(US) The Performance of 16th-Century - Music Learning from the Theorists -- Anne Smith (Oxford University Press - March 2011)
News from Oxford University Press, the soon to be published paperback/hardback:
“The Performance of 16th-Century Music will enable the performer to better understand this music and advance their technical and expressive abilities. Early music specialist Anne Smith outlines several major areas of technical knowledge and skill needed to perform the music of this period.
The Harmonia Early Music website is running an interesting project.
“We’re looking to put together a program of listener favorites and we need your help.
Dorothee Mields, soprano
Laura Pudwell, mezzo-soprano
Charles Daniels, tenor
Brett Polegato, baritone
THEME: The Cavendishes and Anglo-European Cultural Exchange: Seventeenth-Century Dutch, Flemish and French Influences.
Imagine a long weekend filled with music-making, camaraderie, good food, and a beautiful setting in nature, and you are already having dreams of attending the Columbia Gorge Early Music Retreat. Located just 20 miles east of Portland, and perched on a bluff overlooking the spectacular Columbia River, Menucha is an idyllic retreat center.
(US) Roving Reviewer: Chopin et Son Temps à Lausanne by Christopher Greenleaf (The Boston Musical Intelligencer)(2010 September 19)
(US) "Bach’s Passions – Musical Language and Religious Contexts" Summer Course - Yale Institue of Sacred Music (2011 June 6-11)
June 6–10, 2011
In the course of its annual Summer Term, the Yale Institute of Sacred Music will offer a weeklong course on Johann Sebastian Bach’s Passions, taught by Yale faculty member Prof. Markus Rathey:
Johann Sebastian Bach’s St. John and St. Matthew Passions, considered cornerstones of the western classical music canon, form the culmination of his art as a composer of sacred music. The revival of Bach’s music in 19th century concert halls began with Mendelssohn’s performance of the St. Matthew Passion.
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