EarlyMusicNews.Org

" ... At that time there was a great deal of interest in making more historically based instruments and I jumped directly onto the bandwagon of the authentic movement. I read all that was written about old recorders and visited as many museums and collections as I could, playing, measuring and photographing their originals. I had additional tuition from Eric Moulder and Graham Lyndon-Jones, who were both professional woodwind makers and part time lecturers at the college. I think it was quite early on that I realised I would have to travel if I were to make a business out of recorder making. The recorder scene in England was very large but extremely amateur and from a playing point of view, not nearly as wonderful as I had at first thought. So I travelled a lot in Europe, visiting both museums and music conservatories, learning about the original recorders at the same time as trying to develop contacts with players. This practice carried on long after I had finished my course at the LCF in 1982 and had established my first workshop in Reykjavik. My contacts with players were essential, to give me the necessary feedback on my work, which as a rotten player, I was unable to judge for myself. Even now, with twenty years experience, I still rely a great deal on the opinions of my customers, to help me develop my work. ... " Visit website for more information. (ed.)

Added on: Mar 23, 2008 | Hits: 311

Recorder maker. Visit website for more informations. (ed.)

Added on: Mar 23, 2008 | Hits: 453

"Adriana Breukink started playing the recorder at the age of nine. As a teenager, she already wanted to be a recorder maker, but there was no appropriate training available. When she was sixteen she went to the Conservatory in Rotterdam, and three years later she went to the Royal Conservatory at The Hague. There she studied recorder with Ricardo Kanji and Frans Bruggen. During her last year she took a course with Fred Morgan in making recorders, in the Conservatory workshop.

For many years she has been known for making Renaissance Consorts and Ganassi recorders, and she sends these to top soloists, ensembles and conservatories all over the world. In recent years, she has developed many new instruments, such as the Slide Recorder for Moeck, and the Dream Soprano, Dream Alto and Dream Tenor for Mollenhauer. The Dream bass is currently in development. One of her recent recorders is the 3 metre (10 foot) long Sub-contrabass in Bb. " Visit website for more information. (ed.)

Added on: Mar 23, 2008 | Hits: 441

"I promised in The Keyed Flute by Johann George Tromlitz (Oxford: Clarendon Press, 1996, p. 261) to make available the index of flute information I compiled for that study. You are welcome to make use of it, as long as you send me new material and correct any mistakes you find. Please note that I am not systematically updating or improving the database: it's presented here, for what it's worth, in form and content already 10 years out of date. If anyone would like to make an ongoing project of it, please contact me.

The database file contains listings for about 1800 instruments, with details of attribution, maker's mark, materials, keys, and reports in the literature. (My own copy also lists drawings made by other researchers, and materials (drawings, photos, mouldings) in the collection of Folkers & Powell.) " Visit website for more information. (ed.)

Added on: Mar 08, 2008 | Hits: 393

"Christopher Monk was amongst the first to make reconstructions of the cornett (or cornetto), the highly regarded virtuoso wind instrument whose top players commanded higher fees than any others in the early seventeenth century. He put cornetts in the hands of the late David Munrow and, largely through Munrow’s Early Music Consort of London, the cornetto began to regain its former popularity. It is now played at amateur and professional levels across the world from New Zealand to New York, heard with increasing frequency at major music festivals and enjoys excellent and increasing representation on recordings. " Visit website for more information. (ed.)

Added on: Mar 08, 2008 | Hits: 395

"Saunders Recorders is an independent retail store managed by John Everingham F.T.C.L. The business was founded by Gordon Saunders, (who is now enjoying retirement in sunny Spain) some twenty-nine years ago.

The high street shop is now closed but the business continues.

You will find a very comprehensive listing of recorders and music, mostly available for immediate delivery. " See website for more information. (ed.)

Added on: Mar 08, 2008 | Hits: 466

"Jean-Luc Boudreau has been making recorders since 1980, after having studied science and music! His main interest is the development of instruments inspired by early recorders found in various collections. These handmade recorders are classified into two families, baroque and renaissance, and allow all repertoire written for the recorder to be explored.

Two years ago we added a line of "whistles", diatonic instruments to play folk repertoire. And there's more to come...

As well, the workshop does a lot of research into manufacturing methods using the latest technology, and offers its expertise for specific projects related to the manufacture of wind instruments. " See website for more information. (ed.)

Added on: Mar 03, 2008 | Hits: 669

"Sand Dalton began playing the baroque oboe in 1975 after graduating from the California Institute of the Arts, where he studied modern oboe with Allan Vogel. A year later he made his first instrument and began an extensive and on-going study of historical oboes which has taken him to many museums and private collections both in Europe and North America.

Concurrently, he has pursued an active career as a performer and teacher. Over the years he has performed and recorded with many ensembles, including the Philharmonia Baroque Orchestra, Boston Baroque, the Handel and Haydn Society, Magnificat, Portland Baroque Orchestra, Seattle Baroque and the Pacific Baroque Orchestra of Vancouver, B.C. His long experience playing in baroque orchestral and chamber music has provided him with an ideal 'laboratory' in which to test and refine his ideas about making good musical instruments.

He has been of the faculties of the New England Conservatory, the University of British Columbia and Longy School of Music, as well as taught at the summer workshops for the San Francisco Early Music Society, Vancouver Early Music Program, Amherst Early Music Workshop and the International Baroque Institute at Longy. In 2000 be began directing his own summer workshop for baroque oboes and bassoons on Lopez Island in Washington State.

Described by CBC Radio as "one of the leading baroque oboists in North America whose fine instruments are played around the world." Sand Dalton is dedicated to making oboes of the highest musical and technical standard. " Visit website for more information. (ed.)

Added on: Feb 26, 2008 | Hits: 444

"Peter Noy has long dedicated himself to making flutes in wood. The finest quality materials, meticulous craftsmanship and intelligent, balanced design are combined to create beautiful instruments, sought after world-wide for their sound. " Visit website for more information. (ed.)

Added on: Feb 26, 2008 | Hits: 422

"I carry garklein, sopranino, soprano, alto, tenor, bass, great bass, contrabass, subgreatbass and subcontrabass recorders by Aesthe, Dolmetsch, Ralf Ehlert, Küng, Moeck, Mollenhauer, Paetzold and Yamaha. I have gemshorns, Moeck historical woodwinds, optimized crumhorns, as well as Wendy Gillespie (Lu-Mi) and Charlie Ogle Chinese viols and vielles by Puchalski. I also have Baroque and modern violins, violas and cellos. Sheet music, music stands and other accessories are also available. " ...

Added on: Aug 18, 2007 | Hits: 565

"Folkers & Powell make professional-quality baroque flutes and other historical transverse flutes closely modeled on excellent original designs from the sixteenth to the nineteenth centuries.

We believe that music, instruments, and playing styles are all interconnected, so that music has the best effect when realized with sympathy, using instruments and performance conventions current when it was created.

For this reason we make every effort to capture the unique qualities of tone and intonation in the original instruments we copy. Since our partnership began in 1984 our flutes have earned a worldwide reputation for uncompromising accuracy and faithfulness of spirit. Our customers range all the way from beginners on the baroque flute to the world's leading exponents.

Research on contemporary music and playing styles also plays a large part in our work. We have built a separate educational site at flutehistory.com to give information on historical matters not directly related to the flutes we make.

If you are new to the world of historical flutes, begin at our start page. If you would like help staying in touch with the latest ideas and research, we suggest you subscribe to the quarterly newsletter TRAVERSO. " Visit website for more information. (ed.)

Added on: Jun 22, 2005 | Hits: 845