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"French pianist Claire Chevallier (°1969) combined the study of the piano at the musical academies of Nancy, Strasbourg (Hélène Boschi) and Paris (Bruno Rigutto) with her traditional studies in mathematics and physics.
She then continued her musical education at the Conservatoire Royal de Bruxelles with Jean-Claude Vanden Eynden and Guy Van Waas, where she was awarded first prize in piano and chamber music. She became fascinated with the fortepiano during her studies via a master class given by Jos van Immerseel. She began to concentrate on the historical background and the evolution in the "construction" of the fortepiano, and for a number of years studied the specific characteristics and maintenance requirements (tuning, strings, etc) of the instrument completely on her own. She thus developed extensive expertise in historical keyboards as fortepiano specialist and as pianist.
As musician-researcher, she began her own collection of French historical keyboards, which has grown in the meantime to 5 instruments covering the time span 1842-1920. ... " Visit website for more information. (ed.)
Added on: Jul 16, 2008 | Hits: 574
"Francesco Corti was born in Arezzo, Italy, in a musical family in 1984. As a young child, he was taught by his mother, Anna Seggi, and then by Giordano Giustarini.
He studied organ in the class of Wijnand van de Pol at the Conservatorio Morlacchi in Perugia, where he graduated with highest marks and mention in 2004.
He then studied harpsichord at the Conservatoire de Musique of Geneva with Alfonso Fedi. He is currently continuing his studies at the Conservatorium van Amsterdam with Bob van Asperen (harpsichord). He has also attended masterclasses with C. Rousset, G. Leonhardt, M. Meyerson, B. Winsemius, E. Kooiman, L. Tamminga, L. F. Tagliavini at important musical institutions such as the Zomerakademie voor Organisten of Haarlem, the Académie Musicale de Villecroze and the Accademia Chigiana di Siena (where he received a "Diploma di Merito"). From 2000 to 2004, he was organist at the Chiesa di Santa Maria della Pieve in Arezzo.
He was awarded in international competitions for harpsichord, organ, and chamber music and in 2006 he obtained the first prize of harpsichord at the XV International "Johann Sebastian Bach" Competition in Leipzig. In 2007 he was awarded the second prize at the Bruges Harpsichord Competition.
As a soloist, he has appeared in numerous concerts all over Europe, in the USA, in Mexico and in New Zealand. He plays with famous early music groups suc as Ensemble les Musiciens du Louvre (M.Minkowski), Le Concert des Nations (J. Savall), Zefiro (A. Bernardini), Ensemble Elyma (G. Garrido), and Musica ad Rhenum (j. Wentz).
His first solo recording (Harpsichord suites by Lous Couperin, recorded on the original Ruckers Harpsichod conserved in Neuchâtel, Switzerland) has been published in 2007 by the label Genuin. "
Visit website for more information. (ed.)
Added on: Jul 16, 2008 | Hits: 411
"Vital Julian Frey is considered the trailblazer of a new generation of harpsichordists. Technical mastery and a high degree of musicality are as much his trademarks as a convincing stage presence and a good rapport with his audience.
Vital Julian Frey is a highly active concert performer. His artistic activities include concerts as a soloist with orchestras such as Capriccio Basel, the Bamberg Symphony Orchestra or the Leipziger Concert, children’s concerts with commentary, and solo recitals as part of internationally famous concert series and at festivals, including the Menuhin Festival Gstaad, Les Muséiques Basel, Bach Festival Leipzig, Lucerne Festival, MDR-Musiksommer, Orpheum Musikfesttage Zurich, Bratislava Music Festival, Murtenclassics, Bachwochen Thüringen, Festival van Vlaanderen Brugge. As a chamber musician, Frey collaborates with performers such as Kristin von der Goltz, José Vazquez, Christine Schornsheim, Fiorenza de Donatis, Sabrina Frey, Sergio Azzolini and Reinhard Goebel. ...
