EarlyMusicNews.Org

“Peter Kooij started his musical career at 6-years-old as a choir boy and sang many solo soprano-parts in concerts and recordings. He started his musical studies however as a violin student. This was followed by singing tuition from Max van Egmond at the Sweelinck Conservatory in Amsterdam, which led to the award of the diploma for solo performance.

He has been an active soloist in many concerts all over the world in the most important concert-halls like Concertgebouw Amsterdam, Musikverein Wien, Carnegie Hall New York, Royal Albert Hall London, Teatro Colon Buenos Aires, Berliner and Kölner Philharmonie, Palais Garnier Paris, Suntory and Casals Hall Tokyo, where he performed with famous conductors like Philippe Herreweghe, Ton Koopman, Frans Brüggen, Gustav Leonhardt, René Jacobs, Sigiswald Kuijken, Roger Norrington and Iwan Fisher.

His wide repertoire contains all kind of music from Schütz to Weill and he has made over 130 CDs for Philips, Sony and Virgin Classics, Harmonia Mundi, Erato, EMI and BIS. He was invited by BIS to record the complete Bach cantatas, passions and masses with the Bach Collegium Japan under the direction of Masaaki Suzuki.

Peter Kooij is the artistic director of the "Ensemble Vocal Européen". From 1991 to 2000 professor at the Sweelinck Conservatorium in Amsterdam. From 1995 to 1998 Lehrauftrag at the Musikhochschule in Hannover. Since 2000 Professor at the Tokyo University of fine Arts and Music. From September 2005 professor at the Royal Conservorium in Den Haag. He was invited to give master classes in Germany, France, Portugal, Spain, Belgium, Finnland and Japan. “

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Added on: May 09, 2009 | Hits: 1047

"Mixed chamber choir Cantio antiqua Praha was establish in the end of 80's by ex-members of student choir Cantus semper vivus, which was run by Grammar school Budejovicka in Prague 4 and which was conducted by Mrs. Vera Jankovicova. In the present structure Cantio antiqua Praha performs from cca 1999.

Cantio antiqua Praha is mainly concentrate on renaissance and early baroque polyphonic music. The repertoire is build from up to octovoiced secular and sacred vocal works from Italian, French, British, German and Spanish composers. The independent part of our repertoire are Christmas songs, which represent character of this music in Bohemia and Moravia from beginning of 15th century until works of early baroque composers.

Cantio antiqua Praha's chamber cast (four sopranos, one mezzo-soprano, three altos, one tenor and one bass) enables to approach to period interpretative practise, when every voice went about perhaps only one singer or instrumentalist. Cantio antiqua Praha occasionally collaborate with instrumentalists who play recorders, lutes, guitars, stringed instruments or harpsichords. " Visit website for more information. (ed.)

Added on: Jul 30, 2008 | Hits: 788

“Angela Malek received her Bachelor of Music degree in vocal performance from Baylor University and her Master of Music degree in vocal performance from Indiana University. In addition to singing operatic roles in the renowned Indiana University Opera Theatre, she was the assistant to the legendary Thomas Binkley in the Early Music Institute appearing frequently as soprano soloist in the baroque operas, cantatas, oratorios and ensembles at the school. Ms. Malek attended the Schola Cantorum in Basel, Switzerland on a Rotary Scholarship from Texas, sang in baroque opera productions at the Basel Theatre and recorded for Swiss National Radio. Ms. Malek was a soloist for the Dale Warland Singers, the Ex Macchina baroque opera, the Minnesota Chorale and The Schubert Club in the Minneapolis-St. Paul area. She was also a teacher at the Minnesota School for the Performing Arts and the director and founder of both the inner-city music program, Musicapolis, and the chamber opera company, Opera Millennium. Between 1999 and 2007, Ms. Malek lived in northern Germany and France performing in baroque operas and chamber music.

