University's online music journal, /Performance Practice Review/ :
- CANDACE BAILEY: "The Antebellum 'Piano Girl' in the American South"
- ARON EDIDIN: "Consequentialism about Historical Authenticity"
- BRUCE HAYNES: "A Correctly-Attributed Fake"
- COLIN LAWSON: "'Attractively Packaged but Unripe Fruit'; the UK's Commercialization of Musical History in the 1980s"
- ROBERT MARSHALL: "Bach's /Tempo Ordinario/: A Plaine and Easie Introduction to the System"
- TIMOTHY J. MCGEE: "How one Learned to Ornament in Late Sixteenth-Century Italy"
- MARC VANSCHEEUWIJCK: "In Search of the Eighteenth-Century 'Violoncello': Antonio Vandini and the Concertos for Viola by Tartini"
- PETER WALLS: "On Divided Lines: Instrumentation for Bass Parts in Corelli-Era Sonatas"
- JANE BOWERS: Federico Sardelli, /Vivaldi's Music for Flute and Recorder/
- COLIN LAWSON: Eric Hoeprich, /The Clarinet/
- ROLAND JACKSON: Bruce Haynes, /The End of Early Music/
- RUDOLF RASCH: Ross Duffin, /How Equal Temperament Ruined Harmony (and Why You Should Care)/
- Roland Jackson, February 5, 2008, "Performance-practice dictionary"
Editor, /Performance Practice Review/
Visit site: (http://ccdl.libraries.claremont.edu/collection.php?alias=/ppr)
The week will consist of six master classes taught by Andrew Parrott (voice), Cynthia Roberts (chamber music), Myron Lutzke (cello), Stephen Hammer (oboe), Sandra Miller (flute), and Robert Mealy (violin), and a concert featuring the principal players from the New York Collegium and the Clarion Orchestra joined by world-renowned tenor Rufus Müller.
Clarion-Collegium master classes are for students and young professionals from all over the United States. This year, there will be participants from all of the major New York conservatories as well as from schools as far away as California, North Carolina and New Hampshire. These master classes are designed not only as a valuable educational experience for young musicians with a penchant for the Baroque, but also for audience members who wish to go behind the scenes and learn more about what goes into the preparation of an historically-informed performance. The country's leading Early Music specialists address all aspects of preparing for a performance, from developing the techniques to play authentic Baroque instruments to further exploring and understanding the musical tastes and palette of the Baroque period.
BoxOffice: 01904 658338;
The festival remains one of the cultural landmarks of the East Rising of Yorkshire - utilising some of the Riding's finest historic venues, the Festival embraces a mix of concerts, illustrated talks and educational activities. Guest artists in 2009 include the effervescent Red Priest (not for the faint hearted!) who open the festival (Toll Gavel Methodist Church, Fri 21); tha acclaimed viol group Fretwork presenting a timely commemoration of the genius of Henry Purcell (Beverley Minster, Fri 22) and The Bach Players led by Nicolette Moonen presenting a programme of Bach's instrumental arrangement of Pergolesi's masterpiece 'Stabat Mater' (Beverley Minster, Sat 23). Please contact the NCEM for more detailed information.Look out for the NCEM's free educational pack celebrating the 350th anniversary of Henry Purcell's birth. These resources are aimed at music teachers working with Key Stage 2 pupils.
For more information, please contact us on 01904 632220.
Tickets: For single concerts: £12.00 (concessions £10.00) For all concerts: £34.00 (concessions £28.00)
Yvonne Seymour soprano, Stephen Varcoe bass, David Miller theorbo with the University of York Chamber Choir, Compagnia d’Instrumenti and the University Baroque Ensemble directed by Peter Seymour.
10.30am Purcell & the Church
1.00pm Purcell and the Theatre (I)
2.30pm Purcell in Context (free ticketed lecture)
3.30pm Domestic Purcell
7.00pm Purcell & the Theatre (II)
For detailed information please go to http://www.ncem.co.uk or ask for the University of York concerts brochure.
Box Office: 01904 658338;
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