Vital Julian Frey trained at the academies of music in Freiburg im Breisgau and Munich, where he completed his Concert and Soloist diplomas under the tutelage of Robert Hill and Christine Schornsheim. Frey also received important artistic stimuli during tuition with Christophe Rousset, Gustav Leonhardt, Kenneth Gilbert, Christiane Jaccottet and Andreas Staier. ... " Visit website for more information. (ed.)
Added on: Jul 16, 2008 | Hits: 424
"After completing his modern piano degree at the Royal Conservatory at The Hague in 1983, Bart van Oort studied fortepiano with Stanley Hoogland, also at the Royal Conservatory. In 1986 he won the first prize and the special Audience prize at the Mozart Fortepiano Competition in Brugges, Belgium, and he subsequently studied with Malcolm Bilson at Cornell University (Ithaca, NY), receiving a Doctor of Musical Arts degree in Historical Performance Practice in 1993. He has performed at festivals in Utrecht, Florence, Berlin, Antwerp, Brugges, Melbourne, Brisbane, York, Montpellier, Moscow, and Esterhaza, in the USA and New Zealand, and has given lectures and master classes at the conservatories of Brussels, Paris, Moscow, Helsinki, Oslo, Bucharest, Sofia, Moscow, Stavanger, Perugia, Sydney, Adelaide, Wellington, Melbourne, Hong Kong, Tokyo, Juilliard, Bloomington, and Western Ontario. Since 1997 Van Oort has made more than forty recordings of chamber music and solo repertory, including the prize-winning 4-CD box set The Art of the Nocturne in the Nineteenth Century, the Complete Haydn Piano Trios (10 CDs) with his ensemble the Van Swieten Society, and with four other fortepianists, the Complete Haydn Piano Sonatas. In 2005 Bart van Oort completed a ten-year, 14-CD recording project, the Complete Works for Piano solo and Piano four-hands of Mozart, which was released during the Mozart Year 2006. Bart van Oort teaches fortepiano and is a lecturer in Historical Performance Practice at the Royal Conservatory in The Hague (The Netherlands). " Visit website for more information. (ed.)
Added on: Jul 16, 2008 | Hits: 532
"Menno van Delft, born 1963 in Amsterdam, studied harpsichord, organ and musicology at the Sweelinck Conservatory in Amsterdam, the Royal Conservatory in The Hague and the University of Utrecht. Amongst his professors were Gustav Leonhardt, Bob van Asperen, Piet Kee, Jacques van Oortmerssen and Willem Elders. During his studies Menno van Delft sang Gregorian chant in de “Schola Cantorum Amsterdam” under the inspiring and formative leadership of Wim van Gerven.
In 1988 Menno van Delft was a finalist at the C.Ph.E. Bach Competition in Hamburg and won the clavichord prize. Subsequently he made his debut at the Holland Festival Early Music Utrecht. He has given concerts and master classes throughout Europe and the U.S.A. and made numerous recordings for radio and television. He has been a guest at several Bachfeste of the Neue Bachgesellschaft.
As a continuo player and soloist Menno van Delft performs with Marion Verbruggen, Jaap ter Linden, Pieter Wispelwey, Bart Schneemann, Lucia Swarts and Jacques Zoon and with the Nederlandse Opera, Al Ayre Español, the Nederlands Blazersensemble, Cantus Cölln, the Koninklijk Concertgebouworkest, the Nederlands Kamerkoor and the Nederlandse Bachvereniging. He has recorded for labels such as Globe, Deutsche Harmonia Mundi, Chandos, Channel Classics, Capriccio, EMI and Decca. ...
Together with Siebe Henstra he forms the clavichord duo Der Prallende Doppelschlag and with Stefano Demicheli the harpsichord duo La Bassa Fiamenga. Since 1995 Menno van Delft has taught harpsichord, clavichord, basso continuo and ensemble playing at the Conservatory of Amsterdam (formerly the Sweelinck Conservatorium). ... " Visit website for more information. (ed.)
