(In Memoriam ... from a recent post from the Unquiet Thoughts blog (Donna Stweart & Ron Andrico, Mignarda))
Having stumbled across a few old letters from old friend and amazing fiddler, Jonathan Bekoff (1959 – 2015), amusingly tucked away in old issues of the journal Early Music, I am prompted to add a few more reminiscences – and also make available more tracks from our tune session way back in 1983. ...
News from Fugue State Films regarding the status of their crowdfunding project of "Max Reger: The Last Giant".
As of mid-December: "Thanks to your support, we have reached a milestone with our Reger crowdfunding. We have now raised a grand total of:
£85,908. This is 95% of our goal of £90,000! We've got just £4,092 left to go. ...
"Our latest digitisation project has begun as we work to digitise 400 pre-1200 manuscripts from the British Library holdings, with a generous support from The Polonsky Foundation. The joint project between the British Library and the Bibliothèque nationale de France seeks to promote and explore the contacts between France and England from 700 to 1200, as witnessed in medieval manuscript culture. We have already started, and have compiled a list of around 250 manuscripts that are key to the project themes. However, we would welcome ideas from readers about illuminated manuscripts at the British Library that you would like to see digitised. ...
Although ’tis the season for that particularly tactless style of unapologetic American commercialism, we sidestep the sales talk, share a video of a recent performance, and reflect upon one of the primary reasons we began performing as a duo—the ayres for voice and lute by John Dowland (1563 – 1626). Although we have released only one recording devoted to Dowland, his music is and always has been a staple in our concert repertory. Readers who have been with us for a while will recall that we have written an ample handful of earlier posts that discussed singing Dowland’s music, as well as our in-depth series that outlined the schooling typical of professional musicians in Elizabethan England in an attempt to understand Dowland’s training. ...
Črtomir Šiškovič - violin
Luca Ferrini - harpsichord
"A perpetuator of Corelli’s style, but endowed with a more passionate nature and a more refined technique, Tartini fully embodies the musical taste of the 18th century, according to which “music ought to be expressive and not merely ornamented, insignificant and artificial”, thus truly earning the title of “master of the nations”. The works of the present CD embrace an arc of almost thirty years, spanning from the 1730s (Sonata No. 45) to the 1760s (Sonata No. 40). ...
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