EarlyMusicNews.Org

“Timothy Burris graduated from Holland's Royal Conservatory, where he studied under the renowned lutenist, Toyohiko Satoh. From 1990-96, he taught lute at the Royal Flemish Conservatory in Antwerp.

A Fulbright alumnus, Mr Burris has performed throughout Europe and the US, including appearances with Derek Lee Ragin and Jennifer Lane, and performances under the baton of René Clemencic and Peter Schreier. He can be heard playing Bach's c minor Prelude in "Shock Act", the prize-winning short film by Seth Grossman. In addition to solo performances, Mr Burris appears with the tenor Timothy Johnson (as the duo Music’s Quill).“

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Added on: May 18, 2009 | Hits: 523

“Lutenist/theorbist Andreas Martin is perhaps best known for his recent splash in the early music world with his recording of Bach works for lute in 2004. This Harmonia Mundi disc, rated 5/5 stars in Goldberg magazine, represents a culmination of years of his close musical study and interest. It has led to comments such as “[Martin]...shows a deep knowledge of Bach’s music...an intensive Bach, brilliantly and marvellously distinguished...“(Pablo Vayón), „Meditative…subtle dynamics and evident lyricism…dance-like” (Michael Ullman, Fanfare Magazine), or “his phrasing [is] almost vocal in nuance” (Anna Picard, The Independent on Sunday).

Native to Frankfurt am Main, Germany, Martin’s early studies include the classical guitar in the Musikhochschule with Mario Sicca (Stuttgart), in the Conservatorio de Musica Giuseppe Verdi with Ruggero Chiesa (Milan), and Anglo – Saxon and Romance Languages and Philosophy at the University of Heidelberg. In order to expand upon his interest in Renaissance literature and music, he next enrolled in the esteemed Schola Cantorum in Basel, under the tutelage of lutists Eugen Dombois, Hopkinson Smith and Peter Croton. There he was also influenced by such artists as Emma Kirkby, Evelyn Tubb, Anthony Rooley and Nigel North.

His current life as a concert artist has taken Martin round the world. Recent highlights of solo appearances include the Festival de Musica Antigua, Barcelona (2004) or the Europabachfestival of Paris (2005).

He has also performed on television (Arte, Südwest 3) and radio (SWR 2 and BBC 3--concerts in Wales 2005 “Bach by Candlelight at Ewenny”).“

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Added on: May 20, 2009 | Hits: 360

“Lutz Kirchhof devotes himself to the rediscovery of the lute and its music. As international well-known lute soloist he released numerous CD productions as an exclusive artist of SONY MUSIC.

In 1996, Lutz Kirchhof initiated the foundation of the German Association for Lute (DEUTSCHE LAUTENGESELLSCHAFT).“

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Added on: May 20, 2009 | Hits: 417

“Over the past decade Edin Karamazov has established himself as today’s most exciting and charismatic player of the lute, garnering rave reviews and critical acclaim across Europe and America for his dazzlingly virtuosic and emotionally committed performances of an adventurous repertoire that ranges from sixteenth-century classics to the music of today.

Edin Karamazov began his musical career as a classical guitarist before taking up the Baroque lute, which he studied at the Schola Cantorum Basiliensis in Basle, Switzerland.

He made his solo debut as a lutenist in 1998. Significantly, it was as a last-minute substitute for the legendary Julian Bream, the player who had single-handedly led the modern revival of interest in the lute a generation earlier. ..“

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Added on: May 20, 2009 | Hits: 420

Federation of Viola da Gamba Societies.