Added on: Jul 16, 2008 | Hits: 377
"... * you can watch me tune and play harpsichords! My doctorate is in harpsichord. *I've written various essays and articles (mostly about music) *St Olaf College has a streamed video recording of a concert I gave there with Martin Hodel, 26 September 2007. It's trumpet and organ music. *My research on Johann Sebastian Bach's tuning is one of my big projects from 2004 to present. Here are the academic papers, the simpler explanations, and the hands-on instructions. There is also a list of recordings using that tuning system. ... " Visit website for more information. (ed.)
Added on: Jul 23, 2008 | Hits: 405
"Claude Nadeau holds a first prize of a harpsichord Conservatoire National french obtained in 1999 in the class of Joel Pontet, and a diploma in early music at McGill University in Montreal (1998) where she earned "A" in harpsichord by unanimous jury. She worked with harpsichordists such as Luc Beauséjour, Kenneth Gilbert or Bob van Asperen.
Seventh generation of church musicians in her family, she hass also been very active as an organist for more than twenty years. She can be heard at the organ on the disc "Er Roué Stevan" with Roland Becker and the Orchestre National Breton, ...
Young conductor especially appreciated for her work with voices, she led the chorus of Radio-France Outremer from 2003 to 2004, and works regularly with the federation A Coeur Joie in the field of early music. In January 2007, it was her "debut" as a harpsichord soloist at the Opera National de Paris in a concert of contemporary music, where she assured the world premiere of "Toccate" Graciane Finzi, ... In March 2007 she was on a tour of Japan sponsored by Air France and with the assistance of the Embassy of France in Tokyo.
Artist versatile, addressing both the music and medieval Gregorian chant to traditional music and contemporary creation, it was able to see the film and television in the role of a ... harpsichordist. ... " (Google translation) Visit website for more information.
Added on: Jul 24, 2008 | Hits: 337
" I am a Brisbane harpsichordist with 10 years experience of performing professionally. I studied with Huguette Brassine at the Queensland Conservatorium and have received lessons from Christophe Rousset (musical director of the movie Farinelli), Geoffrey Lancaster, Colin Tilney, Peter Hagan, Alison Crum and Roy Marks, Tommie Andersson (on vihuela), and Michael O'Loghlin (continuo). I co-founded, with Gregory Rogers, the series "Theatre of Craft and Harmony", which involved period performance of all eras. This was a free monthly series and included music, dance, various demonstrations and talks.
I have performed in 4MBS Festival of Classics and broadcast on 4MBS Classic fM, and performed as a soloist and with various ensembles including New Holland Baroque, Jack-in-the-Pulpit, Chamber Ensemble Queensland, Conservatorium Baroque Orchestra, the Brisbane Baroque Orchestra, Appassionata, and the Cleveland Symphony Orchestra (Queensland). " Visit website for more information. (ed.)
Added on: Jul 31, 2008 | Hits: 473
"Hailed by New York Magazine as a "leading light of New York's original-instrument scene," Bradley Brookshire has emerged as one of the most noted Bach interpreters of his generation. His distinctive approach to Bach's harpsichord music has led to sustained critical acclaim by the New York Times ...
A member of the Purchase College (SUNY) faculty since 1998, Brookshire holds the position of Director of Graduate Studies in the Conservatory of Music, where he leads the Purchase College Camerata and teaches graduate courses in musicology and counterpoint. ... " Visit website for more information. (ed.)
Added on: Aug 06, 2008 | Hits: 352
"A native of Santiago, Chile, Lionel Party studied with Elena Waiss at the Escuela Moderna de Musica, graduating in 1965. In 1966 he was awarded a Deutscher Akademischer Austauschdienst scholarship by the West German government to study piano with Rosl Schmid and harpsichord with Hedwig Bilgram at the Musikhochschule of Munich.
