It will be a veritable ensemble extravaganza! More than 50 aspiring musicians comprising sixteen different groups will be contending for prizes worth over £1000 in a completely new Early Keyboard Ensemble Competition at Fenton House in Hampstead.
The groups face two elimination rounds, both of which will be open to the public. The First Round will be held from 2-5pm on the afternoons of 7th, 8thand 9thMay at Fenton House. For the cost of admission (free to National Trust members, no booking required) visitors will be able not only to view the 17thcentury House and its collections but also to enjoy a whole afternoon of Baroque music on historic instruments. They can also leave comments for the Jury who must select up to six ensembles to advance to the finals. ...
The course covers all aspects of early music and is suitable for beginners through to advanced and solo players. ...
Alison Crum, director, with Alice Robbins (USA) and Roy Marks
A chance for viol players with a particular interest in English consort music to work with distinguished professional players and teachers. Optional sessions focus on other topics such as madrigals, consort songs, early renaissance repertoire and continuo playing. ...
Cheltenham Recorder Festival
15th, 16th, 17th August 2008
Dean Close School, Cheltenham
Over the past three years the Cheltenham Recorder Festival has grown to become one of the highlights of the recorder year. The CRF offers an exciting variety of music to cater for all tastes and abilities, ranging from the established Renaissance and Baroque repertoire through to contemporary pieces which will be premièred at the CRF.
The tutors at the festival are specialists in their fields, ready to dispense friendly advice, direction and insights.Tutors for the 2008 CRF include:
Helen Hooker, Grace Barton, Ruth Burbidge, John Hawkes, Ann Lyall, Steve Marshall, Andrew Melville, Pam Smith and Moira Usher.
Our aim is to pack as much as ...
11th Festival of the
Hungarian Haydn Society
23 – 31 August 2008
18-22 June 2008
Organizers: Ferenc Liszt Academy of Music, Clavicembalo Foundation, Hungarian National Museum, Joseph Károlyi Foundation, Tihamér Vujicsics Music School Szentendre
Patron: Dr. András Batta, Rector of the Ferenc Liszt Academy of Music
Artistic director: Prof. Anikó Horváth ...
Nikolaus Harnoncourt about CEMBALISSIMO 2008:
"I wish all the best for your wonderful ideas and their realization! When I hear of these kinds of plans I am happy and hopeful."
Borbála Dobozy, Christine Schornsheim, Johann Sonnleitner, Jacques Ogg, Elżbieta Stefańska, Svitlana Shabaltina, Katalin Komlós, Zsolt Balog, Dalma Cseh, Aino Oláh, Rita Papp, György Vashegyi, Mária Zádori also Olena Zhukova, Szilvia Elek, Márton Borsányi, Margit Kovács, Siciliano Chamber Ensemble, Students of the Ferenc Liszt Academy of Music, etc.
"Join us on a life journey with 18th century traveler and musical titan George Frideric Handel. From Hamburg, we’ll follow his earliest journey to Lübeck to visit Buxtehude, then his move to Italy for an extended residence where he met the Italian composers who greatly influenced his musical future. After returning to Germany, we’ll share the wanderlust and ambition which ultimately led him to London, where he spent well over half his life. His compositional styles reflect all of his travels, and our musical itinerary will traverse Handel’s immense compositional world of operas, oratorios, concerti grossi, sonatas, English odes and royal ceremonial music. Artistic Directors: Cheryl Bensman Rowe and Paul Rowe, Program Director: Chelcy Bowles, Artistic Advisor: Robert Wiemken.
* Newberry Consort
* Marion Verbruggen
* Baroque Band
* Tempesta di Mare "
Visit website for more information: The Madison Early Music Festival
See this Yahoo! news link and also King's College (London) news link for more info.
