"450 years of Monteverdi
Baptised on 15 May 1567 in Cremona, Claudio Zuan Antonio Monteverdi’s impact on Western music culture is virtually second to none. By “inventing” the basso ostinato alone, his influence goes as far as jazz and rock, and his operas have had a lasting effect on the development of music theatre. Ever since the Monteverdi Choir sang some of his madrigals under the direction of John Eliot Gardiner at the Innsbruck Festival of Early Music in 1977, the composer’s music has been closely and continually linked to the Festival. The first staged production of a baroque opera as part of the Festival was Monteverdi’s “L’incoronazione di Poppea” in 1980 (musical direction: Alan Curtis). In the Monteverdi year of 1993 – the 350th anniversary of his death – René Jacobs conducted performances of Monteverdi’s opera “Il ritorno d’Ulisse in patria”. Incidentally, Alessandro De Marchi made his debut at the Innsbruck Festival as a harpsichordist with the opera orchestra Concerto Vocale in that production. Now he will conduct the same opera in his position as Artistic Director of the Festival in the Monteverdi year of 2017 – the 450th anniversary of his birthday – at the Innsbruck Festival of Early Music. The production from Oslo by Den Norske Opera & Ballett unites ...
"Chapel music, coronations, criminal conspiracies, charitable concerts, a chancel consecration…all occasions around which English composer, John Blow, composed concerted music that as a genre, we call Symphony Anthems. ...
"The little-known composer Jean Hanelle was a petit vicaire (professional musician) at Cambrai Cathedral and possibly later a teacher of Guillaume Dufay, also spending more than 20 years from 1411 onwards at the French court of Lusignan in Nicosia, Cyprus, a stay which involved him becoming the chapelmaster there. According to leading scholars, Hanelle was the author of the ars subtilior cycle of Magnificat-antiphons - the so called “O”-antiphons traditionally performed during the last week of Advent - found in the Codex Turin J.II.9 and included in this new Graindelavoix production. Both the original plainchant and the Hanelle troped antiphons are presented in a series of nine pairs, between which the ensemble also performs an appropriate and context-defining selection of Maronite and Byzantine chants. ...
(US) Quartz Article: "Mozart, the best new artist of 1782, outsold Drake and Beyoncé this year" (by Amy X. Wang, 12 Dec 2016)
" ... Mozart owes the win to a boxed set of his music that was released Oct. 28 in celebration of the 225th anniversary of his death and went on to sell 1.25 million CDs in just five weeks. (Drake’s Views took twice that time to edge past 1 million sales, by comparison.) The compilation “is the fruit of years of scholarship, planning, and curation,” according to Universal Music Group. ...
(US) The Washington Post Article: "Her 300-year-old instrument was in perfect condition. Had it been interred?" (by Anne Midgette, 16 Dec 2016)
"It’s the stuff of stories and musical legend: the buried violin, dug up and brought to sing anew. In the film “The Red Violin,” the titular instrument is at one point interred with a gifted young player, then unearthed by grave-robbing gypsies who play it for a couple of generations.
But the violinist Chee-Yun didn’t expect to have one in real life. ...
(ES) Glossa Music New CD Release: "Johann Sebastian Bach Goldberg Variations, Ignacio Prego, harpsichord" (Dec 2016)
Ignacio Prego is a leading member of the rising generation of Spanish early music specialists, which numbers existing Glossa recording artists such as Fahmi Alqhai and Josetxu Obregón. Prego has already been securing for himself a very busy concert schedule across Europe, the US and Asia, and he is frequently to be heard performing harpsichord concertos with ensembles such as the Portland Baroque Orchestra or The English Concert, collaborating with eminent musicians such as Monica Huggett and Nicholas McGegan, or giving solo harpsichord recitals, where he is able to demonstrate his special preference for the works of JS Bach. ...
(UK) Arts Professional Article on Crowdfunding and Tips: "Collaborating with the crowds" (by Peter Baeck and Sam Mitchell, 08 Dec 2016)
"Over the past five years crowdfunding has grown into a vital source of finance for community groups, artists and creatives. In the US, Kickstarter famously helped raise more funds for the arts than the National Endowment for the Arts. In the UK crowdfunding for the arts has also grown rapidly, with models such as rewards-based crowdfunding – the model most popular with artists and creatives – facilitating £42m worth of donations in 2015, a growth of more than 60% from £26m in 2014. ...
(US) Texas Early Music Project: Broadcast: TEMP's "An Early Christmas" (Livestreamed on 15 Dec 2016)
(From a recent newsletter item from Texas Early Music Project (TEMP))
"TEMP's "An Early Christmas" Gets an Encore on KMFA THIS THURSDAY!
If you had to miss TEMP's very special Christmas concert (or if you loved it so much you can't wait to hear it again), then you are in luck!
Austin's very own classical station, KMFA 89.5, will be playing an hour-long version of our concert from this past weekend on their hit new program, "Listen Local"!
Tune in at 6 P.M. CST this Thursday [15 Dec 2016] or livestream via the link below for our latest Christmas concert! ...
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Summer Workshops 2017
The “Summer Workshop and Festival 2016” season has come and gone! Have you posted a review of a recent workshop on your site or blog page? Let us know and we will mention it on our news pages. Feel free to browse our summer workshops list, it is never too early to plan for the next installment of summer workshops. Let us know if we have missed a workshop listing or if updated information is needed. Summer Workshop Organizers: let us know of your plans as your summer workshop details are finalized for 2017. Visit our Summer Workshop Links ("Web Links" section) for past/next year summer workshop details. Should you wish, you may also browse our news articles filtered by “Workshops/ Festivals 2016” category for more “up-to-the-minute” details of this year’s workshops.
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