(CZ) La Pellegrina Summer Workshop: "Baroque music in 415 Hz: Rameau's Indes Galantes" (15-25 jul 2012)
- For: singers (soloists and highly experienced choral singers), instrumentalists (baroque strings, recorder, flute, baroque oboe and bassoon, harpsichord / organ, theorbo, period instruments only, tuning pitch 415 Hz)
- With Enrique Gómez-Cabrero Fernandez, Dirkjan Horringa, Mitchell Sandler, Marco Vitale and others (a teacher for the wind section!)
- Also for Baroque dancers, taught by Dorothée Wortelboer
- Central work: Rameau's Indes Galantes
- This year's central theme is French Baroque, an inexhaustible collection of incredibly beautiful music
- In Bechyně, with semi-staged final performance of Rameau's Indes Galantes at the castle (Vokův sál)
Location: Bechyně, Czech Republic
- For: (choral) singers, strings, winds and pianists; also open to existing ensembles
- With Martina Bernášková, Petr Bernášek, Václav Bernášek, Martina Hájková, Dirkjan Horringa, Josef Kekula, Mitchell Sandler and others
- Chamber music / chamber choir and large symphony orchestra and choir conducted by Dirkjan Horringa
- Central works: Beethoven's Mass in C op. 86 and a symphony by his contemporary Pavel Vranický
- In Bechyně
- New With musical programme for children of all ages
(US) International Baroque Institute at Longy (School) (IBIL): "Naples, the Conservatory of Europe" (20-29 jul 2012)
(CA) Ensemble Anonymous Sponsored Concert: "Kassia - Byzantine Hymns" performed by the German Ensemble VocaMe (7 mar 2012)
Location: Salle D'Youville au 995, place D’Youville, Québe PQ, Canada
As part of the Women’s World Day, the Société du Palais Montcalm, in collaboration with the Ensemble Anonymus and La Nef, present the German Ensemble “VocaMe“ in a program entitled “Kassia - Byzantine Hymns”. This concert will be at 8pm in Room 995 at D'Youville Place D'Youville.
Baroque Music, Early Chinese and Taiwanese Music
As part of the festival "Made in Asia" Les Passions, conducted by Jean-Marc Andrieu pairs up with the Jiang Nan - Yang Yi-Ping - Xinxin Nanguan Ensemble for its latest concert: "Mirages des sons du Sud" Baroque music, early Chinese and Taiwanese music.
The concert follows a free conference on the music of nanguan.
Recently some have questioned on how to get on EarlyMusicNews.org “News” pages. While the answer to this may mean a little more chronicling of your activities on your website or of taking advantage of more photo opportunities (serious or candid) of your group, the end result may be gaining more “web presence” and gaining greater recognition of your achievements.
In the latest addition to the FAQ, I have tried to outline some suggestions on how you could make your site more “media friendly” in your favour. Feel free to follow the link if you are interested in contributing to this site OR you may be just curious and would like to read/add/share your comments -- Submitters - Website Best Practices
* Note that members may login to comment; you may email me your comments at: Admin@earlymusicnews.org
Directed by Jeanne Lamon
Conceived, scripted and programmed by Alison Mackay
Stage Direction by Marshall Pynkoski
Production Design by Glenn Davidson
Projections Design by Raha Javanfar
Narrated by Blair Williams
“A magical journey to the meeting places of baroque art and music - five European homes where exquisite works by Bach, Handel, Vivaldi and Marais were played against a backdrop of paintings by Vermeer, Canaletto, and Watteau. Includes stage direction, narration, and stunning projected images.FREE pre-concert talks, an exhibit, and more!”
“La Catena d'AdoneLa Catena d'Adone, first performed on 12 February 1626, presents the characteristics of the genre. A pastoral tale in a prologue and five acts, it relates the tumultuous love affairs of Adonis, Apollo, Venus and the enchantress Falsirena. The frivolous and sensual, even erotic, tone of the work has its response in the Christian moral...”
(FR) Les Festes de Thalie et France-Orpheon (Latest Newsletter): "Au berceau royal" -In Search of Instruments and of Information
(UK) Cambridge University Press -- 60% OFF Selected Humanities and Social Sciences Titles (till 30 apr 2012)
A reminder of Cambridge University Press’ sale on selected books with savings of 60% OFF regular price. There are some early music titles that may be of some interest.
Browse through the Cambridge University Press website catalogue for more information.
(US) Harmonia Early Music: "2011 EMA Naxos Recording Competition Finalists" (By Anna Pranger Posted January 15, 2012)
(US) Opera Today Review: "Giovanni Pierluigi da Palestrina e la Compagnia dei Musici di Roma, Messa di Santa Cecilia" by Steven Plank (28 dec 2011) (Christophorus CHR 77288 [SACD])
With the many different early music ensembles, groups, associations etc. on our weblinks making use of photos on their sites or newsletters, I thought it would be worthwhile to read through this article on preserving digital photographs.
“Digital preservation is the set of management processes that ensure the long-term accessibility of digital information. At NDIIPP we deal with these issues on a grand scale, working to ensure the nation’s (”USA” -- ed.) valuable digital cultural heritage survives for the long-term benefit of all.
Here is a quick survey of all the upcoming concerts this month.
Location: Pension Schreiber, Benediktbeuern DE
“Grace (gratia) and decency, dignity (Decoro), in previous centuries were the most important virtues of the dance of courtly society. The aristocratic dance had always the function of representation; the representation of oneself in the eyes of the spectators who were themselves connoisseurs and experts of the matter. The movement style that sprang from it is characterized by highly varied steps, extreme subtlety and nuance. The sensation is, so to speak, in detail.
Contests, Competitions and the Harmony of Nations
From the latest Lufthansa Festival newsletter (issue 7) , news that that general ticket bookings are now open to the public. If you are planning to attend any events you may consider booking/purchasing tickets early to this popular festival.
“Johann Rosenmüller, though born in Germany, worked in Venice as one of the successors of Monteverdi. His vespers music is equally glorious to Monteverdi's own on a grand scale, and his smaller scale music displays some of the finest instrumental virtuosity and melodic fluidity of the 17th century. Pre-concert lecture (included in ticket price) and other related events (Chant Camp with Susan Hellauer of Anonymous 4) will be announced at a later date.”
Location: Immanuel Lutheran Church,122 East 88th Street, New York NY, US
“Chant Camp is a half day session of chant singing, structured around a number of carefully-chosen plainchant topics. Each topic presentation begins with a brief, informative, illustrated lecture, followed by plenty of group singing, to illustrate and permanently “set” the lesson. The workshop ends with a communal chant singing, combining elements of the day’s work, along with extensions and improvisations based on the day’s material.
(NL) Semibrevity "A Blog About Early Music Pioneers" Article: "Arnold Goldsbrough – Yorkshireman, organist, harpsichordist & conductor Part 1" (20 dec 2011)
From a recent blog post on the Semibrevity website.
“I mentioned in my post on Thurston Dart that I couldn’t find out much about Arnold Goldsbrough, who had been his teacher at the Royal College of Music 1938–9.
Since then I’ve tracked down Arnold’s son, now in his eighties, who has put me onto his dad’s surviving cronies and told me some stories. Through him, one way or another, I now have a great deal of previously unpublished material.
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