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Added on: Jul 11, 2009 | Hits: 350

"Ronn graduated with honors from Shenandoah Conservatory and continued studies at Peabody Conservatory before turning his full attention and energy to the lute in 1978. The following year, Ronn performed his first solo recitals on the lute and became a member of the Baltimore Consort. Since that time, he has toured extensively throughout the United States, Canada and Europe with the Baltimore Consort and as a soloist. Ronn was a faculty member of the Peabody Conservatory from 1984 to 1995, teaching lute and lute-related subjects. In 1996, he was awarded an honorary Doctorate of Music from Shenandoah Conservatory for his achievements in bringing the lute and its music to the world. Ronn has numerous recordings on the Dorian label including solo recordings, lute song recordings with Julianne Baird, soprano and Frederick Urrey, tenor, over ten CDs with the Baltimore Consort and ballad recordings with Custer LaRue and members of the Baltimore Consort. Recently, Ronn has been engaged in composing new music for the lute, building on the tradition of the lutenist/composers of the sixteenth, seventeenth and eighteenth centuries. This new music is the focus of his new solo CD, Indigo Road. " Visit website for more information. (ed.)

Added on: Jul 11, 2009 | Hits: 847

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Added on: Jul 11, 2009 | Hits: 375

“My name is Lucia Domenegati. I can play harpsichord (and piano), french baroque lute and solo theorbo. I believe that early music instruments must be studied and played with their proper techniques. For instance, Piano and modern guitar with their techniques have nothing to do with early music, specially with early baroque solo music. This website is intended to be a small contribution to this point of view.“

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Added on: Jul 11, 2009 | Hits: 367

“Formed by Lynda Sayce, whose research forms the basis for much of its repertory, Chordophony is a new ensemble bringing together four of Britain's finest lutenists, cutting-edge musicological research, and the only full, matched consort of lutes in the world, to create a revolution in renaissance music. We do not rely on the tiny surviving repertory for lute ensemble, but prefer to take it as a precedent for arranging other works and improvising our own material, as our renaissance colleagues did. Chordophony's players are all experienced and accomplished soloists in their own right, bringing virtuosity and risk-taking improvisatory skills to the concert platform. Personnel vary depending on the project, but the core players are Lynda Sayce (treble lute), Eligio Luis Quinteiro (alto lute), Edward Fitzgibbon (tenor lute) and Richard Sweeney (bass lute). Chordophony has already collaborated with some of the finest ensembles, recording with His Majesty's Sagbutts and Cornetts, and the Purcell Quartet, appearing at the prestigious York Early Music Festival, and recording for BBC Radio 3.“

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Added on: Jul 11, 2009 | Hits: 411

“Claas Harders began learning viola da gamba at the age of seven. He continued his studies with Jaap ter Linden and Sarah Cunningham at the Akademie für Alte Musik Bremen as well as at the Conservatoire National Supérieur de Musique de Lyon with Marianne Muller.

Further studies with Freek Borstlap, Paolo Pandolfo, Wieland Kuijken, Jordi Savall, Wendy Gillespie, and Ariane Maurette.

In addition to the viola da gamba, he is a much sought-after lirone player. He plays regularly with chamber music ensembles throughout Europe and has appeared at festivals such as Ambronay (France), Abu Gosh (Israel), Styriarte (Austria), Barockfest Münster, Musikfest Bremen, and the Festival Oude Muziek (Netherlands).“

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Added on: Jul 14, 2009 | Hits: 332

“After studies at Cornell University and the State University of New York at Stony Brook, Thomas Georgi moved to Australia to take up a position with the Queensland Symphony Orchestra. While a resident of Brisbane he developed an interest in early music, founding the Badinerie Players. Since his return to North America to join the Tafelmusik Baroque Orchestra, he has specialized in the Viola D'Amore, performing solos on that instrument with Tafelmusik across North America, in Japan, in Europe and in Australia. He has recorded for Sony Vivarte, BMG and CBC as a violinist, but now with the completion of the series of Ariosti's music for viola d'amore for the remarkable Bis.se record lable, Thomas Georgi will have made the largest and most widely available recording project of the viola d'amore in the history of recorded sound. ..“

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Added on: Jul 14, 2009 | Hits: 533

“Annette Otterstedt 

I should have invented the lyra viol if Frank Traficante had not discovered it for me beforehand. I was very young yet when I asked my teacher Johannes Koch to tell me about scordaturas for the viol. The only instance he knew was tuning the bottom string to C. I was disappointed, since I had already marked down the viol with its six strings as ideally suited for chordal play and various tunings. So I was not surprised when, browsing through my doctoral supervisor's (Carl Dahlhaus's) library, I came across a 'Musica Britannica' volume containing works by William Lawes, among them a suite for three lyra viols. There was the instrument to fill the gap. ..“

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Added on: Jul 14, 2009 | Hits: 326

“Born in Prague in 1969, Petr Wagner studied cello at the Prague Conservatoire with Josef Chuchro. This was followed by studies in musicology at Charles University in Prague and at Royal Holloway College at the University of London. There he was introduced to the viola da gamba by Richard Boothby, later continuing his development as a gamba player with Jaap ter Linden at the Akademie für alte Musik Dresden.

