EarlyMusicNews.Org

"Kevin Komisaruk is Assistant Professor of organ and harpsichord at the University of Toronto Faculty of Music. He concertizes frequently throughout Europe and North America, and can be heard on network broadcasts of Radio France, SRC/CBC (Canada), and NPR (USA). Kevin Komisaruk records with Canada's leading ATMA record label. His 2001 disc of works by John Bull received several awards and citations including those from the Canadian Broadcasting Corporation, Radio Canada, Belgium's Magazine d'orgue, and the Journal of Seventeenth-century Music. His 2005 recording of works by Samuel Scheidt on the meantone organ at Knox College Toronto has been critically acclaimed by SRC (Radio Canada) and European journals including Goldberg and Scherzo. " See website for more information. (ed.)

Added on: Mar 08, 2008 | Hits: 468

"Gary Cooper is one of the foremost ambassadors of the harpsichord and fortepiano - in particular, as an interpreter of Bach’s & Mozart’s keyboard music. Also a concert and opera conductor, he performs with Arion (Montreal), the Akademie für Alte Musik Berlin, the Irish Baroque Orchestra, the new Belgian period instrument ensemble, B’Rock, and opera with English Touring Opera and at Sadler’s Wells. Gary’s recordings include, with Rachel Podger, the complete Sonatas for Keyboard & Violin by Mozart (Channel Classics), “rightly been showered with critical acclaim and awards”. His Bach’s Well-Tempered Clavier was the Sunday Times Classical Record of the Year. Recitals across Europe, including Beethoven’s Diabelli, Scarlatti Sonatas, Bach & music from the London Piano School. He is setting up a new period instrument ensemble; and releasing a recording of Mozart's Variations with Beethoven’s Diabelli, Haydn, Brahms and the Goldberg Variations to follow. " Visit website for more information. (ed.)

Added on: Apr 15, 2008 | Hits: 470

" I am a Brisbane harpsichordist with 10 years experience of performing professionally. I studied with Huguette Brassine at the Queensland Conservatorium and have received lessons from Christophe Rousset (musical director of the movie Farinelli), Geoffrey Lancaster, Colin Tilney, Peter Hagan, Alison Crum and Roy Marks, Tommie Andersson (on vihuela), and Michael O'Loghlin (continuo). I co-founded, with Gregory Rogers, the series "Theatre of Craft and Harmony", which involved period performance of all eras. This was a free monthly series and included music, dance, various demonstrations and talks.

I have performed in 4MBS Festival of Classics and broadcast on 4MBS Classic fM, and performed as a soloist and with various ensembles including New Holland Baroque, Jack-in-the-Pulpit, Chamber Ensemble Queensland, Conservatorium Baroque Orchestra, the Brisbane Baroque Orchestra, Appassionata, and the Cleveland Symphony Orchestra (Queensland). " Visit website for more information. (ed.)

Added on: Jul 31, 2008 | Hits: 473

"Studied:
piano & accompanying at the University of Montreal
harpsichord at the Amsterdam Conservatory with Bob van Asperen

Performed:
in France, The Netherlands, Canada & the USA

Focus:
Baroque/Classical performance & contemporary music"

Visit website for more information. (ed.)

Added on: Jun 07, 2009 | Hits: 475

“ Maintaining an active concert schedule in North and South Americas, Europe, and the Far East, award-winning Canadian early keyboardist  Sonia Lee has been praised by critics for her "very high standard of playing" and her ability "to dazzle an enraptured audience."  She has been heard as soloist at festivals as well as regional and international conferences, including Boston Early Music Festival, Rome Festival, Early Keyboard Music Cycle of Buenos Aires, Early Music Colorado Fall Festival, Society for Historically Informed Performance Summer Concert Series, as well as the American Musical Instrument Society, Midwestern Historical Keyboard Society, Southeastern Historical Keyboard Society, Galpin Society, and International Committee of Musical Instrument Museums and Collections meetings. As a continuo player on both harpsichord and organ, she has collaborated with numerous soloists and ensembles, including Concerto Urbano, La Donna Musicale, the Rome Festival Orchestra and Opera, Dulces Exuviae, Sinfonia da Camera, Les Jeunes Virtuoses de Montréal, and Musicerend Gezelschap, of which she is a founding member. ..“

Visit website for more information. (ed.)

