EarlyMusicNews.Org

"Ensemble Gombert is Melbourne's outstanding chamber choir, noted for its pure intonation and historic approach to choral sound and style. Named after Nicolas Gombert (c. 1495 - 1560), who has been largely ignored in the twentieth century despite an exemplary reputation amongst his contemporaries, the Ensemble specialises in a cappella performance of Franco-Flemish music of the High Renaissance. " Visit website for more information. (ed.)

Added on: Mar 13, 2008 | Hits: 433

“ The Early Music Association of NSW (EMA) was founded in 1977.

Its members comprise professional and amateur musicians, instrument makers, teachers, students and concert-goers.

The EMA aims to promote interest in all forms of Western music composed before the nineteenth century through two primary means. It encourages the study and performance of early music using authentic instruments, principles and interpretation. It also promotes research into and the editing of early music.“

 Visit website for more information. (ed.)

Added on: Apr 18, 2009 | Hits: 452

“Since 1977, Adelaide Baroque has established a tradition of leadership in the field of authentic early music performance, revitalising known Baroque repertoire, and bringing to light freshly discovered works with a vivacity, integrity and spirit they so richly deserve. Adelaide Baroque is renowned for its uncompromising standard of excellence, and for the ongoing development of emerging professional musicians.“

Visit website for more information. (ed.)

Added on: Jan 15, 2012 | Hits: 227

“With a desire to create a period instrument ensemble dedicated to the music of the Renaissance and Early Baroque, La Compañia was formed in 1997 by its artistic directors Danny Lucin and Mitchell Cross, who share a long collaborative partnership which commenced whilst studying improvisation at the Victorian College of the Arts.

La Compañia is a unique Australian ensemble, performing a rarely-heard repertoire on historically important instruments, to form a consort rich in possibilities. ..“ Visit website for more information. (ed.)

Added on: Apr 19, 2009 | Hits: 503

"The broad spectrum and vitality of medieval and early Renaissance music are made accessable to a wider audience. Musicians from Austria, Italy and Germany specialized in playing historical instruments make up the core of this European ensemble. " Visit website for more information. (ed.)

Added on: Mar 13, 2008 | Hits: 539

“Andreas Helm
Shawm, vocals, yodeling. Born and raised in the area of Mostviertel in Niederösterreich, Andreas Helm received his musical education at the Brucknerkonservatorium Linz and the Conservatorium van Amsterdam , where he studied recorders and early oboes. He is the permanent oboist of the L'Orfeo Baroque Orchestra, the Wiener Akademie, Concilium Musicum Wien. ..

Albin Paulus
Bag pipes (Schaeferpfeife, Bock), jaws-harp, vocals, yodeling. Born and raised in Germany, Albin Paulus obtained a classical education in clarinet. ..

Simon Wascher
hurdy gurdy. Born and raised in Oberoesterreich in a family known for its folk music tradition, Simon Wascher studied hurdy gurdy with Valentin Clastrier, Gilles Chabenat, Matthias Loibner, and Riccardo Delfino. ..”

Visit website for more information. (ed.)

Added on: Jul 07, 2010 | Hits: 361

“In 1991, the Salzburg musician, Wolfgang Brunner, founded the ensemble Salzburger Hofmusik performing in various settings from trio to full orchestra. The repertoire encompasses works mainly from the 17th to the early 19th century concentrating on the music of the Royal Church Choir under the Salzburg Prince Bishops.

The name Salzburger Hofmusik comes from the 18th century and meant in the vernacular of those times, the Royal Church Choir of the Prince Bishops.
From the time of its founding, Salzburger Hofmusik programs were performed that established Salzburg's integration into the music history of Austrian and European cultural traditions.

Along with this came scholarly work, exploiting sources that until now had gone unnoticed or had been unjustly forgotten. In order to present performances that are as authentic as possible, the ensemble plays mainly (but not exclusively) on historical instruments or on faithful copies of originals. ..“ 

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Added on: May 17, 2009 | Hits: 475

“Quadriga Consort – the Early Music Band on an expedition to the origins of pop music: early ballads and tunes from the British Isles, ranging from rollicking dance music to the Celtic-Gaelic and the courtly song traditions. The archaic melodies provide the basis for authentic music of today and tomorrow, so typical for Quadriga – with interpretations so fresh, that they make many a pop song of today pale in comparison to the enduringly moving ancient songs of love, yearning, joy and sorrow. ..“

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Added on: Jul 05, 2009 | Hits: 520

"The charismatic Palladian Ensemble is firmly established on the international music scene as a quartet of the highest calibre, presenting baroque chamber music infused with style, uninhibited virtuosity and intelligent musicianship. Over the past fifteen years the Ensemble has made numerous broadcasts and played hundreds of performances at prestigious venues across Britain, Europe, North and South America and still enjoys consistent popularity with audiences and critics worldwide. " Visit website for more information. (ed.)