After having completed his studies in Dresden, Petr Wagner was invited to study with Wieland Kuijken at the Royal Conservatoire in The Hague where he received the prestigious Uitvoerend Musicus solo diploma.

Petr has appeared at numerous European festivals (Festival d’Ile de France, Prague Spring Festival, Sopron Early Music Days, Mitte Europa Festival, Brežice Early Music Festival, Forum Musicum Wrocław), both as a soloist and continuo player, and collaborates with musicians such as Jacques Ogg, Shalev Ad-El, Mitzi Meyerson, Bruce Dickey, Brent Wissick, Miklós Spányi, Péter Szüts, Simon Standage, Ophira Zakai, Magdalena Kožená, Noémi Kiss, and ensembles such as Concerto Palatino, Orfeo Orchestra, Les Inégales Köln, Concerto Armonico Budapest and Oslo Baroque Soloists. ..“

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Added on: Jul 14, 2009 | Hits: 398

“Having initially studied classical guitar at Napier University, Gordon Ferries went on to study at the RSAMD where he specialised in lute and early guitar music. He has now established himself as one of the UK's leading exponents of the baroque guitar. Gordon has worked for both television and radio: arranging and performing music for Radio 4; featuring on 'Scotland's Music' with Concerto Caledonia, and for BBC 2 television. He has performed in venues and festivals across the UK both as a soloist and in ensemble and has appeared with The Scottish Ensemble, The Scottish Early Music Consort and the Edinburgh Quartet, amongst others. Gordon directs his own group, Symphonie des Plaisir.

Gordon has been awarded two grants from the Scottish Arts Council towards study at the Bibliotheque Nationale de Paris, reasearching the baroque guitar; the fruits of which appear on his recordings. He lectures in lute and guitar at Napier University in Edinburgh, and is involved in teaching young people in many musical styles.“

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Added on: Jul 24, 2009 | Hits: 728

“Rob MacKillop - Rob has recorded seven CDs of historical music, three of which reached the Number One position in the Scottish Classical Music Chart. In 2001 he was awarded a Churchill Fellowship for his research into medieval Scottish music, which led him to studying with Sufi musicians in Istanbul and Morocco. He broadcast an entire solo concert on BBC Radio 3 from John Smith's Square, London. He has presented academic papers at conferences in Portugal and Germany, and has been published many times. Rob has been active in both historical and contemporary music. Three of Scotland's leading contemporary composers have written works for him, and he also composes new works himself. In 2004 he was Composer in Residence for Morgan Academy in Dundee, and in 2001 was Musician in Residence for Madras College in St Andrews. He created and Directed the Dundee Summer Music Festival. He works as a Reader of schools literature for Oxford University Press, and as a reviewer for Music Teacher. He has also been Lecturer in Scottish Musical History at Aberdeen University, Dundee University (where he created an evening class), and at the Royal Scottish Academy of Music and Drama. He is presently Musician In Residence to Queen Margaret University in Edinburgh. ..“

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Added on: Jul 25, 2009 | Hits: 389

Baroque string ensemble.

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Added on: Jul 27, 2009 | Hits: 286

“Their musical complicity has been compared to the skill of two trapeze artists or the telepathic communion of a pair of jazz saxophonists! Susie Napper and Margaret Little, the two gambists of Les Voix humaines, have been thrilling audiences worldwide with dashing performances of early and contemporary music for viols since 1985. They are renowned for their spectacular arrangements of a wide variety of music for two viols and have become a world reference for the music of Sainte-Colombe. After being awarded a Diapason d'Or for their fourth volume of Sainte-Colombe's Concerts a deux violes esgales, they just received the Opus Award 2007 for PERFORMER OF THE YEAR from the Conseil québécois de la musique.

