EarlyMusicNews.org

"Formed around 1983-5 (historians disagree on the exact birthdate) in the front room of a house in Linden Gardens, Chiswick, (London) it combined the talents of advanced music students, young professionals and talented amateurs. Many of the original members now have prominent careers in the early music field and some are still playing with the band.

It was the only 'original instrument' orchestra at that time in Europe to offer the opportunity of amateurs and professionals playing together; the newly emerging Early Music field.

Linden Baroque still provides very useful experience for many types of player; the advanced baroque instrument student, the 'modern instrument' professional player making the transition to the baroque playing style, young professionals gaining experience 'between jobs' and talented dilettantes. We always play under an established leader and continuo player and many well-known professionals happily give up their time to perform with Linden Baroque. The mixture of personnel within the band ensures that its spirited performances are always of high quality, the core members ensuring Linden keeps its distinctive voice. ..."

Visit website for more information.

Added on: May 21, 2015 | Hits: 712

"The 18th Century Concert Orchestra communicates the brilliance and drama of baroque music, combining period instruments, candlelight and resplendent 18th-century attire to present a uniquely atmospheric recreation of 18th-century musical life.  

A typical evening: the scene is set by the dedicated Master of Candles, providing illumination before the musicians appear in their strikingly colourful costumes. The assembled band, comprised of fiddlers, hautboys and harpsichordist, bow gracefully and soon launch into a striking overture – perhaps one of Don Antonio Vivaldi's (designed to arrest the attention of a packed and noisy Venetian opera house).Concertos, arias and dance suites are interspersed with informative and witty anecdotes drawn from 18th-century histories, journals and treatises. Such sources also inform our programming as they often make mention of popular works scarcely known today (e.g. comic overtures). Baroque classics feature alongside these rare items. The authentic 18th-century elements: period instruments, wooden music desks, individually tailored shoes and costumes, mohair wigs, candlelight and readings. ..."

Visit website for more information.

Added on: May 21, 2015 | Hits: 732

"Founded in 1997 by Baroque scholar and harpsichordist Andrea Marcon, the Venice Baroque Orchestra is recognized as one of the premier ensembles devoted to period instrument performance. The Orchestra receives wide critical acclaim for its concert and opera performances throughout North America, Europe, South America, Japan and Korea,Taiwan and China.

The Orchestra has appeared in many more cities across the United States than any other Baroque orchestra in history. They also maintain the most frequent touring schedule to Asia.

Committed to the rediscovery of 17th- and 18th-century masterpieces, under Mr. Marcon’s leadership VBO hasgiven the modern-day premieres of Francesco Cavalli’s L’Orione, Vivaldi’s Atenaide, Andromeda liberata, Benedetto Marcello’s La morte d’Adone and Il trionfo della poesia e della musica, and Boccherini’s La Clementina. With Teatro La Fenice in Venice, the Orchestra has staged Cimarosa’s L’Olimpiade, Handel’s Siroe, and Galuppi’s L’Olimpiade, and reprised Siroe at the Brooklyn Academy of Music in New York in itsfirst full staging in the United States. The Orchestra has been seen worldwide through several television specials, including films by the BBC, ARTE, NTR (Netherlands), and NHK. They are the subject of three recent video recordings, and their performances were also featured on Swiss TV in the documentary film by Richard Dindo, Vivaldi in Venice.  ..."

Visit website for more information.

Added on: May 20, 2015 | Hits: 646

"The Baroque Chamber Orchestra of Barcelona (OCBBA) was created in 2010 with the aim of disseminating and retrieving pieces from the seventeenth and eighteenth centuries. Its members, mostly living in Catalonia, are musicians who specialize in historical interpretation. The repertoire performed both opera and instrumental religious is large. 

The works should be noted, GB Pergolesi Stabat Mater, Gloria RV 589 by Antonio Vivaldi and Cantatas A ist ein King Geboren BWV 142 Ich freue I said in mich, BWV 133 by Johann Sebastian Bach

The orchestra has worked with internationally renowned directors like David Malet, Master and Daniel Gilles Colliard among others, and have worked as well with some performers such as soloists Esther Ribot Oriol Rosés, Ulrike Haller, Albert Riera and Elijah Guinart Carmen Benito .