Since returning to the States, she has been a regular soprano soloist in San Antonio, including a recent  performance with Houston's Mercury Baroque Orchestra. This May she will appear in the Rienzi Concert Series in Houston with harpsichordist Christina Edelen. Ms. Malek is the recipient of the 2009 George Cortes Award for Classical Singing from the Artist Foundation of San Antonio.“

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Added on: Apr 18, 2010 | Hits: 738

"Founded in Oslo in 1997, trio mediaeval has developed three distinct strands of repertoire: polyphonic medieval music from England and France, contemporary works and Norwegian medieval ballads and songs. The group's initial phase was inspired by intense periods of work at the Hilliard Summer Festival in England and Germany, and subsequently with Linda Hirst and John Potter. " Visit website for more information. (ed.)

Added on: Apr 20, 2008 | Hits: 633

“As a singer and musician, Thor Ewing works with musician Anne Marie Summers in the duo Squeake’s Noyse, performing songs and music from a wide variety of historical periods on an equally wide variety of instruments (bagpipes, hurdy gurdy, harp, lyre, bone flutes, recorder, percussion etc.).  Thor also performs with the bands Misericordia and Gaïta.  Thor also works as a historical storyteller, telling tales appropriate to a variety of eras.

Research and performance are combined to produce performance sets on specific themes, such as the life of Admiral Lord Collingwood, General Wolfe, Scandinavia in British traditional music, wisdom poetry from medieval Wales and Ireland etc.  Thor Ewing is also available to lecture on subjects associated with his research.“

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Added on: May 11, 2009 | Hits: 625

"Ulrike Hofbauer was born in Bavaria and studied voice and voice teaching at the Universities of Wurzburg and Salzburg, and at the ‘Schola Cantorum Basiliensis’ in Basle. The teachers who influenced her most profoundly were Sabine Schutz, Evelyn Tubb and Anthony Rooley; further musical insights were provided by Christina Pluhar und Andrea Marcon.

Ulrike now lives in Basel and as a soloist has worked with conductors such as Christoph Hammer, Konrad Junghänel, Daniel Reuss, und Philippe Herreweghe. The soprano is a member of several vocal ensembles including the ‘Collegium Vocale Gent’, ‘Cantus Coelln’, ‘L’Arpeggiata’ and sang with the acclaimed German vocal sextett ‘Singer Pur’ for several years.

Her versatility as a singer is documented not only in recordings and live performances on the radio, but in a number of CD recordings.

Currently she is devoting much of her energies to her own baroque ensemble ‘savādi...’, with whom she won the Early Music Competition in York in 2003 and also the Van Wassenaer Concours in The Hague in 2004. (www.savadi.net).

Teaching is also an important part of her life and has taken her to, inter alia, the Universities of Bogota (Colombia), Minsk (Belarus) and the "Bayersische Theaterakademie" in Munich.

She enjoys exploring new and unusual repertoires covering different epochs and styles. Ulrike is particularly interested in the “recitar cantando” style as well as the use of dramatic theatrical techniques to heighten the emotional impact of the text and music. " Visit website for more information. (ed.)

Added on: May 04, 2008 | Hits: 591

“Dominique Visse began his singing career at the age of 11 as a chorister in the Cathedral of Notre Dame in Paris. At the same time he began studying the organ and flute at the Versailles Conservatory.

Already passionate about Renaissance and Mediaeval music, in 1976 he met the grand pioneer of the countertenor voice, Alfred Deller, and became his pupil. He also worked with Nigel Rogers, René Jacobs and William Christie.

In 1978 Dominique Visse founded the Ensemble Clément Janequin with whom he has made a series of benchmark recordings of French polyphonic chansons of the 16th Century. The following year he became one of the founding members of Les Arts Florissants and edited much of the ensemble's repertoire in its early years.