- Music of Germany -
"The Amherst Early Music Festival at New London combines our acclaimed workshop program with the beautiful Connecticut College campus, situated on a hillside overlooking the Long Island Sound. We offer two week-long programs of classes in Medieval, Renaissance, and Baroque music and dance at all levels. Join us for either week or both. The Workshop Program is our largest, open to all, no audition required. We also offer small, week-long Intensive Programs for accomplished amateurs, pre-professionals and professional performers. "
Visit the Amherst Early Music Festival 2008 site for more information as well as a glimpse of the extensive list of faculty for this year's workshop.
Follow the link to view or even stream some of the music from their site. (ed.) Naxos The Art of The Baroque Harpsichord
We very happy to announce that the Concord Ensemble will be returning to BLoomington to perform at BLEMF. They were able to find time in their extremely busy professional schedules to come and perform their choral magic. This is one concert you will want to go to. " See website for more information: BLEMF
At www.skowroneck.de, I have made available new English version of my article on harpsichord voicing, which has previously appeared in Swedish and Dutch (1995 and 1998). Since then, I have collected more information about voicing (both with delrin and quill) and I have seen many more instruments by various makers and in various states that in one or another way confirmed my ideas or helped to refine them. So while this text is, in structure, not unlike the original one, it speaks, let us say, louder. This article is available in six postings on the main page www.skowroneck.de or as a pdf at http://skowroneck.wordpress.com/2008/03/08/voicing-complete-pdf/
The article was originally intended as an encouragement for using bird’s quills in harpsichords. However, the commonly used delrin is a very good alternative for quill, if it is used well. Even the reader who is not considering quill will find useful information about delrin.
98.7 WFMT Chicago's Impromptu Radio program presents Phillip Serna discussing "Viols in Our Schools" & performance by the Chicago Early Music Consort.
Phillip Serna will appear on 98.7 WFMT’s Impromptu Tuesday, May 13, 2008 directly following the 4PM newscast. It will be recorded live in WFMT’s Levin Performance Studio. In addition to performances by the Chicago Early Music Consort, Phillip Serna will be promoting the ‘Viols in Our Schools’ program as well as discussing upcoming performances. Listen to 98.7 WFMT on the Internet! Check out WFMT's free web streaming at http://www.wfmt.com.
For more information on ‘Viols in Our Schools’ visit: http://www.violsinourschools.org.
Summer School of Early Music focuses on the interpretation of music from older periods, mainly Medieval, Renaissance and Baroque Music.
The workshop takes place every July in beautiful South Bohemian town Prachatice (130 km south from Prague, 200 km north-west of Vienna). In 2008 we will be there for the 10th time, until 1998 the course took place in Bechyně.
The programme of the course includes individual lessons, group teaching of techniques, ensemble playing, listening workshops, lectures, and concerts of lecturers and participants.
Every year we have about 15 classes led by leading Czech and world players and teachers.
Summer School of Early Music is organized by Sdružení pro českou hudbu a umění.
Classes and lecturers of the Summer School of Early Music 2008:
6th – 13th July 2008
Peter Holtslag Recorder, Baroque flute
Carin van Heerden Recorder, Baroque oboe
Alan Davis Recorder
Julie Braná Recorder, Baroque flute
Monika Devátá Recorder
Jan Kvapil Recorder
Edita Keglerová Harpsichord
Class for piano accompanists (not only)
13th – 20th July 2008
Ashley Solomon Recorder, Baroque flute
Rodolfo Richter Baroque violin
James Johnstone Harpsichord
Jennifer Morsches Baroque violoncello
Reiko Ichise Viola da gamba
Jostein Gundersen Recorder
Rebecca Stewart Early singing
Mami Irisawa Early singing
Jan Rokyta Recorder
Liselotte Rokyta Panpipes
Evangelina Mascardi Lute
See website for more information:
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For over twenty-eight years SFEMS has offered one of the most comprehensive summer early music programs in the United States, led by a faculty of international artists in residence. The program offers instrumental and vocal master classes, lectures, coached ensembles, and recitals that provide an opportunity for musicians and dancers at a variety of levels to improve their ensemble skills, performance techniques, and teaching abilities.