Les Voix humaines has invited prestigious artists to join them in concert and recordings, such as Wieland and Barthold Kuijken, Charles Daniels, Suzie LeBlanc, Rinat Shaham, Matthew White, Eric Milnes, Skip Sempe and Stephen Stubbs. The duo is regularly joined by some of Montreal’s finest young gambists to form the Voix Humaines Consort of viols specializing in the vast 17th-century repertoire for viol consort and presents joint projects with Les Voix baroques (Matthew White’s vocal ensemble). ..“

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Added on: Jul 27, 2009 | Hits: 559

“I have been making Hurdy Gurdies for over 20 years. They are all hand built in my workshop.  ..“

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Added on: Jul 29, 2009 | Hits: 307

“"Grey Aengus" is Jim Petersen

Rewind back to 1990, early fall. It's nighttime at a buckskinner's camp. Jim and a
small group are gathered around the warmth of the campfire singing songs and
carrying on. A stranger pulls a most unusual-looking instrument from its case,
attaches a single leg to the back, and, balancing it on his knees, proceeds to
produce the most hauntingly beautiful tunes by hammering its strings with what
appear to be little wooden spoons. This was Jim's introduction to the hammered
dulcimer, an instrument that would soon become an obsession.

Upon researching the instrument and finding out how much one would cost, Jim
decided that building one would be the better option. Proceeding with plans by
Sam Rizzetta acquired at the local library, armed only with ninth-grade
woodworking skills and very few tools, he built his first instrument. (Hey, nobody
told him he couldn't do it.)

Three years later after teaching himself to play (hey, nobody told him he couldn't
do it), he was hired at the "Bristol Renaissance Faire" in southeastern Wisconsin.
It was there that he taught himself to play mandolin and later hurdy-gurdy. (By
now you would think somebody would have told him he couldn't do it.)

"Grey Aengus" now plays at many little weekend "Renaissance Faires" throughout
the Midwest, occasionally doing studio work for other musicians and playing for
special events and gatherings. His repertoire is heavily laced with the
compositions of Turlough O'Carolan, the renowned 17th century blind Irish
harper, his absolute favorite composer, followed closely by Robert Burns the
well-known Scottish poet. (go ahead ask him).

Jim also plays the hurdy-gurdy and has recently renewed his high school romance
with the guitar, working on developing a small repertoire of traditional
Irish/Scottish/Celtic songs. Jim's thought on the idea is "Hey, you don't really
need a good voice to sing 'Trad'. Besides, nobody told me I couldn't do it."“

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Added on: Sep 20, 2009 | Hits: 619

“Born in 1963 at Lignières in Central France, Gilles Chabenat began playing the hurdy-gurdy at 13 with Les Thiaulins, an association devoted to folk arts and traditions. Following private lessons with Georges Simon, he won several music awards and subsequently devoted himself to his region’s traditional repertoire with a desire to branch out into other musical styles.

In the wake of Valentin Clastrier, he thus felt the need to reinvent the instrument and the playing techniques associated with it. Around that time and after several years of research, luthier Denis Siorat developed a contemporary-style electro-acoustic instrument which facilitated the integration of the hurdy-gurdy into the modern musical experience.

In 1992, Gilles Chabenat thus began a twelve-year partnership with the Corsican group I Muvrini. During that period, he met and worked with a number of artists : Véronique Sanson, Florent Pagny, Stephan Eicher, Jean-Jacques Goldman, Sting, as well as Frédéric Paris, Edouard Papazian, Alain Bonnin, and Gabriel Yacoub.
More recently, he has been collaborating with jazz musicians such as Vincent Mascart, Jacques Mahieux, Alain Bruel, Alain Gibert, and Jean-Marc Padovani in a number of creative works, including a theatrical reading of Enzo Corman.  In addition, his hurdy-gurdy can be heard in a Jannick Top composition written for Pierre Jolivet’s film « Le Frère du Guerrier ».  He also works regularly with Eric Montbel, Didier François, a Nyckelharpa player, Gabriel Yacoub and Patrick Bouffard. ..“