Since that time Dominique Visse has become one of the most popular lyric artists in the world of Baroque opera, working with René Jacobs, Jean-Claude Malgoire, Philippe Herreweghe, Ton Koopman, William Christie, Alan Curtis, Nicholas McGegan, Christophe Rousset, Ivor Bolton and Robert King, in the opera houses of Paris, Berlin, Cologne, Amsterdam, Lausanne, Tel-Aviv, Montpellier, Houston, Barcelona, Munich, Versailles, at the Monnaie in Brussels, at the Châtelet and the Théâtre des Champs Elysées in Paris, on tour in Japan and North America, and at the Festivals of Aix en Provence, Innsbruck and Edinburgh. ..”

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Added on: May 18, 2009 | Hits: 586

" The Renaissance Singers were founded in 1972. The choir's early reputation was based on its polished performances of Renaissance a capella literature. Today, the choir sings music from the masters of all centuries. The Renaissance Singers have also commissioned and premiered the works of leading Canadian composers. Every year, the Singers perform four Saturday and Sunday concerts in the Waterloo Region.

The choir was the first Canadian choir to sing in the fringe of The Three Choirs Festival, the oldest music festival in the world. In 1989, the choir was invited to return, becoming the first Canadian choir to sing in the main festival. The choir has been on tour four times, and has sung n Westminster Abbey, Yorkminster, and the cathedrals of Canterbury, Chichester, Ely, Guildford, Norwich, Salisbury, Wells, Winchester, St. George's Chapel, Lincoln, St. Alban's and Ripon. The highly regarded chamber choir has four recordings to its credit, with plans for more in the near future. " Visit website for more information. (ed.)

Added on: Nov 16, 2008 | Hits: 572

"Julianne Baird, soprano, has been hailed as "one of the most extraordinary voices in the service of early music that this generation has produced. She possesses a natural musicianship which engenders singing of supreme expressive beauty." She maintains a busy concert schedule of solo recitals and performances of baroque opera and oratorio. Ms. Baird has also appeared as soloist with many major symphony orchestras including the Cleveland Orchestra under Christoph von Dohnanyi, the Brooklyn Philharmonic under Lukas Foss, the New York Philharmonic under Zubin Mehta and, in the 2000-2001 season, the Philadelphia Orchestra. James R. Oestreich, in his comprehensive survey of New York's seasonal performances of Handel's Messiah for the N.Y. Times, recently concluded with special praise for Julianne Baird's interpretative skills: "in that respect, Ms. Baird remains the model". " Visit website for more information. (ed.)

Added on: Mar 23, 2008 | Hits: 569

"TACTUS, an eight-voice vocal ensemble, specializes in repertoire of the European Renaissance and is dedicated to musical scholarship and excellence in performance techniques. Performing without a conductor and usually a capella, the ensemble's work emanates from their combined skills and experience and from their intuitive connections to each other and to their passion for early music.

TACTUS has sung at the Guelph Spring Festival, Toronto's Hummingbird Centre and has been featured on CBC Radio Two's Music Around Us and Choral Concert. TACTUS was featured in Soul Music, a Vision TV documentary hosted by Howard Dyck. Artistic collaborations with Dancetheatre David Earle, the Toronto Bach Consort, Tafelmusik's Charlotte Nediger and Sergei Istomin, Arbor Oak Ensemble, the Penderecki String Quartet and NUMUS have enabled TACTUS to branch into Baroque, 19th century and contemporary repertoire. " Visit website for more information. (ed.)

Added on: Nov 16, 2008 | Hits: 568

"Charites is a trio committed to the works of early women composers and poets, bringing their music to life through bold, historically-informed performances and period gesture. The members of Charites are equally entrenched in scholarship and performance and seek to blur the lines between these two arenas. Founded in 2006, Charites has performed throughout the New York area, at venues like the Cathedral of St. John the Divine, St. Bartholemew's Church, Columbia University, and the CUNY Graduate Center. " Visit website for more information. (ed.)