Added on: Oct 18, 2009 | Hits: 482

"Mitzi Meyerson was born into a musical family in Chicago, where she began her concert career at the age of seven. After completing her university and graduate studies in Chicago and Oberlin, she moved to London to co-found the ensemble Trio Sonnerie (with Monica Huggett and Sarah Cunningham), with whom she performed and recorded extensively.

Ms. Meyerson has released over fifty recordings, among them solo albums of Buxtehude, Duphly, the complete works of Forqueray and JKF Fischer, all to excellent critical acclaim. This last, entitled "Musicalischer Parnassus" (MDG), won the Diapason d'Or. Her recent releases include two double-CD sets of Georg Böhm and CB Balbastre (Glossa); both productions were awarded the prestigious Deutsche Schallplatten Kritik prize for the best recordings of the year on an international level. She also released a solo recital of mixed repertoire for the Musik Instrumenten Museum in Berlin, four complete Ordres from the 4th Book of Francois Couperin (Glossa), and a collaboration with Nigel Kennedy and the Berlin Philharmonic Orchestra (EMI). She is currently preparing another double-CD set of Theofilo Muffat for the Glossa label.

In addition to her solo work, Mitzi Meyerson is the founder of "The Bottom Line", a variable ensemble devoted to repertoire for bass and continuo instruments, which appears in major festivals across Europe. The most popular form of "The Bottom Line" is the Berliner Cembalo Ensemble, a group of three to five harpsichords, which has a continually growing repertoire. She is full Professor of Harpsichord at the Universität der Künste in Berlin; this was the very first university to offer the study of the harpsichord, a position created especially for Wanda Landowska. She specializes in working with modern pianists to obtain a baroque-style perspective in the performance of Bach, developing an awareness of articulation, harmonic structure, and many other aspects.

Mitzi Meyerson divides her time between a busy teaching schedule and many concert engagements throughout the world. " Visit website for more information. (ed.)

Added on: Apr 27, 2008 | Hits: 483

"Trudelies Leonhardt, the sister of the harpsichordist Gustav Leonhardt, is of Dutch-Austrian parentage and comes from a family of musicians.

She studied with Johannes Röntgen, Anthon van der Horst and Nelly Wagenaar at the Amsterdam Conservatory where she was awarded the Soloist's Diploma with distinctions as well as the Elisabeth Everts prize. She also worked in Paris with Yves Nat and Marguerite Long.

Numerous orchestras have engaged Trudelies Leonhardt as soloist for their concerts, among which are the Amsterdam Concertgebouw Orchestra, the Tonhalle Orchestra of Zurich and the London Mozart Players.

She has long been interested in the Fortepianos of the late 18th and early 19th centuries and now entirely devotes her musical activities to their repertoire as a prolific recording artist. " Visit website for more information. (ed.)

Added on: Mar 24, 2008 | Hits: 485

"Chie Hirai received her bachelor degree on modern piano in the College Division of Toho Gakuen School of Music. In order to specialize in fortepiano with Stanley Hoogland at the Royal Conservatory, The Hague (The Netherlands), she was granted scholarships from the Nuffic Organization and the Agency for Cultural Affairs of Japan.

She was awarded her Masters with distinction on fortepiano in 2002, as well as "Nicolai prize" that is given to the most outstanding student of the year. In addition to her fortepiano specialization Chie has also broadened her knowledge of keyboard instruments by studying the harpsichord with Menno van Delft at the Conservatorium van Amsterdam.

In the Mozart-year 2006, she toured with l'Orfeo Baroque Orchester in Austria and Germany to perform piano concertos by Mozart and his son Franz Xaver in Brucknerhaus in Linz, Konzerthaus in Vienna etc. ...

