EarlyMusicNews.Org

"Like many lute players, Liz Kenny started out by playing the classical guitar. As a junior at the Royal Academy of Music she received intelligent guidance from Michael Lewin (now a colleague there) and came within reach of London concert life. Her first encounter with the lute was hearing a performance by Nigel North - later to be an inspiring teacher. After going down the byways of an English degree and back to the guitar, she returned to this sound. Discovering everything from the subtle feeling of playing on double strung lutes to the freedom of improvisation that playing continuo offered was an exhilarating and at times frustrating experience. Just as well she didn't know at the outset that playing the lute for a living would entail mastering and giving houseroom to a dozen different instruments …

Now her repertoire extends from the early 16th century through the domain of the theorbo and baroque lute to the 19th century, thanks to stumbling across a beautiful small French romantic guitar at a London dealer's.

Her career has always had a strong international bias since it began during the recession in the UK in the early 90s. She went to Paris instead and began a long association with William Christie's Les Arts Florissants, which has had a big influence on her performing style. Playing with an unusually diverse range of ensembles in France, Germany and the USA as well as at home has given her a wide perspective on different ways of making music. She is now committed to drawing on this in devising her own programmes. Groups she has appeared with regularly in over a decade of touring include Les Arts Florissants, Concerto Vocale, The English Concert, Tragicomedia, Teatro Lirico, Tira mi sú, The Gabrieli Consort, The Taverner Consort, The Parley of Instruments, The King's Consort, The Orchestra of the Age of Enlightenment and Concordia. ..." Visit website for more information. (ed.)

Category: Ensembles/Performers/Associations/Societies / Strings

Added on: Jul 16, 2008 | Hits: 427