Added on: Aug 06, 2008 | Hits: 557

“The Countertenor Kai Wessel was born in Hamburg and studied music theory (Prof.R.Ploeger), composition (Prof.Dr.F.Döhl), and voice (Prof.U.v.Garczynski, concert examination passed with honours) at the Lübeck Academy of Music. During his Lübeck years Wessel was also an external student in the field of baroque performance practice at the Schola Cantorum Basiliensis (René Jacobs).
 
Wessel received numerous prizes between 1984 and 1990, including the special prize of the German Theater Society for the best interpretation of a contemporary work (Berlin, 1988) and a prize at the Musica Antiqua Competition of the Flanders Festival in Bruges. He received fellowships from the Studienstiftung des Deutschen Volkes and the DAAD (studying under Peter Kooj in Hilversum/Holland). Wessel has served as an assistant to René Jacobs in the production of operas by P.A.Cesti, F.Cavalli and C.W.Gluck for the International Festival Week of Early Music in Innsbruck, for the WDR Radio, and at the Hamburg State Opera.
 
As one of the leading countertenors Wessel is invited to music festivals all over the world (Paris, Madrid, Vienna, Schwetzingen, Salzburg, Innsbruck, Tokyo, San Francisco, a.o.) and to numerous opera houses (Freiburg, Basel, St.Gallen, Barcelona, Nice, Berlin a.o.) where he took part in stage-productions by Herbert Wernicke (in Theodora and Giulio Cesare by G.F.Handel, Aus Deutschland by Mauricio Kagel, Wie liegt die Stadt so wüste with the music by H.Schütz/M.Weckmann and Actus tragicus with the music by J.S.Bach), Joachim Schlömer (as Orfeo in Orfeo ed Euridice by Chr.W.Gluck), Claus Guth (in Schwarzerde by Klaus Huber), Peter Oskarson (in Luci mie traditrici by Salvatore Sciarrino), Gilbert Déflo (in Orfeo by Claudio Monteverdi), John Dew (in Hippolyte et Aricie by Jean Philippe Rameau) a.o. He has been involved in performances, radio broadcasts, amore than sixty recordings under the direction of Philippe Herreweghe, William Christie, Jordi Savall, Gustav Leonhard, Ton Koopman, Michael Schneider, Nikolaus Harnoncourt, Martin Haselböck, Reinhard Goebel, Konrad Junghänel, Michael Hofstetter, Nicholas McGegan, Sigiswald Kuijken, Michel Corboz, Hans-Werner Henze, Arturo Tamayo, Hermann Max, and others.
 
Kai Wessel is teaching voice and baroque performance practice at the Superiour Highschool of Music Cologne/Germany, and regularly giving summer-classes in Germany and Austria. “

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Added on: May 09, 2009 | Hits: 548

“Franz Vitzthum received his initial musical training as a member of the Regensburger Domspatzen. In 2007 he completed his degrees at the Musikhochschule Köln as a pupil of Kai Wessel. At present he is working with Stefan Haselhoff (Basel).

In addition to his ensemble work with groups including the Weser Renaissance under Manfred Cordes and Cantus Cölln under Konrad Junghänel, Franz Vitzthum focuses his attentions on solo engagements where he has worked with the conductors Christoph Poppen, Peter Neumann or Nicholas McGegan.

Franz Vitzthum has made guest appearances at international festivals including the Händel-Festspiele Göttingen, Kultursommer Rheinland-Pfalz, Oude Muziek Festival Utrecht, La Folle Journée Nantes, The Bach Festival Philadelphia (USA) and has performed with such orchestras as the Chamber Orchestra Basel Barock and The English Concert. ..“ Visit website for more information. (ed.)