Chie has performed in the major early music festivals in Europe such as the Festival de Musica Antiga de Barcelona (Spain), Festival Oude Muziek Utrecht (Holland), Académies Musicales Festival in Saintes (France), The Felicja Blumental International Music Festival (Israel) and Carinthische Sommer (Austria). Many radio broadcasting and recordings were made by such as Radio France (Paris, France), ARF (Wien, Austria) etc. She was an official accompanist in International early music competition in Bruges in 2005. " Visit website for more information. (ed.)

Added on: Mar 24, 2008 | Hits: 485

“Léon Berben was born in 1970 in Heerlen (the Netherlands), but has been living for several years in Cologne (Germany). He studied harpsichord and organ in Den Haag (Koninklijk Conservatorium) and Amsterdam (Sweelinck Conservatorium) with Rienk Jiskoot, Bob van Asperen, Ton Koopman and Gustav Leonhardt, and finished his studies with solo-diploma for both instruments.

Since March 2000 he has been the harpsichordist with Musica Antiqua Köln (Reinhard Goebel). As such he has given concerts all over the world, travelling throughout Europe, Asia, North- and South America and has recorded several CDs for Deutsche Grammophon / Archiv Produktion. Musica Antiqua Köln dissolved at the end of November 2006, and Léon Berben has since focussed his work on chamber music and, increasingly, on the solo-repertoire.

He gives solo-recitals on harpsichord and organ. His solo-CDs on historic organs and harpsichords - above all with the labels Ramée and Aeolus - have been highly acclaimed in the press, and received numerous awards, including the »Vierteljahrespreis der deutschen Schallplattenkritik« and »Choc« of Le Monde de la Musique. ..“ Visit website for more information. (ed.)

Added on: Apr 27, 2009 | Hits: 486

"Cynthia Hiebert has performed both traditional and contemporary harpsichord works in Canada, the United States and England. She studied with Colin Tilney and Arthur Haas, and as a recipient of the Gelber Fellowship, completed a doctorate in harpsichord performance at the State University of New York at Stony Brook. In addition to work as a soloist, she has collaborated with numerous ensembles including New York Baroque, North Shore Pro Musica, I Furiosi, Spiritus, Numus, the York Symphony Orchestra, the Penderecki String Quartet, the Kitchener-Waterloo Symphony Orchestra and the Nota Bene Period Orchestra." ...

Added on: Jul 22, 2005 | Hits: 492

"Mark Kroll has been acclaimed as one of the world's leading harpsichordists and fortepianists. During a career spanning more than three decades, he has performed throughout North and South America, Europe and the Middle East, winning critical praise for his expressive playing and virtuosity.

Mark Kroll's concert tours have included appearances as the official guest of the city of Barcelona, as featured soloist in Germany's Regensburg Early Music Festival, France's Festival Ambronay, Lisbon's Gulbenkian Foundation, Rome's Conservatorio St. Caecilia and Associazione Musicale Romana, Poland's Dni Bachowski, Slovenijas's Radovljica Festival and, in this country, the Aston Magna, Tanglewood, Saratoga, Northwest Bach, and Mostly Mozart Festivals. He has been the first American harpsichordist to appear in numerous countries, including Abu Dhabi and Dubai of the United Arab Emirates. His recent tours to Israel included concerts, lectures and masterclasses in Tel Aviv and Jerusalem. Kroll has appeared as concerto soloist with some of the world's major orchestras, including the Philadelphia Orchestra, the Boston Symphony, the Montreal Symphony, the Belgrade Chamber Orchestra and I Solisti di Zagreb.