Added on: Apr 09, 2008 | Hits: 530

“The Ensemble Mikado’s present combination of soprano, viola da gamba/viella, and three recorders was formed in Vienna in the spring of 2003. Since then, the winners of the 2004 International Young Artists Presentation—Early Music (IYAP) in Antwerp have known how to enthuse both audiences and the musical press at national and international festivals. Numerous concert performances have led the ensemble to Switzerland, Liechtenstein, Poland, Italy and Belgium, to the Vienna Recorder Days, the Hörgänge in the Vienna Konzerthaus, to the ISCM World Music Days, the early music festivals in Brežice and Radovljica in Slovenia, the Festival for Early Music in Bolzano, Italy, the Wratislavia Cantans Festival in Poland, the Laus Polyphoniae in Belgium, the Aqua Musica and Oude-Muziek-Network in the Netherlands, the Trigonale Festival in Carinthia, Austria and to the Tage Alter Musik in Regensburg, among others. In the selection of its repertoire, the ensemble focuses on both the music of the end of the Middle Ages (Ars nova and Ars subtilior) and that of the English Renaissance at the time of William Shakespeare. Unusual instrumentations and unconventional arrangements arise in the ensemble’s search for new ways of interpreting early music in a modern fashion. In February 2009 the CD "Can she excuse ?" was awarded the "Pasticcio-prize" by Ö1/ORF (Austrian Cultural Broadcasting Station).“

Visit website for more information. (ed.)

Added on: Mar 13, 2008 | Hits: 559

"The Clemencic Consort is an early-music ensemble comprised of international artists under the direction of René Clemencic. It performs in varying combinations of voices and instruments, depending on the programme.

Singers and instrumentalists from around the world have made it their task to interpret music from the Middle Ages to the Baroque period on historical instruments. They set great store on lively authenticity, but at the same time they consciously avoid "the wagging finger". The programmes are structured in such a way that they convey a colourful overall impression of the respective period. " Visit website for more information. (ed.)

Added on: Mar 12, 2008 | Hits: 587

"Capella Leopoldina was founded in 1992 by Jörg Zwicker.

Following the musical tradition at the Viennese court during the reign of Leopold I. the ensemble includes a variety of musicians from Austria and the most important European music metropolises.

The work focuses on oratorio and orchestra literature of the 17th and 18th century. Furthermore, programs with chamber music instrumentation are part of their repertoire. Capella Leopoldina also plays in simple continuo instrumentation combined with one or several singers.

In January of 2000 Capella Leopoldina took over the instrumental part of the project BACH XXI. In co-operation with the Grazer Dommusik all cantatas by J. S. Bach will be brought to the stage. The timeline for this project is 18 years and it thus represents one of the major projects of Austrian music history. ... " Visit website for more information. (ed.)

Added on: Jul 14, 2008 | Hits: 581

"ARS ANTIQUA AUSTRIA, director: Gunar Letzbor Ars Antiqua Austria was founded in Linz in 1995 with the aim of introducing audiences to the roots of specifically Austrian baroque music played on period-instruments. The music performed at the imperial court in Vienna at this period shows the strong influence of Italy and later of French forms, while Spanish court ceremonials also shape the character of the works. The typical Austrian sound of the period also betrays the influence of the many Crownlands. The political and social boundaries of Austria in the baroque era were far wider than in the 20th century. Elements of Slav and Hungarian folk music mingle with alpine sounds and can be heard in the art music of the period. The Austrian sound also reflects the temperament and character of the Austrians of that period - a unifying element in the melting-pot of many different cultures: the joie de vivre of the South, Slav melancholy, French formality, Spanish pomp and the Alpine character of the German-speaking regions. This fusion of court- with folk music and a strong element of dance music form the typical Austrian sound.

The core of Ars Antiqua Austria comprises 8 musicians directed by Gunar Letzbor. The ensemble is readily augmented to accommodate a still wider repertoire.. " See website for more information. (ed.)

Added on: Mar 12, 2008 | Hits: 592