Added on: Apr 27, 2009 | Hits: 518

"Mark Crayton performs on concert stages and in opera houses throughout the United States and Europe, and his extensive repertoire includes a wide variety of works. Mark Crayton created the role of the First Minstrel in The Holland Festival’s production of Peter Onnes’ opera/theatre piece Pantagruel et Gargantua. This role was specifically written for Mark Crayton. In 2003, Mark Crayton was invited by the composer Philip Glass and the Tony Award director Mary Zimmerman to sing in the world premiere performances of Glass’ opera Galileo Galilei in Chicago, New York City and London. Soon thereafter, Mr Crayton was chosen by composer John Kander and lyricist Fred Ebb to sing the role of Louis Perch in their new musical, The Visit, starring Chita Rivera, at Chicago’s Goodman Theatre; discussions are now under way for a possible New York production as well as a production in Washington, DC. The 2006-07 season began for Mark Crayton with a New York City appearance on The Phoenix Concert Series featuring new music for two countertenors and piano, with colleagues Daniel Gundlach and James Janssen. Subsequently, Mr Crayton was heard in concert with fortepianist James Janssen for Ars Musica Chicago at the DePaul University Art Museum. Later in the season, Mr Crayton made his debut with the Seattle Opera as Tolomeo in Handel’s Giulio Cesare - the same opera in which Mark Crayton made his San Diego Opera debut in 2006. Highlights of this season’s appearances include a return to the Phillips Collection in a recital of Italian secular cantatas, a return to Raleigh/Durham to sing G F Handel’s Messiah at the Duke Chapel, a recital/masterclass at Butler University, Messiah with the Chicago Chorale, Carmina Burana with the Fargo-Morehead Symphony, Chichester Psalms with the Sheboygan Symphony, as well as masterclasses in London. ... " Visit website for more information. (ed.)

Added on: Jul 31, 2008 | Hits: 512

"Hailed as "a golden soprano" by the New York Times, Jolle Greenleaf has established herself as a leading specialist in repertoire from the 17th and 18th centuries. She completed her Master’s degree at the Mannes College of Music, and soon after received the coveted Beebe Fellowship to study at The Royal Conservatory in The Hague, Netherlands. Upon returning to New York, Ms. Greenleaf has built a career performing with illustrious period instrument conductors such as Martin Gester, Bernard LaBadie, Ton Koopman, Andrew Parrott, John Scott, and Jeannette Sorrell. ... " Visit website for more information. (ed.)

Added on: Aug 06, 2008 | Hits: 496

"John Potter's musical collaborators include the composer Ambrose Field, video artist Michael Lynch and the lutenist Ariel Abramovich, as well as The Dowland Project, Red Byrd and the Gavin Bryars Ensemble. He is a member of the German ensemble The Sound & The Fury, and with fellow tenor Christopher O’Gorman is a part of the Hyperion/University of Southampton Conductus Project. A writer and scholar as well as a singer, he has published four books on singing and is a former British Library Edison Fellow. He is Reader Emeritus in Music at the University of York, having left the university in 2010 to focus on his portfolio of freelance activities.

John's eclectic performing experience has ranged from first performances of works by Berio, Stockhausen, James Dillon and Michael Finnissy to backing vocals for Manfred Mann, Mike Oldfield and The Who (among others). Red Byrd, the group he founded with bass Richard Wistreich, has recorded music as diverse as Monteverdi (both straight and with electric guitars), Leonin (3 albums for Hyperion) and the Led Zeppelin bassist John Paul Jones (for Factory Records). He was a major contributor to the Hilliard Ensemble’s Officium project (for which he has five gold discs), and subsequently developed many of the ideas in The Dowland Project’s four albums for ECM; he also produced the first three ECM albums by the Scandinavian trio mediaeval.

Current projects include multimedia presentations of music by Ambrose Field (Being Dufay and its successor, both with films by Michael Lynch) and the Conductus Project (three albums for Hyperion with associated live performances also with films by Michael Lynch). His lute song repertoire ranges from Thomas Ford to Benedetto Ferrari and beyond, and includes programmes of Dowland and Campion. He also works with vihuela on the 15th/16th century ‘intabulation’ repertory, and with chitarrone on later music by Blow, Purcell and others."