Kroll's extensive list of recordings includes solo harpsichord works of J.S. Bach, Handel, D. Scarlatti, F. Couperin, Duphly and Balbastre; the complete sonatas for violin and harpsichord and for flute and harpsichord of J.S. Bach; violin sonatas of C.P.E. Bach and S. LeDuc; Schubert's three Sonatinas for fortepiano and violin; a world-premiere recording of Mozart's "Haffner" and "Linz" symphonies as transcribed by J. N. Hummel for fortepiano and instruments; Biber's Sonatas for Violin and Harpsichord; and two CDs of contemporary American harpsichord music. He has made numerous radio and TV appearances, including Radio Nacional Espaqa, Radio Yugoslavia, Radio Catalunya, National Public Radio, Westdeutscherrundfunk Köln, Mitteldeutscherrundfunk, Bayerische Rundfunk, France Musique, the B.B.C., the C.B.C., and Radio Smithsonian.

A noted authority on performance practice and period instruments, Kroll has contributed to scholarly publications and written articles on a wide range of topics for general readership magazines and journals. These include chapters on French harpsichord music; 17th-century performance practice; the piano techniques of Beethoven and his contemporaries; and two editions of Hummel’s transcriptions of opera overtures and Mozart's symphonies. Kroll has recently published three books: Playing the Harpsichord Expressively (Scarecrow Press); The Beethoven Violin Sonatas (co-edited with Lewis Lockwood, University of Illinois Press); and Johann Nepomuk Hummel: A Musician and His World (Scarecrow Press). " Visit website for more information. (ed.)

Added on: Mar 24, 2008 | Hits: 492

"For over 30 years Hendrik Bouman has counted among the most innovative and respected specialists of early music. Prolific composer of music written in the baroque and classical styles prevalent in 17th and 18th Century Italy, France, Germany, England and Spain, he has played a critical role in integrating contemporary period composition and free improvisation in historical style into the early music movement. His innovative compositions and improvisations, as well as his original basso continuo realisations and transcriptions of historic repertoire, have become a reference in the field of early music today. " Visit website for more information. (ed.)

Added on: Mar 24, 2008 | Hits: 493

“Originally from Bath, Claire studied piano, harpsichord, clavichord and fortepiano at the Royal College of Music.  She graduated in 1999 with a BMus and two diplomas to her name, having won a clutch of prizes and awards along the way.

Since graduating from the RCM just over a decade ago, Claire has performed with a wide range of ensembles in both the UK and abroad.  She is a regular member of Baroque Encounter Trio, and has recently joined both Musica Secreta and Il Festino as their principal continuo player. As well as specialising in Baroque chamber music, Claire has worked with many orchestras and conductors, including Walter Reiter, Philip Thorby, Alison Bury and Steven Devine.
 
Claire has recently completed a Master’s degree at Trinity College of Music, studying harpsichord and chamber organ with James Johnstone, supported by a full scholarship. She is now putting her energies into other projects, and remains much in demand as a performer and educator. Claire teaches piano at St Dunstan’s College, is a staff accompanist at Trinity College of Music and is also a regular tutor on the Early Music For Youth Summer School. She can also occasionally be found shark diving, having recently qualified as a PADI Open Water Scuba Diver. ”

Visit website for more information. (ed.)

Added on: Apr 18, 2010 | Hits: 496

"Harpsichordist Jason J. Moy holds the Bachelor of Harpsichord Performance and Master of Early Music Performance degrees from McGill University in Montreal, where he trained under Hank Knox and Luc Beauséjour. In addition to his principal teachers, he received much valuable guidance from Bruce Haynes, Jory Vinikour, and other mentors. Jason has concertized extensively in the United States, Canada, and Europe; currently based in his native Chicago, he wrapped up his Montreal sojourn this past year by performing J.S. Bach’s Goldberg Variations, and the Fifth Brandenburg Concerto with the McGill Baroque Orchestra. While he loves the solo repertoire, particularly that of eighteenth-century Germany and France, Jason is especially fond of chamber music. His continuo playing, on organ and harpsichord, has been described as both “highly rhetorical” and “sensitive and very vibrant.” See website for more details. (ed.)