The orchestra's latest project has been to record and edit a CD dedicated to the figure of the composer GF HANDEL under the orchestra's label "Insitu".  ...." (Google Translate)

Visit website for more information. (Admin)

Added on: Aug 18, 2014 | Hits: 861

“The new Stuttgart Baroque Orchestra …”

Visit website for more information. (ed.)

Added on: Nov 08, 2012 | Hits: 1436

“Born out of a meeting of talent, enthusiasm and friendship, the International Baroque Players represent countries from all over the world. Their different backgrounds and influences make the rehearsal and performance processes a truly dynamic experience. …”

Visit website for more information. (ed.)

Added on: Nov 08, 2012 | Hits: 807

“The Theresia Youth Baroque Orchestra (TYBO) was founded in January 2012 on the initiative of Mario Martinoli and the Project THERESIA. …”

Visit website for more information. (admin)

Added on: Nov 04, 2012 | Hits: 1053

Orchestra on Period Instruments
Alexis Kossenko, direction

”Les Ambassadeurs & Alexis Kossenko realize a dream of a European orchestra reconciling the performance on period instruments with a wide repertoire hitherto fragmented by specialization. At once sincere messengers, passionate performers and inspired creators, their mission is to share with as wide a public as possible the infinite range of emotions conveyed by the experience of music.

Tracing their path away from dogmas, fashions and schools, Les Ambassadeurs pursue an ideal of eloquence – where the grammar of period instruments, the art of rhetoric and musical instinct do not exclude each other. …”

Visit website for more information. (ed.)

Added on: May 14, 2012 | Hits: 1133

“Declared “unquestionably in the top-tier of Renaissance vocal ensembles in the Northeast” by Boston Musical Intelligencer and hailed for its “stunningly unified ensemble sound” by The Carlisle Mosquito, Exsultemus [ek-sul-TAY-mus] was founded in 2003 to explore remarkable but seldom-performed Renaissance and Baroque vocal works, taking advantage of the multitude of fine soloists in the Boston area and making use of the most recent research into historically-informed performance. Exsultemus has performed more than three dozen original programs, from liturgical reconstructions of Renaissance Vespers services to Telemann’s St. John Passion of 1737. Taking its name from the Latin for “let us rejoice,” Exsultemus is modeled after small estate and chapel choirs with musicians performing one on a part and without conductor, working rather as a chamber ensemble than a traditional choir and offering audiences vibrant and engaging performances.

Since its founding by soprano and Andover native Shannon Canavin, Exsultemus has presented an annual concert series at the First Lutheran Church of Boston, where it is Ensemble-in-Residence, and in various locations throughout Greater Boston, as well as appearances in Germany and Belgium. Exsultemus dedicates an annual concert to music of the Iberian Peninsula and the New World that include free community outreach concerts. Their 2011 collaboration with Newton Baroque to present Georg Philipp Telemann’s 1726 liturgical cantata cycle Harmonischer Gottesdienst was hailed by the Boston Globe as “especially welcome” and heralded by the Boston Musical Intelligencer as “an intimate and joyful musical experience.” Exsultemus has appeared with Connecticut Early Music Festival, Society for Historically Informed Performance, Clark Art Institute, WHRB, WGBH, and WCRB, and was featured on audio tours at the Wadsworth Atheneum (Worcester, MA) and the Folger Shakespeare Library (Washington, DC).”

Visit website for more information. (ed.)

Added on: Mar 29, 2012 | Hits: 1178

Visit website for more information (ed.)

Tags: IndyBaroque Music, Inc.; Ensemble Voltaire; 

Added on: Mar 29, 2012 | Hits: 1007

“Now completing its 11th season, Mercury has inspired and exhilarated listeners in Houston and beyond. Mercury reaches over 20,000 audience members every year with its signature sound, passion for music, as well as its charm and dynamism. Mercury presents more than
50 concerts every season, including a world class series of performances at the Wortham Center, community concerts around the greater Houston area, and tours both domestically and internationally. Last season, Mercury made its European debut with five critically acclaimed performances of Lully's opera Armide in Paris. In addition to the orchestra's prolific performances, Mercury is devoted to educating Houston's future musicians. Most recently, Mercury established a groundbreaking partnership with YES Prep Public Schools, where Mercury musicians teach private lessons, chamber music and orchestra classes to the students of the West Campus. Mercury's educational outreach programs have touched the lives of more than 10,000 children in the past 5 years alone.”