In 1970 Mr. Party came to The Juilliard School to study harpsichord with Albert Fuller first as a Fulbright scholar and then as recipient of a Juilliard Alumni grant. He obtained his doctor of musical arts from Juilliard in 1976. Mr. Party has played solo recitals in New York City's major concert halls including The Metropolitan Museum of Art, Frick Collection, Alice Tully Hall, Abraham Goodman House, 92nd St. Y - as well as Boston, Washington and other U.S. cities. He has made numerous appearances with Orpheus Chamber Orchestra, Waverly Consort, Solisti New York, among other ensembles. " Visit website for more information. (ed.)
Added on: Aug 06, 2008 | Hits: 369
"Michele Benuzzi studied the harpsichord with Ottavio Dantone and obtained the harpsichord Performing Diploma at the Royal College of Music in London. He also studied musicology at the University of Pavia.
He attended master classes with Andreas Staier, Andrea Marcon, Bob van Asperen, Ketil Haugsand, Jaques Ogg, Jan Whillelm Jansen, Christine Whiffen, and Luigi Ferdinando Tagliavini. He was awarded scholarships for three consecutive years by Istituto Fernando el Católico of Zaragoza, where he followed courses on the eighteenth-century Iberian repertoire with Professor J. L. González Uriol.
In 2003 he won the third prize at the seventeenth Yamanashi International Harpsichord Competition in Japan.
He performs in Italy and abroad as soloist and with different groups of chamber musicians, and is invited to perform as soloist by different Italian orchestras. He plays for important music organizations such as Serate Musicali in Milan, the Festival of Aix en Provence, the Festival of Arles, Musica e Poesia a San Maurizio, the Ancient Music Festival at Massa e Carrara, the Foundation Querini Stampalia in Venice, the Castle of Annecy, the Bach Festival in Modena, Società dei Concerti in Milan, Tiroler Festspiele in Austria, Música Antigua de Daroca in Spain, the Tochigi Kuranomachi Early Music Festival in Japan, the Hakuju Hall - Tokyo, and the Esplanade Hall - Singapore.
In the UK, Michele Benuzzi has twice given solo recitals at the Handel House Museum, and also at St Anne’s, both in London. He has performed at Sheffield University, and is due to play at St Cecilia's Hall, Edinburgh, in both August and November of this year (2008).
He promoted, and played with other harpsichordists, the opera omnia of Domenico Scarlatti's Sonatas, which were performed from 1995 to 2002 in France.
He has founded Arcomelo, a group performing seventeenth and eighteenth-century music, and examining baroque music - especially problems concerning execution on ancient instruments. A great deal of effort goes into recovering and executing music from unedited manuscripts in European libraries.
He has recorded three harpsichord concertos by C. P. E. Bach for La Bottega Discantica: the CD had excellent reviews. In 2007 he recorded the harpsichord concertos and sinfonias by W. F. Bach, which is due for release at the end of this year. Next year will see the release of a Vivaldi CD with recorder-player Mitsuko Ota and Arcomelo. Michele Benuzzi’s first solo CD will be recorded in the autumn of this year, probably for release in Spring 2009. He recently signed a contract to record the complete W. F. Bach harpsichord works, which will be a substantial longer-term project. " Visit website for more information. (ed.)
Added on: Aug 14, 2008 | Hits: 399
"Trevor Stephenson was born in 1959 in Kansas City, Missouri. He began piano studies at age ten, and at twelve decided upon a life in music. Following degrees in piano performance from the University of Missouri and University of Illinois, he received a Doctor of Musical Arts degree in Historical Performance of Eighteenth-Century Music from Cornell University. In 1990 he moved to Madison, Wisconsin, where, with Norman Sheppard, he began rebuilding and customizing a series of keyboard instruments ranging from Italian Renaissance harpsichords to Victorian pianos. In 1994 he founded the Light & Shadow concert and recording company in 1994 and has issued twelve recordings on that label. Since 2004 he has also served as harpsichordist and Artistic Director of the Madison Bach Musicians. He tours throughout the United States regularly giving concerts, lectures, and masterclasses. " Visit website for more information. (ed.)
