichord work based o­n photographs of Georgia O'Keeffe, Paul Wolfe's reminiscences of lessons with Wanda Landowska, and Linda Raney's look at some special organ repertoire.