(From the latest Dunedin Consort & Players newsletter)
Concert Hall, Perth UK (04 may 2012)
Queen’s Hall, Edinburgh UK (06 may 2012)
Dunedin's final season concerts complete the Brandenburgs set with the impossibly virtuosic Brandenburg concerto number 2 for Trumpet, Violin, Oboe and Recorder. Bach's Cantata BWV 174 is one of those gems that show how Bach re-invented his own music, in this occasion his Brandenburg concerto no 3.
Location: Dortmund, Germany
“In 1692, Henry Purcell's semi-opera "The Fairy Queen" was premiered. Henry Purcell used Shakespeare's "Midsummer Night's Dream as a template for the Baroque opera. Philippa Waite has choreographed several songs from the "Fairy Queen" into dances that are taught in this workshop.
Experience in Baroque dance is required for this course.”
(From a recent Unquiet Thoughts blog post)
“… This morning, we dip into the writings presumably authored by Giovanni de' Bardi, Count of Vernio (1534 – 1612), from his correspondence with Giulio Caccini (1551 – 1618). Bardi is credited by posterity as a cheerleader for the simpler, more dramatic and expressive monody that led to what we have come to know as Baroque music, in opposition to the headier polyphony that characterized much music from the 16th century. …”
Location: Picture Ray Studios, 245 West 18th Street (between 7th and 8th Avenues) Manhattan, New York NY, US
Parthenia, New York’s premiere viol consort, will present Musica Universalis - Musical Invention in the Age of Discovery, on Saturday, May 5 at 8:00 PM at Picture Ray Studio, 245 West 18th Street (between 7th and 8th Avenues) in Manhattan. Special guest will be renowned viol virtuoso Sarah Cunningham.
Repertoire will be selections from the late 15th and 16th centuries by Thomas Stolzter, Heinrich Isaac, Vincenzo Ruffo, William Cornish, Christopher Tye, Robert Parsons and William Byrd.
(US) Harmonia Early Music Interview: "Catching Up With Jacques Ogg" by Wendy Gillespie (12 apr 2012)
“Dutch harpsichordist, fortepianist and conductor Jacques Ogg visited Bloomington, Indiana in January and joined me [Wendy Gillespie] for a conversation about his role as artistic director for Lyra Baroque Orchestra (Minneapolis/St. Paul, MN) and his experience of being a student of the late Gustav Leonhardt.
Jacques also shares his thoughts about early keyboards and points out some of his more “interesting” recordings. …“
A reminder that you may want to browse the pages on the Libreria Musicale Italiana (LIM) website as there have been many new early music titles added to their online catalogue.
Here are a few of the new titles found on their site: …
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