Added on: Nov 23, 2008 | Hits: 459
"Italian, born in Buenos Aires, Argentina, Claudio Di Veroli received his training from a distinguished group of European musicians: Ernst Epstein (piano and interpretation), Erwin Leuchter (harmony) and Ljerko Spiller (chamber music). Living in Europe in the early 70’s he was strongly influenced by his teachers Colin Tilney in London and Hubert Bédard in Paris. He was granted access and practised extensively on the antique keyboards in the Fenton House (London) and the Paris Conservatoire Musée Instrumental (now Musée de la Musique). ... " Visit website for more information. (ed.)
Added on: Jan 15, 2009 | Hits: 304
“ The mandate of the Association Clavecin en France is to promote:
- the performance of harpsichord, clavichords and related instruments
- the repertoire available for these instruments
- the composition of newer works for these instruments
- the exchange of information between harpsichordists and all those interested in this field“
Added on: Apr 18, 2009 | Hits: 523
“Léon Berben was born in 1970 in Heerlen (the Netherlands), but has been living for several years in Cologne (Germany). He studied harpsichord and organ in Den Haag (Koninklijk Conservatorium) and Amsterdam (Sweelinck Conservatorium) with Rienk Jiskoot, Bob van Asperen, Ton Koopman and Gustav Leonhardt, and finished his studies with solo-diploma for both instruments.
Since March 2000 he has been the harpsichordist with Musica Antiqua Köln (Reinhard Goebel). As such he has given concerts all over the world, travelling throughout Europe, Asia, North- and South America and has recorded several CDs for Deutsche Grammophon / Archiv Produktion. Musica Antiqua Köln dissolved at the end of November 2006, and Léon Berben has since focussed his work on chamber music and, increasingly, on the solo-repertoire.
He gives solo-recitals on harpsichord and organ. His solo-CDs on historic organs and harpsichords - above all with the labels Ramée and Aeolus - have been highly acclaimed in the press, and received numerous awards, including the »Vierteljahrespreis der deutschen Schallplattenkritik« and »Choc« of Le Monde de la Musique. ..“ Visit website for more information. (ed.)
Added on: Apr 27, 2009 | Hits: 484
“Friends of Square Pianos is a sort of on-line club for owners, potential owners, and friends of - Square Pianos!
We are also happy to welcome owners of very old grand pianos – say before about 1840 – as they do not seem to have a website of their own.
Our aim is to encourage ownership and enjoyment of these historic instruments, and to help owners to keep them in playing condition. There is a special pleasure in playing (and hearing) music played on the instruments for which it was composed. ..“
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Added on: May 14, 2009 | Hits: 856
“Born in Milan,where successfully graduated in organ, organ composition andharpsichord at the Conservatorio G.Verdi. Winner of several national contestshe began a deep activity of concertswhich led him to play all over Europe and USA for the most prestigious concert societies.
Expecially keen in the literature of the XVII and the XVIII centuries performed on historical instruments, he already recorded several CDs as soloistand as a member of chamber music group.
He has edited the modern revision of some cantatas by Alessandro Melani and has published musicby Cima, Borgo, Falconieri and Monteclairin tablature for trumpet and continuo for Editions Bim (Bulle-Switzerland).
Since 1982 He plays in duo with Gabriele Cassone and in 1989 he founded the Ensemble "Pian & Forte".At the present time he is teaching Basso continuoby the Accademia internazionale di Musica in Milanand organist of San Francesco di Paola Church in Milan.
