Let us stop a moment to discover the precepts of Couperin through a footnote on page in a scholarly work today and listen to the voice that we imagine shy, almost hesitant, from one of French harpsichordists’ greatest. Let us stop bickering about the size of the chorus of Bach's cantatas in Leipzig and take a look at the key document that the passions unleashed and allows all the assumptions ...
(US) Aulos Ensemble Transports Listeners to 18th-Century France -- Review by By Thomas Busse (2010 Dec.)
New for Baroque Lute
“Wolff Jacob Lauffensteiner (1676 - 1754): Collected Works for Solo Lute” edited by Douglas Towne
This edition contains eight complete suites/concerts as well as fourteen single pieces for Baroque Lute, collected from libraries from all over Europe and overseas countries. The tablature has been set anew completely to present the pieces in an easy to read manner. Contains also an essay on Laufensteiners life (in german) by Michael Treder. 125 pages / French Tablature / Baroque tuning Euro 40.-
(US) Extraordinary Women From an Extraordinary Era (Magnificat) -- By Marianne Lipanovich (Concert: 2011 Feb 4,5,6)
Orchestre LES PASSIONS
Isabelle Poulenard, soprano. Guillemette Laurens, alto.
Vincent Lièvre-Picard, tenor (Evangelist). Arnaud Richard, bass (Pilate).
Jean-François Rouchon, bass (Jesus). Antonio Guirao, bass (Peter,Judas)
chorus : ARCHIPELS (Joël Suhubiette) - A CONTRETEMPS (Guy Zanesi)
ARPEGE (J. Charpentier) – Maîtrise du CONSERVATOIRE de Toulouse (M. Opstad)
Musical Direction Jean-Marc Andrieu
Halle-aux-Grains, Toulouse (2011, March 23; April 3)
Palais des Sports, Bordeaux (2011, April 2)
American Bach Soloists Music Director, Jeffrey Thomas, speaks about their annual performances of Handel's Messiah, one of the greatest oratorios of all time, in San Francisco's Grace Cathedral. Baritone Jesse Blumberg and the American Bach Choir are featured in performance clips.
Author: Oesterley, W O E
Published: 1923, 2010
This work surveys a wide spread of old rites, practised during initiations, puberty, marriages, burials, and other major events of life. Relying on ornamental artwork on pottery and on ancient inscriptions and literature, the author examines, among other topics, Old Testament terms for 'dancing,' and forms of musical accompaniment in the time of the Hebrews; the sacred processional dance, performed by Hittites, Egyptians, Greeks, Romans, and other peoples; the ritual dance around sacred objects; and sacred dances performed during harvests and other festivals.
(Although not directly music related, this article may be of interest to some -- ed.)
The job of a renaissance court portraitist was to produce likenesses of his sovereigns to display at the palace and give to foreign dignitaries or prospective brides.
(FR) "De Paris à Versailles". Charpentier, Marais, Couperin -- Les Passions Orchestre Baroque (2011 January 22)
Église du Bouclier – Strasbourg
With Italian influence and in defense of the French style, these three composers entertained contrasting rapports with the Court at Versailles. The delicacy and richness of music by Charpentier regularly attracted Louis XIV in Paris, while Marin Marais, Lully's successor, enjoyed the grace of the King in the splendor of the Court. Couperin, meanwhile, sailed incessantly from Paris to Versailles and was able to skillfully combine French and Italian styles by the subtle and learned style of his writing.
(US) Worth a Reprise at Age 401 -- Monteverdi Vespers of 1610 -- Review by Steve Smith (New York Times)
Come to a gala showcase featuring 7 of the finest world-class early music ensembles, produced by GEMS Live! and Nancy Carlin Associates.
(US) Mozart at Salzburg Festival: Don Giovanni and Così fan tutte - Review by Chris Mullins (Opera Today)
Choose the “News Categories”
to filter your news items by
categories. There are presently more than 2000 news
articles that have
appeared on the site.
"Web Links" are searched on the "Web Links" page of the site where you will find a search window dedicated to the more than 2700 Early Music weblinks.
Visit our “Calendar” page to view events sorted by regions and categories.
“Website font size” If you find the font too small, press the“ Control “ key down (Ctrl) and tap the “ +“ key till you find the font size more readable. Pressing the Ctrl key and tapping the“ - “ key will reduce the font size. To return to the default font size press the Control key down (Ctrl) and tap the“0” (zero) key. This should work for any modern browser such as Firefox; IE; Safari; etc.------------------------------
To activate your newsfeed, click on the newsfeed icon next to your browser's URL window (if the newsfeed icon is missing choose this link: EarlyMusicNews Feed and choose your setting for the feed. You will then be able to see any news additions to the site in your "Bookmarks" or "Favourites" toolbar without even visiting the site. If you find a particular item of interest, choose that item and you will be taken to the http://www.EarlyMusicNews.org site to read that particular article. Feeds for specific news categories are also available on the “News Categories” page. (ed.)