(UK) CFP: Domestic Music in Recusant Circles in Elizabethan and Jacobean Times, Fitzwilliam College, Cambridge, 26 Nov 2011
A Royal Musical Association Study Day in association with the Sixteenth-/Seventeenth-Century Music Network (SSMN):
Domestic Music in Recusant Circles in Elizabethan and Jacobean Times
A Forum for Students, Performers and Researchers
Fitzwilliam College, Cambridge on 26 November 2011
Guest speaker: Kerry McCarthy (Duke University, USA)
CALL FOR PAPERS
Some exceptional music was created during the Elizabethan and early Jacobean periods, and some of it was inspired by the religious uncertainties and suppression that existed at the time. The wealth of music was possible in part through the interest and generous patronage provided by many of the wealthy, educated and influential English Catholics who retired from court to their country estates where they cultivated the arts in the freedom of their privacy. This forum is an attempt to bring together research into the many aspects of domestic music in the network of English Catholics.
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Franz Liszt: Mirror of a European Society in Evolution
Organized by the Universities of Rennes, Dijon and Strasbourg, France
As part of the bicentenary celebrations of Liszt’s birth, the universities of Rennes, Dijon and Strasbourg organize a tribute to the most representative European composer of the nineteenth century. Three symposia in three different cities will give new insight into three different aspects of Liszt s artistic, literary and political personality and seek to (re)define his status in the cultural world of his time.
Catalan Organ Music from the XVIIth century from the Trito catalogue.
McGill University, Montreal, Canada, 15 to 17 June 2012
Perhaps more than any other leading figure in the field of early keyboard music, Kenneth Gilbert has engaged with both scholarship and performance with equal success. He has made over 50 recordings of international keyboard repertoire that spans the Renaissance to the Enlightenment; he has written numerous articles and reviews; he has edited new publications of music that constitute a treasure for generations of early music scholars and performers; and he has profoundly influenced, through his teaching, many of the top harpsichordists in the world.
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