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Added on: Apr 08, 2008 | Hits: 495

"Inspired by the renowned chapel choirs of the Renaissance, Pomerium revives the golden age of a cappella singing. The ensemble, featuring some of the finest singers in the country and acclaimed for its luminous sound, performs frequently in New York—at such venues as the Metropolitan Museum of Art, The Cloisters, the Pierpont Morgan Library, the Frick Collection, and Music Before 1800—as well as across the USA and abroad. ... " Visit website for more information. (ed.)

Added on: Aug 06, 2008 | Hits: 495

“NEW YORK POLYPHONY is gaining a reputation as the preeminent male classical vocal quartet in the fields of early and new music. Praised for a “rich, natural sound that’s larger and more complex than the sum of its parts” (National Public Radio), the four men deliver dynamic performances in a wide range of styles. From austere medieval melodies to cutting edge contemporary works, NYP balances refined musicianship with a uniquely modern sensibility.

Hailed as a “stunning tour through chant, polyphony and renaissance harmonies” (Minnesota Public Radio), their current CD Tudor City spent three weeks in the Top 10 of Billboard’s classical album chart. It has been featured on Danish Public Radio, American Public Radio and NPR’s All Things Considered.

NYP’s debut CD I sing the birth was released in 2007. The disc—an intimate meditation on the Christmas season—garnered unanimous praise. Gramophone Magazine named it “one of the season’s best”, BBC Music Magazine selected it as Editor’s Christmas Choice 2007, and Classic FM Magazine hailed it as “a disc for all seasons. …”

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Added on: Nov 09, 2011 | Hits: 490

"I Cantori Gregoriani are a male voice group which exclusively dedicates itself to the study and the spread of Gregorian chant. Consisting entirely of specialists, the ensemble bases its own performances on research into semiology, that is the study of antique manuscripts dating from the Xth –X1th centuries. The performances of the group are aimed at transmitting, through the actual instruments of the semiology, the expressive force of Gregorian chant, i.e. the correct musical representation of the ancient exegetic tradition of the sacred texts. " Visit website for more information. (ed.)

Added on: May 18, 2008 | Hits: 488

"Founded in the spring of 2005, Prometheus is a chamber ensemble dedicated to giving vibrant, historical performances of Baroque music. Unique because its members are equally entrenched in the scholarly and performance worlds, the group breathes life into Baroque music with its bold, sensitive interpretations of the repertoire.

The ensemble's concerts feature Baroque gesture and poetry, transforming them into unique visual and literary spectacles. " Visit website for more information. (ed.)

Added on: Aug 06, 2008 | Hits: 482

"La Trulla de Bozes was founded in 1998 by Carlos Sandúa to explore and perform the renaissance and early baroque Spanish polyphonic vocal repertoire.

After a first establishment period, in the year 2000 La Trulla de Bozes attracted the attention of the European environment specialized in early music when they obtained the first prize in the noted competition for ensembles of the XXXVII Festival Van Vlaanderen in Brugge. During the same year the group was named Revelation Ensemble after winning The International Young Artists Presentation/Early Music in Antwerp becoming the only Spanish group that have obtained these prizes.

The standard staff of the group is formed by five singers and one organist/harpsichordist. The group can increase the number of singers and instrumentalists according with the repertoire demands. All members of the ensemble are thoroughly familiarized with the performance practice of the early music, having worked individually with the finest groups specialised in this field, such as Les Arts Florissants (William Christie), La Capilla Reial de Catalunya (Jordi Savall), Ensemble Elyma, (Gabriel Garrido), Les musiciens du Louvre (Mark Minkovski), Al ayre español (Eduardo López-Banzo)… "

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Added on: Jul 15, 2008 | Hits: 481

“graindelavoix (grain of the voice) is an art-collective formed by björn schmelzer. since 1999 he is looking for musicians who want to experiment between performance and creation. the necessity of autoproductive and physical art keeps them together.

graindelavoix is fascinated by voices that stop communicating, that have no message anymore but rather are the pure expression of their underground: the gritty, intense and instinctive...