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Added on: Sep 20, 2009 | Hits: 289

“Thierry MEUNIER and Jean-Marie POIRIER both studied plucked instruments (lute, baroque guitar, vihuela) and early music under Javier HINOJOSA. At the same time, they followed courses with other world famous specialists, Hopkinson SMITH and Paul O'DETTE. Moreover, their research in major libraries allow them to add a good deal of unpublished material to their repertoire. ..“

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Added on: Nov 23, 2009 | Hits: 413

“ As early as during his studies he was awarded several prizes in guitar contests. He won the first prize in the national guitar competition in Kutná Hora with a special award for interpretation of Baroque music. He studied guitar at Prof. Stanislav Juřica at the Conservatory of Pardubice in 1993. He continued in the same class studying lute and finished his studies giving a graduate’s concert in Hradec Králové in June 1999.

These days he works as a director of Art and Music School in Havlíčkův Brod. He gives solo concerts and participates as a lutenist in various chamber choirs (LA VIA Přibyslav, Musica Fresca etc.). When interpreting Renaissance and Baroque songs accompanied by lute, he cooperates with the sopranos Jana Nováková, Helena Pellarová, Anna Hamadová (SK) and the mezzo-soprano Pavla Fendrichová. He organizes educative concerts called‚ Lute presents itself‘ for schoolchildren and students. He has participated in the audio recording The Country of singing (children’s choir, lute) and two multimedia CDs of the company Fenomen multimedia a.s. (1999-2005). German, Swiss, Slovenian and American audiences have had a chance to appreciate his mastery over and over again.

He takes an active part in senior courses in the guitar festivals in Mikulov (in the classes of e.g. P.Steidl, L. Witoszynský, J. Wagner), in Valtice (in the English lutenist B. Wright’s class) and in Slovenia (A. Kröper). He has gained valuable experience at the interpretation course of the Japanese lute-player S. Noiri. He was graduated from Academy of Old-time Music by the Philosophical Faculty of Masaryk University in Brno, in Miloslav Študent’s lute class.  ..“

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Added on: Dec 27, 2009 | Hits: 456

“Alfonso Marin began his musical studies in the “Conservatorio Superior de Tenerife” (Spain), and afterwards in the “Conservatorium van Amsterdam” were he continued his classical guitar and vihuela studies under Lex Eisenhardt.

From 1998 he devoted himself entirely to the study of early plucked instruments as the lute, theorbo and vihuela, continuing his studies in the same conservatory for five more years with the lutenist Fred Jacobs. ..

His collaboration with the soprano Valeria Mignaco is one of his most rewarding and fruitful musical activities, having performed with her in numerous recitals and festivals in Holland, Germany, England, Belgium and Spain. ..”

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Added on: Dec 27, 2009 | Hits: 346

“

Susan King followed her passion for the music of this unique and lovely instrument from her home in Australia to the other side of the world. Today she lives in Paris, where she’s realising her dream of performing the original manuscripts written for the French Baroque lute at the court of Louis XIV in Versailles.

Whether  through intimate home concerts or private lessons, Susan aspires to introduce people to the quietly uplifting sound of her beautiful lute.“

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Added on: Mar 19, 2010 | Hits: 396

“ .. Véronique’s repertoire extends from the 13th to the 18th century.

 As Professor of harp and early music at the Ivry-sur-Seine and Palaiseau Conservatories and the Center of Medieval Music in Paris, Véronique teaches a variety of classes: modern and early harps, Chamber Music and Early Improvisation.

She is also particularly interested in the repertoire, history and organologie of harps and has presented papers on these subjects at conferences.  Most recently she presented her findings on Bray Pins at the Conference on Interdisciplinary Musicology in Paris in October 2009.

Véronique is also very interested in Contrapunto alla werke Polyphonic Improvisation and organizes courses and workshops on this. ..“

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Added on: Mar 19, 2010 | Hits: 405