Added on: Feb 16, 2008 | Hits: 498

"Well known in the New York area, Rebecca Pechefsky has performed in such venues as Carnegie Hall’s Weill Recital Hall, Merkin Hall, and the eighteenth-century Morris-Jumel Mansion, where she is co-director of the early-music series Music at
Morris-Jumel. Outside New York she has been heard at the Boston Early Music Festival and in the concert series of the San Diego Harpsichord Society; the Harpsichord Center (Pasadena and Brentwood, California); the Miami Bach Society; the Zoellner Arts Center at Lehigh University in Bethlehem, Pennsylvania; and the  Beeville Concert Association in Beeville, Texas.

A frequent performer at the American Festival of Microtonal Music, she can be heard on its recent compact discs Early and Odysseus (by Johnny Reinhard). For Quill Classics she has recorded a recital of works by Brunnemüller, Bach, and La Guerre
(QC 1001), the complete harpsichord music of François d’Agincour (QC 1002 and 1004), and Bach and His Circle (QC 1006). With Andrew Bolotowsky she has recorded sonatas by Johann Ludwig Krebs for Baroque flute and harpsichord (QC
1003) and flute works by J. S. Bach (also with cellist David Bakamjian; QC 1008, forthcoming). With Brooklyn Baroque, of which she is a founding member (with Bolotowsky and Bakamjian), she can be heard on Northern Lights (QC 1005), a
program of German Baroque works, and The Pleasures of the French (QC 1007), a recital of eighteenth-century French works. (For more information on Brooklyn Baroque, click on the button to the left.) Her recording of Bach's Well-Tempered Clavier, Book I, was released in May 2009. Her recordings have been played across the United States on NPR stations, and Bach and His Circle won the 2009 Just Plain Folks Music Award for best Classical Solo Album.

Also committed to new music, Ms. Pechefsky has premiered works by Mary Inwood, Graham Lynch, Frank J. Oteri, Louis Pelosi, Johnny Reinhard, and Ben Yarmolinsky. In March, she gave the world premiere of Graham Lynch’s prizewinning Petenera at the Aliénor Competition in Winston-Salem, North Carolina. Currently organist at Redeemer Lutheran Church in Glendale, Queens, she lives in Brooklyn with her husband, Erik Ryding, with whom she has coauthored Bruno Walter: A World
Elsewhere, winner of an ASCAP-Deems Taylor Award. ...“

Visit website for more information. (ed.)

Added on: Jun 17, 2005 | Hits: 510

"Susanne Pumhösl lives in Vienna, where she works as a freelance musician and teaches at Konservatorium Wien University. She began her career as a soloist in 1996, after taking first place at the International Johann Heinrich Schmelzer Competition at Melk Monastery with the virtuoso baroque aria “Vo far Guerra” from G.F. Handel’s opera “Rinaldo”.
br> Her solo and chamber music activities—with the ensembles Capella Leopoldina and Private musicke—have been documented in numerous CD and radio recordings and have received several awards. ... " Visit website for more information. (ed.)

Added on: Jul 14, 2008 | Hits: 518

"Michael Borgstede lives in Tel Aviv and works as both Middle East correspondent for the Frankfurter Allgemeine Sonntagszeitung as well as a harpsichordist and organist. As a soloist and member of the ensemble Musica ad Rhenum he has toured almost all European countries, the United States, Asia, South America and the Middle East. Michael Borgstede regularly performs at venues like the Wigmore Hall in London, the Konzerthaus in Vienna and the Concertgebouw in Amsterdam.While still a student at the Royal Conservatory of The Hague he won the BenWeber Award and the York Early Music Competition. He has participated in morethan twenty CD-productions, among which are the Complete Chamber Music of Francois Couperin with the ensemble Musica ad Rhenum. Summer 2006 saw the release of the Complete hrpsichord music of Couperin on the Brilliant Classics label (11 CDs), which was praised by the press and received several distinctions. Apart from his extensiveconcert activities Michael Borgstede is invited regularly to hold masterclasses und give lectures on controversial aspects of Historical Performance Practice. He always strives for an interpretation full of contrast and dramawhich does justice to the rhetoric and affect of baroque music. This search haslead him to “crack some dogmas of Historically Informed Performance Practice”(Tagesanzeiger). The results are “sometimes unusual, but always inventive, lively and musicologically sound interpretations” (El Pais). He has also published a book on the ethnic diversity of Israeli society. " Visit website for more information. (ed.)