Visit website for more information. (ed.)

Added on: Mar 29, 2012 | Hits: 1090

“Now in its fifth decade, the Toronto Chamber Choir holds a place of prominence in the early music scene. Mark Vuorinen, now entering his fourth season as Music Director, is one of Canada’s rising choral conductors, with more than ten years of experience conducting professional and amateur singers. He follows David Fallis, the choir’s Music Director Laureate, an expert in early music who led the choir for more than two decades. 

The choir distinguishes itself by its presentation of large-scale, often little-known, works of the Renaissance and Baroque repertoire, performed in authentic style. In 2007, we performed the Requiem by Francesco Cavalli,
a work rarely heard in Canada. A performance of the 40-voice motet Spem in Alium by Thomas Tallis was a fitting choice for celebrating our 40th anniversary in 2008. In 2010, we sang Media Vita by John Sheppard, an English composer who deserves to be heard more often.  On Good Friday in 2010, we performed the profound Passion oratorio Membra Jesu Nostri by Buxtehude.  Mark Vuorinen said, “This piece is comprised of seven discrete cantatas, each a meditation on a part of Christ’s crucified body. For the sixth cantata, a meditation on the heart, Buxtehude replaces the violins with a consort of five viols, a most extraordinary timbral effect!”  In the spring of 2011, the choir presented a concert of music by Josquin des Prez, arguably the most famous composer during his own lifetime.  Secular and sacred music was performed, including one of his greatest works, the Missa Pange Lingua. More notes are found in the Education and Outreach section of the website.“

Visit website for more information. (ed.)

Added on: Mar 28, 2012 | Hits: 1490

“Emerging in the early 1980s as a grass-roots cooperative of musicians, the [Portland Baroque Orchestra (PBO)] orchestra has matured as a polished, professional organization with a loyal and committed audience that now numbers some 1000 subscription ticket holders and 1100 single-ticket purchasers. The group offers performances in downtown Portland at the First Baptist Church and at Kaul Auditorium on the Reed College campus.

PBO inhabits a modest yet critical niche in the Portland arts community. PBO’s highly specialized orchestral mission complements the Oregon Symphony’s broader purpose. Its narrow focus contrasts well with Friends of Chamber Music and Chamber Music Northwest and its vocal offerings are on a different scale from those of Portland Opera. PBO joins the others to offer the classical music lover a multi-faceted array of options.

The Portland Baroque Orchestra specializes in performing baroque and classical music on original instruments, or replicas, from the time the music was composed. These instruments, and the techniques used to play them, produce an orchestral texture very different from that of their modern counterparts. The improvisation and wit of historically informed performance practices add freshness, clarity, and vitality to the music of Buxtehude, Corelli, Purcell, Scarlatti, Bach, Telemann, Couperin, Vivaldi, Handel, Mozart, Beethoven and many others, linking us directly to a rich and vital past.

PBO’s artistic excellence places it squarely within the ranks of the best baroque orchestras in North America and Europe. Many consider music director Monica Huggett to be the premier baroque violinist performing today. A growing list of the world’s best singers, guest conductors, and instrumentalists in the field of baroque performance now consider Portland an important addition to their musical resumes.”

Visit website for more information. (ed.)

Added on: Mar 28, 2012 | Hits: 1431

“Born of the stage [tradition], the Romeo & Julia Kören (Choir) honours a musical storytelling tradition.

The ensemble sings and emotes, making performances a visual as well as a musical experience. The result is a singular brand of vocal drama. ...

A Renaissance concert showcases the most playful side of the Romeo  Julia Choir. Benoît Malmberg deftly conducts his choir through selections from their sizable repertoire, some 150 pieces, generally accompanied by a Renaissance lute and percussion. ... When performing at other venues, the Renaissance concert format is adapted to suit the particular venue. ..."

Visit website for more information. (ed.)

Added on: Mar 24, 2012 | Hits: 1431

Ensemble & Orchestra L’Aura Soave in Cremona

Visit website for more information. (ed.)