Full days of classes, coaching, and rehearsals are followed by optional evening events, including faculty concerts and lecture-demonstrations, plus more light-hearted activities, from Morris and Renaissance dancing to croquet or poetry readings.
The Baroque and Medieval/Renaissance workshops are held at Sonoma State University, an hour north of San Francisco. Surrounded by hills and vineyards, Sonoma State offers several performance halls, a small theater, large classrooms, and new, single-room dorms. Nearby are wineries and historic towns in the Napa and Sonoma valleys, Pt. Reyes National Seashore, Bodega Bay, and the Russian River.
The Recorder Workshop is held at St. Albert’s Priory, a peaceful ivy-covered brick oasis one block from an upscale boutique-and-restaurant district in Oakland, California. All the single dorm rooms overlook a serene courtyard garden. The beautiful chapel that houses performances and orchestra rehearsals has wonderful acoustics. St. Albert’s is two blocks from the Rockridge BART (Bay Area Rapid Transit) station, putting the entire San Francisco Bay Area and its many attractions within reach by public transit.
For young people between the ages of seven and fifteen, SFEMS offers the fourteenth annual Music Discovery Workshop, located at the Crowden School in Berkeley.
Financial aid, based on need, is available from SFEMS in the form of tuition scholarships or work/study arrangements. College credit is also available from Sonoma State University (two semester units of academic credit per week, or three continuing education units). "
See workshop links for more details and online registration. SFEMS 2008 Summer Early Music and Dance Workshop
August 21-31, 2008
Seattle Pacific University, Seattle, Washington
Stephen Stubbs, musical director
Nancy Zylstra, vocal coach
Maxine Eilander, harps and continuo
Jillon Stoppels Dupree, harpsichord and continuo
George Shangrow, stage accompanist and musical coach
Margriet Tindemans, viola da gamba
This workshop offers advanced singers and continuo players (keyboards, harps, lutes, bowed bass) the opportunity to work on all the musical and dramatic aspects of the 17th-century opera repertoire with a faculty of specialists. Founded by Seattle native Stephen Stubbs eight years ago in Bremen, Germany, Accademia d’Amore has an established track record for training musicians in the subtle art of 17th-century vocal performance and instrumental accompaniment. Its attendees have gone on to successful careers in baroque opera in Europe, the US, and Canada. Stubbs relocated his successful workshop to Seattle in 2005. 2006 will see the second season of this workshop as well as the opening of an ongoing graduate program for singers and continuo players called the Seattle Academy of Baroque Opera.
The workshop will begin with a 3-day intensive course in the stylistic elements of music and movement in the baroque theatre, as well as a specialized course for continuo playing in baroque opera. This will be followed by a week of musical and scenic rehearsals in preparation for a staged performance of all the scenes worked on during the week.
In the middle of the workshop, there will be an informal student concert with music of the students’ choice. This is a very important part of the week where students have an opportunity to show other sides of their musicianship.
Location: Seattle Pacific University, Seattle, WA.
See website for more information: Accademia d'Amore Workshop
- Viols and other bowed strings:
- Reeds and brass:
- Harp & lute:
Visit the Toot website for more information. (ed.)
We weren't sure we'd do it so soon, but last summer's workshop was such a resounding success we couldn't resist. So once again, players, owners, builders, enthusiasts and aficionados of early keyboard instruments will gather in the beautiful seaside village of Stonington, CT for three-and-a-half days of immersion in the wondrous world of the harpsichord and clavichord -- and this time, we're including the fortepiano! Musically, we're focusing on Bach and his sons.
We've changed the format somewhat from last year. The first full day (June 14, 2008) will be composed of introductory sessions in building and playing. The next two days will mostly follow two tracks, allowing participants to concentrate more on either the "hardware" (building and maintenance) of the instruments, or the "software" (performance and performance practice) of the music. We've worked hard to devise sessions that will interest everyone, but one thing we haven't changed: Zack will supply the meals, including two dinners in his restaurant across the street from the shop! ... "
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