News

(UK) London Festival of Baroque Music 2017 Festival Launch Announcement

Contributed by admin on Nov 16, 2016

"We’re delighted to announce that one of our very exciting Future Baroque artists, soprano Rowan Pierce, will perform for us at our Festival Launch on Monday 23 January. She will be joined by members of the Medici Ensemble, with whom she made such a great impression on the audience at their lunchtime concert at the 2015 Festival. The Launch event will take place at the East India Club, 16 St James's Square, St. James's, London SW1Y 4LH. We're immensely grateful to Philip and Christine Miles for hosting this event. ...


(US) Salon/Sanctuary Benefit Concert: "Mad Dog" (30 Nov 2016)

Contributed by admin on Nov 16, 2016

A benefit performance of Downland, Byrd, and Holborne in support of Salon/Sanctuary Concerts

"Works of Holborne, Byrd, and the great John Dowland, a Catholic exile from the Protestant court of Elizabeth I, form this program to be performed by "Living Legend" Hopkinson Smith, as a benefit event for Salon/Sanctuary Concerts. ...


(US) San Francisco Classical Voice Review Article: "The Soothing Simplicity of Musica Pacifica" (by Niels Swinkels 15 Nov 2016)

Contributed by admin on Nov 16, 2016

"When the members of Bay Area baroque ensemble Musica Pacifica put together their program for the opening of the 40th season of the S.F. Early Music Society, little could they have suspected that sacred and secular music from 17th century Italy would offer much needed distraction, comfort and soothing in the wake of an emotionally turbulent week. ...


(IT) Aquila Corde Armoniche "Loaded Synthetic Lute Bass and Meanes Strings CD type" Are Available

Contributed by admin on Nov 15, 2016

From an Aquila Corde Armoniche Facebook post: ""Loaded Synthetic Lute Bass and Meanes Strings CD type" Are Available

"The appearing of wound strings caused, starting from the end of the 17th century, the definitive abandoning of the ancient manufacturing techniques of the traditional all-gut bass strings.

This explains why modern plain gut strings fail to produce an acceptable acoustical performance in the low registers, thus making it unavoidable to use wound strings for musical repertoires that actually pre-date their historical appearing; this, in turn, causes an obvious philological paradox as well as serious tone and balance problems between high and low registers, especially on Lutes. ...


(US) Madison Early Music Festival "4th Annual Handel Aria Competition" Winners (08 Jul 2016)

Contributed by admin on Nov 15, 2016

(Late in reporting ... EarlyMusicNews.org editor)

The 4th annual Handel Aria Competition was an amazing evening of wonderful music by all seven of the finalists selected from the 100 singers who auditioned. The winners of this year’s final round are:

  •  Eric Jurenas, countertenor, first prize
  •  Christina Kay, soprano, second prize
  •  Nola Richardson, soprano, third prize & audience favorite ...

(US) Aberfoyle Baroque "Promoting the Harpsichord Through Performance and Education"

Contributed by admin on Nov 15, 2016

For those of you in the Washington D.C area, you may want to take a closer look at this group's concert line-ups.

About Aberfoyle Baroque: "Jessica Honigberg and Carolyn Winter launched Aberfoyle Baroque aiming to promote the harpsichord through performance and education in the greater Washington DC metropolitan area.  They believe this magnificent and versatile instrument should be enjoyed by a wider audience than is currently the case.  ...


(SE) eClassical CDNew Release: "Mozart - C minor Mass" (Release date: 10 Nov 2016)

Contributed by admin on Nov 15, 2016

"Following on the 2015 release of Mozart’s Requiem, Masaaki Suzuki and his Bach Collegium Japan has gone on to record the composers Mass in C minor, K427 – the ‘Great Mass’. As the nickname indicates it is a work of unusual proportions for a mass of the Classical period. ....


(US) Arnold Dolmetsch, a Bach double harpsichord concerto and the genesis of the early dance revival (by Mandy Macdonald)

Contributed by semibrevity on Nov 15, 2016

"One fine morning in the summer of 1904 a van drew up at our door and from it emerged Arnold Dolmetsch and a harpsichord. He had previously asked me to play in Bach’s Double Concerto in C major with Miss [Kathleen] Salmon at one of his concerts in Clifford’s Inn. As I had no knowledge of the harpsichord, it was a case of “fools rushing in”. However, all went well at the concert as far as the ensemble was concerned, and the result was that it fired me with a desire to possess an instrument of my own.

Thus Nellie Chaplin opens a fascinating article, “The harpsichord”, which she wrote in 1922 for the journal Music and Letters (3: 3, July 1922, pp. 269–73), describing her first encounter with the harpsichord and her subsequent commitment to exploring both music and dance of the pre-Classical period. ...

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Summer Workshops 2017

The “Summer Workshop and Festival 2016” season has come and gone! Have you posted a review of a recent workshop on your site or blog page? Let us know and we will mention it on our news pages.
Feel free to browse our summer workshops list, it is never too early to plan for the next installment of summer workshops.  Let us know if we have missed a workshop listing or if updated information is needed. Summer Workshop Organizers: let us know of your plans as your summer workshop details are finalized for 2017. Visit our Summer Workshop Links ("Web Links" section) for past/next year summer workshop details.  Should you wish, you may also browse our news articles filtered by “Workshops/ Festivals 2016” category for more “up-to-the-minute” details of this year’s workshops.

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