Antonio Frigé plays for Dynamic.“
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Added on: May 17, 2009 | Hits: 290
“Dr. Barbara Harbach, Professor of Music at the University of Missouri-St. Louis, has toured extensively as both concert organist and harpsichordist. Her appearances include recitals throughout the United States and Canada, Korea, Japan, Czechoslovakia, Denmark, Germany, Hungary, Yugoslavia and Russian Siberia, as well as solo and continuo roles with symphony orchestras. She holds academic degrees from Pennsylvania State University (B.A.), Yale University (M.M.A.),
Musikhochschule (Konzertdiplom) in Frankfurt, Germany, and the Eastman School of Music (D.M.A.). In 2002, Harbach received an honorary doctorate in music, honoris causa, from Wilmington College, Ohio.
Her lively performances and recordings have captured the imagination of many American composers, and the body of work written for and dedicated to Harbach is substantial. Musical America has called her “nothing short of brilliant,” and Gramophone has cited her as an “acknowledged interpreter – and, indeed, muse – of modern harpsichord music.” She was host of the weekly television music series Palouse Performance seen throughout the Inland Northwest.
As a composer, Harbach has written symphonies, works for chamber ensemble, string orchestra, organ, harpsichord; musicals, choral anthems, a film score, a modern ballet, and many arrangements for brass and organ of various Baroque works. In 2004, her first symphony, Veneration for Orchestra, was premiered at Wilmington College, Ohio, and her second symphony, One of Ours – a Cather Symphony, was premiered by the Central Wisconsin Symphony Orchestra.
She is also involved in the research, editing and publication of manuscripts of eighteenth century keyboard composers. Her work is available in both recorded and published form through Naxos Records, Gasparo Records, Kingdom Records, Albany Records, Northeastern Records, Hester Park, Robert King Music, Elkan-Vogel, Augsburg Publishing, Agape Music and Vivace Press.“
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Added on: Jun 07, 2009 | Hits: 288
"Studied:
piano & accompanying at the University of Montreal
harpsichord at the Amsterdam Conservatory with Bob van Asperen
Performed:
in France, The Netherlands, Canada & the USA
Focus:
Baroque/Classical performance & contemporary music"
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Added on: Jun 07, 2009 | Hits: 475
“The Boston Clavichord Society is a nonprofit organization dedicated to the promotion of the clavichord and its music. The society sponsors concerts, masterclasses, lecture/demonstrations and other clavichord-related events. Although these events are primarily local, through our bulletin and web site we serve a wider audience throughout North America. We also function as the contact point to other clavichord societies throughout the world.“
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Added on: Jul 05, 2009 | Hits: 425
“Since his first clavichord performance in Fribourg (Switzerland) in 1972, Bernard Brauchli has entirely devoted himself to the performance, study and revival of early keyboard instruments. He has travelled extensively with his instruments in the United States, Canada and Europe, concertising, lecturing and introducing audiences to early keyboard instruments and historical performance practises.
Major appearances have included the Boston Early Music Festival, the Shrine to Music Concert Series (South Dakota), the Festivals of Santander and San Sebastian (Spain), the Festival do Algarve, (Portugal), the Salzburg Festival and the Internationale Musikwochen in Millstadt (Austria), the Festival of Valère (Switzerland), the Corso Internazionale di Musica Antica in Urbino and the Festival dei Saraceni in Pamparato (Italy). He has worked with national television and broadcasting stations in many countries including WGBH National Public Radio Network in Boston, France-Culture, Radio Nacional y Televisión Española, Radio Nacional y Televisión de Venezuela, Radio Difusão Portuguesa and Radio Suisse Romande. Bernard Brauchli has made six record albums and ten compact discs (for Titanic Records, EMI, Stradivarius, MAM) on historical instruments and copies.