Added on: Mar 03, 2012 | Hits: 1128

“Crescendo's mission: 

To bring an innovative approach to rarely heard choral and instrumental music, sacred and secular, performed by amateurs and processionals with the Crescendo Period Instrument Orchestra; and to provide workshops and master classes in the musical arts - both in northwestern Connecticut and nearby New York and Massachusetts.“

Visit website for more information. (ed.)

Added on: Mar 02, 2012 | Hits: 1717

“Cois Cladaigh is a mixed voice choir based in Galway and was founded in 1982. The name - Cois Cladaigh - is Irish and can be translated as "beside the Claddagh" which is a well-known area in Galway City. The choir specialises in European music from the late 15^th and early 16^th centuries and also performs a formidable repertoire of contemporary choral music, particularly from Ireland, but also from Scandinavia, Eastern European countries, and North America. …”

Visit website for more information. (ed.)

Added on: Mar 02, 2012 | Hits: 872

“Since their first performance of Handel's "Messiah" in December 1983, the Galway Baroque Singers have established themselves as one of Ireland's most accomplished amateur choirs.

Formed by Audrey Corbett, the choir has sung many of the major choral works:

• Masses by Haydn, Beethoven, Weber, Cherubini, Bruckner and Mozart
• Magnificats by Bach, Pergolesi, Rutter
• Glorias by Vivaldi and Poulenc
• Requiems by Mozart, Faure, Durufle, Verdi and Rutter
• Carl Orff's Carmina Burana …”

Visit website for more information. (ed.)

Added on: Mar 02, 2012 | Hits: 960

“A period-instrument orchestra with a fresh approach

The Finnish Baroque Orchestra specialises in performance on period instruments –  a mode of performance requiring profound study of the practices and instruments of the period in which a work was composed. Its foremost feature is, however, its fresh, vibrant and open-minded desire to establish a fresh approach to early music.

These days Finnish Baroque Orchestra is working with artists like Sirkka-Liisa Kaakinen-Pilch, Georg Kallweit, Topi Lehtipuu, Hannu Lintu, Sandrine Piau, Karina Gauvin, Juha Kangas, John Storgårds, Aleksei Lybimov, Piia Komsi, Wolfgang Gaisböck, Andres Mustonen, Björn Colell, Alfredo Bernardini,  Marianne Beate Kielland, Arttu Kataja, Erich Hoeprich...”

Visit website for more information. (ed.)

Added on: Feb 23, 2012 | Hits: 2862

“Barokkanerne is an all-Norwegian baroque orchestra, consisting of Oslo-based, young professional musicians, all with recognized special skills within the field of Early Music. The ensemble was established in 1989, and gives concerts both as a full orchestra and as smaller chamber-music groups. Venues have included the Oslo Chamber Music Festival, the Oslo International Church Music Festival, broadcasts on the NRK radio and television network (the Norwegian Broadcasting Company), and tours abroad, including most recently concerts in Israel and Lithuania.

In 2006 Barokkanerne performed with Det Norske Solistkor in the world premiere of Lasse Thoresen’s Ut Unum Sint, which was written specifically for this orchestra.

Barokkanerne’s activities have traditionally included performances of music for choir, soloists and orchestra, such as Haydn’s Creation, Mozart’s Requiem, the St John and St Matthew Passions by Bach, Monteverdi’s Vespers, and Handel’s Messiah.

During recent years Barokkanerne has begun to draw a wide audience as a purely instrumental ensemble. The increased level of skill, artistry and enthusiasm amongst its members has spurred the orchestra to aim for more independent tasks.”

Visit website for more information. (ed.)

Added on: Feb 23, 2012 | Hits: 1535

“Sixty of the Chicago area’s finest professional musicians make up the chorus and orchestra of Music of the Baroque. Many have played and sung for years with the ensemble. Most members of the orchestra also perform with other leading groups, including the Chicago Symphony and Lyric Opera. Chorus members have active operatic, teaching and recital careers and several perform regularly as soloists with Music of the Baroque. The opportunity to perform early repertoire at a very high artistic level with fellow fine musicians keeps ensemble members coming back concert after concert.“

 Visit website for more information. (ed.)