Added on: Jun 22, 2008 | Hits: 520

“ The  mandate of the Association Clavecin en France is to promote:

• the performance of harpsichord, clavichords and related instruments
• the repertoire available for these instruments
• the composition of newer works for these instruments
• the exchange of information between harpsichordists and all those interested in this field“
  

Added on: Apr 18, 2009 | Hits: 526

"After completing his modern piano degree at the Royal Conservatory at The Hague in 1983, Bart van Oort studied fortepiano with Stanley Hoogland, also at the Royal Conservatory. In 1986 he won the first prize and the special Audience prize at the Mozart Fortepiano Competition in Brugges, Belgium, and he subsequently studied with Malcolm Bilson at Cornell University (Ithaca, NY), receiving a Doctor of Musical Arts degree in Historical Performance Practice in 1993. He has performed at festivals in Utrecht, Florence, Berlin, Antwerp, Brugges, Melbourne, Brisbane, York, Montpellier, Moscow, and Esterhaza, in the USA and New Zealand, and has given lectures and master classes at the conservatories of Brussels, Paris, Moscow, Helsinki, Oslo, Bucharest, Sofia, Moscow, Stavanger, Perugia, Sydney, Adelaide, Wellington, Melbourne, Hong Kong, Tokyo, Juilliard, Bloomington, and Western Ontario. Since 1997 Van Oort has made more than forty recordings of chamber music and solo repertory, including the prize-winning 4-CD box set The Art of the Nocturne in the Nineteenth Century, the Complete Haydn Piano Trios (10 CDs) with his ensemble the Van Swieten Society, and with four other fortepianists, the Complete Haydn Piano Sonatas. In 2005 Bart van Oort completed a ten-year, 14-CD recording project, the Complete Works for Piano solo and Piano four-hands of Mozart, which was released during the Mozart Year 2006. Bart van Oort teaches fortepiano and is a lecturer in Historical Performance Practice at the Royal Conservatory in The Hague (The Netherlands). " Visit website for more information. (ed.)

Added on: Jul 16, 2008 | Hits: 534

"Boyd McDonald began his career as a pianist giving his Wigmore Hall debut in 1960 followed by a New York Debut in 1963 as winner of the Leschetizky Town Hall Debut Prize. He toured North America, Europe and England as a member of the Beckett and McDonald Piano Duo. Since 1982 he has been an active fortepianist recording the Complete Works for Cello and Fortepiano by Beethoven with Paul Pulford. As an academic he taught composition at the University of Manitoba. He joined the Faculty of Music at Wilfrid Laurier University in 1976 where he currently teaches piano as Professor Emeritus. As a composer McDonald studied with Murray Adaskin, three years with Nadia Boulanger o­n a Canada Council grant and summer schools with Darius Milhaud, John Cage and Stefan Wolpe. His works display a synthesis of virtuosity combined with a theatricality valued by performers whose concerts must be seen as well as heard!" ...

Added on: Jul 09, 2005 | Hits: 540

"Considered one of the best Brazilian harpsichord players, Rosana Lanzelotte has played in important halls throughout her country as well as in Europe, including recitals at the Wigmore Hall and St. Martin-in-the-fields (London), Calouste Gulbenkian Foundation (Lisbon) and Palazzo Barberini (Rome). Rosana has released four solo CDs, among which the first recording on the harpsichord of The Seven Last Words by Haydn. Her CD The Brazilian Harpsichord, totally devoted to Brazilian music of the XXth century, has been pointed out as one of the five best releases of the year. Her next project features unknown Portuguese works to be recorded on the XVIIIth century Calisto harpsichord owned by the National Music Museum in the US.

As a researcher, she devotes herself to the area of Music Information Retrieval, developing techniques for effective availability of musical archives through the Internet.

