In this latest issue appear the following articles:
“Vocal Technique: Boring Exercises That Will Make You a Better Singer” by Ian Howell
“Opera Corner: Young Artist Programs” by Nicholas Tamagna
“Countertenor Stephen Wallace Interviewed on RTE Radio” by Ian Howell
(UK) CFP: Domestic Music in Recusant Circles in Elizabethan and Jacobean Times, Fitzwilliam College, Cambridge, 26 Nov 2011
A Royal Musical Association Study Day in association with the Sixteenth-/Seventeenth-Century Music Network (SSMN):
Domestic Music in Recusant Circles in Elizabethan and Jacobean Times
A Forum for Students, Performers and Researchers
Fitzwilliam College, Cambridge on 26 November 2011
Guest speaker: Kerry McCarthy (Duke University, USA)
CALL FOR PAPERS
Some exceptional music was created during the Elizabethan and early Jacobean periods, and some of it was inspired by the religious uncertainties and suppression that existed at the time. The wealth of music was possible in part through the interest and generous patronage provided by many of the wealthy, educated and influential English Catholics who retired from court to their country estates where they cultivated the arts in the freedom of their privacy. This forum is an attempt to bring together research into the many aspects of domestic music in the network of English Catholics.
(US) OXFORD BIBLIOGRAPHIES ONLINE "New Publishing Opportunity for Doctoral Students at the Dissertation Level"
Franz Liszt: Mirror of a European Society in Evolution
Organized by the Universities of Rennes, Dijon and Strasbourg, France
As part of the bicentenary celebrations of Liszt’s birth, the universities of Rennes, Dijon and Strasbourg organize a tribute to the most representative European composer of the nineteenth century. Three symposia in three different cities will give new insight into three different aspects of Liszt s artistic, literary and political personality and seek to (re)define his status in the cultural world of his time.
Catalan Organ Music from the XVIIth century from the Trito catalogue.
McGill University, Montreal, Canada, 15 to 17 June 2012
Perhaps more than any other leading figure in the field of early keyboard music, Kenneth Gilbert has engaged with both scholarship and performance with equal success. He has made over 50 recordings of international keyboard repertoire that spans the Renaissance to the Enlightenment; he has written numerous articles and reviews; he has edited new publications of music that constitute a treasure for generations of early music scholars and performers; and he has profoundly influenced, through his teaching, many of the top harpsichordists in the world.
News from “Early Music New York” ensemble of their 2011-2012 exciting season offerings. The following are the concert descriptions. Do plan on attending as well as plan on purchasing your tickets early as some of these events may sell-out early.
BURGUNDIAN RENAISSANCE: Sacred & Salacious Polyphony
EARLY MUSIC NEW YORK, Frederick Renz, Director
EARLY MUSIC NEW YORK'S chapel concerts within NYC's great gothic Cathedral, are the ideal setting for the masterful motets and saucy chansons by Josquin Desprez and his 15th-century Lowlands contemporaries. The epitome of Renaissance polyphony, intricate interwoven chant and secular melodies are spun into rich tapestries of unsurpassed beauty. EM/NY's singers are joined by dueling lute virtuosi.
Saturday, November 5, 8 PM
Sunday, November 6, 2 PM
Cathedral of Saint John the Divine
Amsterdam Avenue at 112th Street
New York, NY 10025
#1 Subway to 110th Street
Visit the Early Music New York website or call Box Office 212 280-0330 for more information regarding ticket prices and subscription discounts.
Hear Rosalyn Tureck play various works by J.S. Bach.
Rosalyn Tureck, renowned musicologist, inspired many to study Bach on many keyboard platforms (piano, harpsichord, clavichord) and founded the Tureck Bach Research Institute, Inc. in 2001.
(AU) "Giovanni Antonio Terzi and the Lute Intabulations of late sixteenth-century Italy" (Doctoral Thesis Author: Suzanne E. Court, 2010)
New additions to the Symétrie catalogue:
“French Society of Musicology: scores of Esther and Athalie”
Penultimate tragedy of Racine, Esther was written for the “Demoiselles” of the royal house of Saint-Cyr, founded at the initiative of Madame de Maintenon, wife of Louis XIV. It opened in this institution a short-lived tradition of theater with musical interludes. The music involves a three-part instrumental ensemble (prelude, overture, interlude), a choir of girls from Esther’s retinue, solos and vocal ensembles. This edition displays for the first time the declaimed text, preserved in old spelling, and the entire music drawn up from sources contemporary with the creation of the work.
Full score (foreword in French and English, 12 fac-siimiles)
Bloomington, IN - August 1 - 5, 2011 (Monday - Friday)
“The International Natural Trumpet Making workshop, which has been held each year since 1993, in Bloomington, Indiana, and in various European locations, will be offered again during the week of August 1 - 5, 2011 at the Workshop of Seraphnoff Historical Instruments in Bloomington, Indiana.
For immediate release: 18 July 2011
“Profeti Della Quinta, vocal ensemble from Israel and Switzerland, has won the prestigious biennial York Early Music International Young Artists Competition organised by the National Centre for Early Music, which culminated on Saturday 16 July as part of the 2011 York Early Music Festival.
This month, the EarlyMusicNews.org “International Early Music Events Calendar" makes its appearance in “beta” version. As such, it is in a very trial version and may need tweaking before making its stay a permanent one on the front page. Let us know if you notice any problems or even submitting your comments on this new feature. Leave us a note even if you do not see your event appearing on the calendar.
NOTE that for the time being, concert dates are not being input although there are plans for these to make their appearance in the very near future.
(IT) Musica Antica A Magnano (Festival, Symposium, Courses and Concerts) (2011 August 4 - September 10)
EarlyMusicNews.org Weblinks Revisited
“ Polyhymnia is a small ensemble of singers and instrumentalists focusing on historically informed performance of sacred music from the courts and cathedrals of the Renaissance world.
(US) Reenvisioning St. John Passion in Carmel Carmel Bach Festival By Scott MacClelland (San Francisco Classical Voice Review)
(FR) Concert: "Musiques pour les comédies de Molière de Marc-Antoine Charpentier" (La Simphonie du Marais et Hugo Reyne) (2011 August 9-10)
EarlyMusicNews.org Weblinks Revisited
“New Renaissance Voices was formed in 1987 to perform polyphonic music of the 15th and 16th centuries. For ten years the choir made its regular home at St John the Divine, Richmond in south-west London. In 1998 the choir moved its base into central London and sang regularly for two years in the newly refurbished church of St John’s Waterloo. NRV has performed as part of the Southwark Festival and its concerts now regularly take place in Southwark Cathedral.
(FR) Recently Released: "Per la Vergine Maria" (Rinaldo Alessandrini and Concerto Italiano) (CD - Naïve)
From the recently published A-R Editions Spring “Embellishments” newsletter, a list of recent and forthcoming publications.
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