Added on: Feb 19, 2012 | Hits: 954

“Silete Venti! was born in 2004 to deepen the study of the Baroque and Classic period, with the peculiarity of using authentic instruments and of giving a great attention to the original techniques and to search for the ancient sources. The orchestra has from the beginning cooperated with important hystorical researchers and well known international musicians such as Corrado Rovaris. Silete venti! is formed by musicians who are winner of international awards and have been Prime parti in famous orchestras, and who teach in schools full of prestige. Young talented musicians are also applied to the orchestra, with the desire of promoting an ambitious and deep cultural development. Silete Venti! has then become an important part in the Ancient Music panorama, and has been invited in famous festival focused on this repertoire.”

Visit website for more information. (ed.)

Added on: Nov 16, 2011 | Hits: 1000

“A baroque orchestra? Yes. But more importantly - an orchestra in a baroque manner. That means an orchestra searching for more than just performing in a historically informed fashion the pieces that were written 300 years ago. That means an orchestra with a truly baroque approach to music making. That means an orchestra for which the score, the treatises and the instruments are merely a pretext for artistic experiments; for long journeys that lead to the unknown; for creating rather than re-creating!

AdS gives on average nearly one hundred concerts a year, performing in various settings and instrumental combinations. The orchestra has initiated as well as hosted five early music festivals in Poland: "Early Music - Persona Grata" (since 1998); "Music in Paradise" (2003-2009 in Paradyz); "Torun Haendel Festival" (2004-2006); "Three Baroques Festival" (2004-2007 in Wroclaw) and "Baroque Strings and Bows Festival" (2005-2009 in Poznan).

The CD's of AdS have been released by such renowned labels as Alpha, Channel Classics and BIS Records. They have received an international acclaim and won many prestigious awards: 2003 Gramophone Award for Best Baroque Instrumental recording (for Vivaldi's "La Stravaganza" with Rachel Podger), Diapason d'Or, Gramophone Editor's Choice, Choc du Monde de la Musique, Luister 10, 10 de Repertoire, Classics Today, Classic CD. 

Visit website for more information. (ed.)

Added on: Nov 09, 2011 | Hits: 1651

“Sinfonia New York is a period instrument orchestra that specializes in historically informed, vibrant performances of 17th, 18th and early 19th century music.

Since its debut on October 1st, 2007 at The Town Hall in New York City the group has established itself as a première ensemble that presents old music in thrilling new ways. …

Sinfonia New York was co-founded by Artistic Director Christine Gummere and Executive Director Gene Murrow.  The orchestra has a two-fold mission: to create work for seasoned musicians as well as young players just starting their careers, providing them with an environment that encourages their best playing; and to perform music by famous and lesser-known baroque and classical composers in period style.

Under the leadership of John Scott, the orchestra has received critical acclaim for the high quality of its playing.  As the Sinfonia Players the group has excelled in presenting chamber concerts featuring music from Monteverdi to Mendelssohn.”

Visit website for more information. (ed.)

Added on: Oct 21, 2011 | Hits: 1211

“Taking its inspiration from Les Nations, a work by François Couperin symbolising the coming together of musical tastes and heralding a “European artistic space” which, far from being a recent invention, bears all the hallmarks of the Age of Enlightenment, Le Concert des Nations, the youngest of the ensembles directed by Jordi Savall, was founded in 1989. Created during the preparation of the Canticum Beatae Virgine by Charpentier, this group arose out of the need for an orchestra of period instruments that could play the orchestral and symphonic repertoire from the Baroque to the Romantic periods (1600-1850). Le Concert des Nations is the first orchestra of its kind made up chiefly (although not exclusively) of musicians from Latin countries (Spain, Latin America, Italy, Portugal, France, etc.), all of whom are outstanding specialists in performance using period instruments. The impact of the ensemble’s recordings and concerts given in the major cities and music festivals over the last fifteen years has established its reputation as one of the best original instrument orchestras performing today, with a broad and varied repertoire that ranges from the earliest music to be composed for orchestra (L’Orchestre de Louis XIII, 1600-1650) to the masterpieces of the Romantic period, including the key Baroque and Classical composers. …”

Visit website for more information. (ed.)

Added on: Oct 03, 2011 | Hits: 1743