For ten years, she has been running one of the most remarkable musical series in Rio - “Music in the Churches” – which concerts take place all over the city, including its poorest regions and “favelas”. Some outstanding artists played in the series, such as Heinz Holliger, Christophe Rousset, Accademia Bizantina and Ensemble Zefiro.

Due to her achievements, she has been awarded with the “Golfinho de Ouro” prize by the Cultural Council of Rio de Janeiro. " Visit website for more information. (ed.)

Added on: Mar 24, 2008 | Hits: 553

"The Deutsche Clavichord Societaet (DCS, German Clavichord Society), a registered non-profit society, was founded in 1993.

The DCS is a focus for every aspect of the clavichord and its music, especially for the revival of clavichord playing and its tradition. Further activities include lectures, publications, the support of research studies, archive of clavichords.

Its membership includes professional players, amateurs, makers of clavichords, restorers, musicologists and people who simply like the delicate sound of the clavichord.

The DCS holds clavichord days (Clavichordtage) which include concerts, courses, workshops on clavichord maintenance and tuning, exhibitions of instruments, lectures... "

See site for more info. (ed.)

Added on: Feb 02, 2008 | Hits: 555

"After training as a pianist and organist, Emmanuelle Haïm studied the harpsichord with Kenneth Gilbert and graduated from the Paris Conservatoire (CNSM) with several premiers prix. Her love for the human voice led her to concentrate after that on conducting vocal music, first of all at the Versailles Centre for Baroque Music (CMBV), then at the Paris Conservatoire. She was soon invited to accompany many distinguished singers in recital, and she developed a regular activity as a continuo player as well. ...

In 2000 Emmanuelle Haïm gathered together a group of accomplished singers and instrumentalists who shared not only a great musical experience, but also a common temperament and a stylistic approach that is both expressive and natural. Thus she formed her own Baroque music ensemble, Le Concert d’Astrée. And within three years she had taken it from success to success, appearing at venues from Paris to New York, as well as at festivals in France and abroad. " See website for more information. (ed.)

Added on: Feb 24, 2008 | Hits: 574

"French pianist Claire Chevallier (°1969) combined the study of the piano at the musical academies of Nancy, Strasbourg (Hélène Boschi) and Paris (Bruno Rigutto) with her traditional studies in mathematics and physics.

She then continued her musical education at the Conservatoire Royal de Bruxelles with Jean-Claude Vanden Eynden and Guy Van Waas, where she was awarded first prize in piano and chamber music. She became fascinated with the fortepiano during her studies via a master class given by Jos van Immerseel. She began to concentrate on the historical background and the evolution in the "construction" of the fortepiano, and for a number of years studied the specific characteristics and maintenance requirements (tuning, strings, etc) of the instrument completely on her own. She thus developed extensive expertise in historical keyboards as fortepiano specialist and as pianist.

As musician-researcher, she began her own collection of French historical keyboards, which has grown in the meantime to 5 instruments covering the time span 1842-1920. ... " Visit website for more information. (ed.)

Added on: Jul 16, 2008 | Hits: 576

“Ana Paula Segurola Pita started her harpsichord studies with Eduardo Gilardoni (scholarship of the Mercedes Olivera Foundation, 1990-91), and has since then attended master-classes with renowned harpsichordists like Jacques Ogg, José Luis González Uriol, Mario Videla, Edmundo Hora, Alessandro Santoro and Françoise Lengellé among others, and with musicologists like Bruno Turner and Kelley Harness.

She studied with Edmundo Hora at the State University of Campinas and with professor Ilton Wjuniski and his assistant Maria Eugênia Sacco at the Magda Tagliaferro Foundation in São Paulo.

Former piano student of Raquel Boldorini, she took lessons with Eliane Richepin (Annecy, France, 1997), and attended master-classes with foreign pianists performing in Montevideo, between 1991 and 2000.

At present, she studies Organ as a disciple of Cristina García Banegas at the University in Uruguay. ..”

Visit website for more information. (ed.)

Added on: Apr 12, 2010 | Hits: 581