Continual research has led Bernard Brauchli to publish numerous articles on both sides of the Atlantic and his book, The Clavichord was published by Cambridge University Press in 1998, for which he received the Nicholas Bessarabof Prize from the American Musical Instrument Society in 1999. In 1983 he was awarded the Julius Adams Stratton Prize for Cultural Achievement. ..“
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Added on: Jul 25, 2009 | Hits: 424
“Les Amis du Clavecin (The Friends of the Harpsichord) is an association founded in 1991 by the Belgian harpsichordist Betty Bruylants. Its purpose is to foster people's knowledge and love of the harpsichord, an instrument which was extremely important in the history of western music for over three centuries.
The renewed discovery of Baroque music has restored the harpsichord to its rightful place among ancient instruments. In addition, the works that many 20th-century composers wrote for it prove that it is also a modern one, which offers all kinds of opportunities for contemporary music.
Concerts, festivals, lectures and master classes have enabled many performers and their audiences to get together and to share their passion in a pleasant and genial atmosphere. ..“
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Added on: Jul 28, 2009 | Hits: 374
“L’objet de l’association est de promouvoir
- la pratique du clavecin, du clavicorde et des instruments apparentés,
- la connaissance des musiques écrites pour ces instruments,
- la composition d’œuvres nouvelles pour ces instruments,
- les échanges entre les clavecinistes et entre toutes personnes intéressées par ces instruments. ..“
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Added on: Jul 28, 2009 | Hits: 407
“Natalia Valentin began her musical studies at the age of six in Caracas, Venezuela. She studied Piano under Diana Franklin, Arnaldo Pizzolante and Cesar Rangel. She also completed courses in Harmony, Music History, Musical Aesthetics and Chamber Music at the Conservatory Juan Jose Landaeta. Parallel to her musical education, Natalia studied Arts at the Central University of Venezuela.
In 1998, Natalia Valentin settled in Paris where she began her musical studies at the Superior Conservatory of Paris (CRR). She studied with professor Billy Eidi and achieved a "Premier Prix" for her final piano performance.
Having successfully completed her piano studies at CRR, Natalia began specializing in Fortepiano, studying with professor Patrick Cohen at the CRR. In 2003, she obtained the Early Music Superior Diploma, and at the same time, she obtained the "Premier Prix" in Chamber Music at the Conservatory Gustave Charpentier where she studied under professor Odile Carracilly.
Subsequent studies took Natalia to the Conservatoire Superieur Nationale de Musique et Danse de Paris, and In June 2007 she obtained, by unanimous decision of the jury, a "Premier Prix" in Fortepiano performance with the commendation of excellence. She studied under professors Patrick Cohen, Pierre Cazes, and Kenneth Weiss and worked to perfect her fortepiano technique under the guidance of Susan Alexander Max and Arthur Schoonderwoerd.
Natalia Valentin has attended Fortepiano Master Classes by Malcolm Bilson, Alexei Lubimov, Andreas Staier, Claire Chevalier, Bart von Oort, Miklos Spanyi and Susan Alexander-Max. ..“
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Added on: Oct 18, 2009 | Hits: 298
“ Maintaining an active concert schedule in North and South Americas, Europe, and the Far East, award-winning Canadian early keyboardist Sonia Lee has been praised by critics for her "very high standard of playing" and her ability "to dazzle an enraptured audience." She has been heard as soloist at festivals as well as regional and international conferences, including Boston Early Music Festival, Rome Festival, Early Keyboard Music Cycle of Buenos Aires, Early Music Colorado Fall Festival, Society for Historically Informed Performance Summer Concert Series, as well as the American Musical Instrument Society, Midwestern Historical Keyboard Society, Southeastern Historical Keyboard Society, Galpin Society, and International Committee of Musical Instrument Museums and Collections meetings. As a continuo player on both harpsichord and organ, she has collaborated with numerous soloists and ensembles, including Concerto Urbano, La Donna Musicale, the Rome Festival Orchestra and Opera, Dulces Exuviae, Sinfonia da Camera, Les Jeunes Virtuoses de Montréal, and Musicerend Gezelschap, of which she is a founding member. ..“
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Added on: Oct 18, 2009 | Hits: 479