graindelavoix uses early music repertoires to find the undercurrent that illuminates our own times: a timeless spirit that stretches out to embrace an interval, a space.

what preoccupies graindelavoix in early music is the bond between notation and what eludes it: the higher consciousness and savoir-faire that the performer brings to a piece (ornamentation, improvisation, gestures...). to graindelavoix, singers are 'spiritual automata'...

material they work with includes ockeghem's polyphony, the plainte, machicotage, mediterrenean practices, late scholastic dynamics and kinematics, the affective body, gesture and image culture...

graindelavoix gives performances (concert/music theatre) that are the accumulated fragments of a wider work and research process: this site makes an attempt at framing.

graindelavoix is 'special guest' of “music-centre de bijloke in” ghent and has an artistical partnership with the “cultural centre of genk“. cd's are produced exclusively for glossamusic. ..“

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Added on: May 17, 2009 | Hits: 479

"It was formed in 1997 and it is composed of variable singers with a prevalence of female voices which work trying to reach a vocal purity as near as possible to the interpretative standards of the medieval and Renaissance music. The study of the pure vocalism is characterized by the tonic peculiarity and consistency of the voices which transmit an accurate transparency and a sound useful to bring the essence of the prayer and the word of the sacred texts which are magnified by the ancient melodies to life again. The research is about musics from the codexes of Carolingian age, the medieval laud books and the ancient books of the medieval age, liturgical and not, with a particular reference to the Umbria and Toscana area. To strengthen the work of research and study the Association organizes seminars of Gregorian chant and ancient music with experts in this sector like Nino Albarosa, Giovanni Conti and Tito Molisani. ... " Visit webstie for more information. (ed.)

Added on: May 18, 2008 | Hits: 468

“Singer/whistler/performer Emily Eagen is a native of Cincinnati, Ohio, an alum of Macalester College and The University of Madison-Wisconsin, and a former Fulbright scholar to the Hague, the Netherlands. Emily currently lives and works in New York City. She is an active performer of early music, contemporary music, and traditional American music, as well as an avid experimenter in musical genres of all kinds.

Emily is a member of The M6, an ensemble dedicated to exploring and  performing  the works of composer Meredith Monk. She currently performs with the Hesperus Ensemble, singing Sephardic and renaissance music for a live-film performance of the 1920s horror film The Golem. Emily  has performed regularly as a soloist with the mediterranean medieval ensemble Sendebar, and was the 2008 recipient of the Barbara Thornton Memorial Scholarship for medieval music from Early Music America. She can be heard singing harmony on the recently released debut album by singer-songwriter Guillaume Goussault, and sings, whistles, and plays the ukulele with the roots/old-time/early blues band The Whistlin’ Wolves.

A two-time International Whistling Champion, Emily has been known to whistle everything from opera to jazz, and regularly leads workshops in group and solo whistling. In a 2007 Carnegie Hall workshop led by soprano Dawn Upshaw and composer Osvaldo Golijov, Emily premiered The Wane of More, a piece for voice, whistling, and chamber ensemble by composer Gyan Riley. Her whistling has been featured on numerous recordings, was used as live accompaniment to an installation by artist Tony Luensman at the Cincinnati Art Museum for Frank Duveneck’s painting “The Whistling Boy”, and was recently the whistling “voice” of e-bay.

Emily teaches private and group voice lessons in classical, early, contemporary, and traditional American folk genres. She teaches in and around New York City, as well as at various summer festivals including The Amherst Early Music Festival (CT) and The Augusta Heritage Center (WV). She teaches a monthly bluegrass/old-time/gospel harmony class at the Jalopy Theatre and School of Music in Brooklyn with singer Don Friedman, and is a teaching artist in the New York City public schools through Carnegie Hall.“

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Added on: May 04, 2010 | Hits: 465

"Linking professional and amateur countertenors and people interested in the CT repertoire" ...

Added on: Aug 03, 2007 | Hits: 463