News » Books/Manuscript
Newly published at Libreria Musical Italiana (LIM Editrice srl) and compiled from a long list of contributors.
Deceptive notation in baroque keyboard music
by Colin Booth
“Did Bach Really Mean That? is a book which explores musical notation and the way in which composers of Baroque keyboard music used it.
British Library Lansdowne MS 740
Anne Southwell's poetry
Poetry by Anne Southwell, a strongly Calvinist writer, appears in two extant manuscripts. It is possible that they were both assembled under the supervision of Southwell herself and/or her second husband Henry Sibthorpe.
As well as secular and religious poetry by Southwell, the Folger manuscript contains a wide range of miscellaneous material: verse from songbooks and poems by Henry King, Arthur Gorges and Walter Ralegh (none attributed correctly), prose texts by Southwell and others and memoranda of various kinds, including 'A List of my Bookes' (Cavanaugh 1967).
(US) The End of Early Music: A Period Performer's History of Music for the Twenty-First Century (Book)
(US) Handel's Beasts: Explained, Illustrated, Complete with Musick (News from San Francisco Classical Voice)
This book is a comprehensive history of the firm and contains detailed descriptions of the many innovative instruments they made.
We are pleased to announce the addition to the WLSCM Catalogue of No. 21 in our series: An edition of two spiritual monodies by Giovanni Girolamo Kapsperger edited by David Dolata and Margaret Murata.
A wonderful harmony of perfection
Practice of Italian organ-harpsichord continuo origins in the early eighteenth century
The book offers a rational framework of documentary material relating to the practice of the basso continuo in Italy, from its origins to the early eighteenth century.
The focus of its publications lies in "source-works" from Antiquity, the Middle Ages and the Early Modern period. By this is meant critical editions of original texts and documents in their original language, reference works such as encyclopaedias, handbooks and bibliographies, as well as monograph studies and cutting-edge research.
for Baroque Lute
Adam Franz Ginter: Life and Works edited by Michael Treder
Adam Franz Ginter (1661 ? 1706), a colorful character, has been one of the few castrato sopranos of Austrian origin, working in the court chappel (Vienna).
More Historical Dances
Author: Wood, Melusine
Published: 1956, 2010
Melusine Wood's previous book, Historical Dances : 12th to 18th Century, was in the nature of an introduction to the subject, each major period being illustrated by one or more typical dances.
(FR) Le Concours de Sous-Maître de la Chapelle Royale de 1683 (The "Sous-Maître" Competition at the Chappelle Royalle of 1683)
(US) The Performance of 16th-Century - Music Learning from the Theorists -- Anne Smith (Oxford University Press - March 2011)
News from Oxford University Press, the soon to be published paperback/hardback:
“The Performance of 16th-Century Music will enable the performer to better understand this music and advance their technical and expressive abilities. Early music specialist Anne Smith outlines several major areas of technical knowledge and skill needed to perform the music of this period.
Let us stop a moment to discover the precepts of Couperin through a footnote on page in a scholarly work today and listen to the voice that we imagine shy, almost hesitant, from one of French harpsichordists’ greatest. Let us stop bickering about the size of the chorus of Bach's cantatas in Leipzig and take a look at the key document that the passions unleashed and allows all the assumptions ...