18-22 June 2008
Concerts, master courses, workshops, lectures, presenters of old and new instruments, performance opportunities for young harpsichordists, etc.
Organizers: Ferenc Liszt Academy of Music, Hungarian National Museum, Clavicembalo Foundation, Joseph Károlyi Foundation, Tihamér Vujicsics Music School Szentendre
Patron: Dr. András Batta, Rector of the Ferenc Liszt Academy of MusicArtistic director: Prof. Anikó Horváth "
See "International Harpsichord Festival and Meeting in Hungary" website for more details (ed.)
The jury for the International Harpsichord Competition were:Gustav Leonhardt [nl], Françoise Lengellé [fr], Andrea Marcon [it], Ketil Haugsand [nor], Johan Huys [be] (chairman), Davitt Moroney [uk/fr]. Winners of the harpsichord competition: (no 1st prize was awarded); 2nd Prize Ex Aequo -- Francesco Corti (IT) & Julien Wolfs (BE); 3rd Prize -- Tomoko Matsuoka (JP); 4th Prize -- Susan Toman (CA); 5th Prize -- Masumi Yamamoto (JP).
The jury for the International Fortepiano Competition were: Wolfgang Brunner [at], Claire Chevallier [be], Linda Nicholson [uk], Alexei Lubimov [ru], Ludger Rémy [de] (chairman), Bart van Oort [nl]. Winners of the fortepiano competition: (no 1st prize was awarded); 2nd Prize -- Stefania Neonato (IT); 3rd Prize Ex Aequo -- Alexandra Koreneva (RU) & Olga Andryushchenko (RU); Honorable mention -- Katarzyna Drogosz (PL).
See the site for more information on the competition as well as the Festival exhibitions. (ed.): Music Antiqua
The 2007 Greenwich International Early Music Festival and Exhibition takes place over the weekend of the 9th -11th November 2007. A lively mix of exhibition and performance, the event will fill the Old Royal Naval College with sounds of early music and song.
Friday 9th November 10.30am - 6.00pm
Saturday 10th November 10.00am - 6.00pm
Sunday 11th November 10.00am - 5.00pm
Admission to exhibition (includes complete programme):
2 day ticket £12.00
3 day ticket £16.00
Children under 14 free
(concessions OAPs, UB40 holders, students, TCM staff and students free entry with TCM Resource Card)
The Festival is over for another year and there is the same feeling of regret that comes with the end of Christmas or the school holidays. But all good things must come to an end and it is now time to take stock of what has been a remarkably successful series of events and one in which the Festival Director and his team can take justifiable pride.
As predicted the Son et Lumière (sound and light) production met with universal approval and large audiences on two consecutive evenings were transfixed by this striking and unusual form of entertainment. It was the first time something like this has been tried in St. Mary’s and the effect was stunning. The first 600 years of the church’s eventful history were told in a dramatic recitation with appropriate music from St. Mary’s choir, whilst various parts of this ancient church – including the magnificent windows – were lit in different colours."
Le Jardin Secret was announced as the winner of the 12th Early Music Network Young Artists Competition on Saturday 14th July 2007 by Ashley Solomon, Chairman of the Competition Judges.
Le Jardin Secret – comprising soprano Elisabeth Dobbin; Romina Lischka viola da gamba, Sofie Vanden Eynde theorbo and David Bluden harpsichord - perform a wide range of seventeenth and eighteenth-century repertoire, exploring the possibilities of creative continuo playing and improvisation. Taking its name from the French metaphor for the heart, it performs music that is intimate and highly expressive. The members of the group were postgraduates at conservatories in Basel and The Hague and have worked with some of the most prestigious names in early music today.
The Competition, which takes place at the National Centre for Early Music in York, attracted young artists from as far afield as Australia, South Africa, Denmark, Europe, South America, Norway and of course from the UK. The winners received a cheque for £1,000 plus an invitation to return to the York Early Music Festival in 2008 and a variety of recording opportunities. ... "
See site for more details: National Centre for Early Music
IMSLP also encourages the exchange of musical ideas, both in the form of musical works, and in the analysis of existing ones. Therefore, feel free to create/edit a page with your analysis of a particular piece (please use the "Discussion" link on the work page of that particular piece)." ... "
The ultimate goal of the IMSLP is to gather all public domain music scores, in addition to the music scores of all contemporary composers who wish to release them to the public free of charge. However, another main goal of IMSLP is to facilitate the exchange of musical ideas outside of compositions: for example, the analysis of a particular piece of music. We hope to build a growing community of dedicated musicians and music lovers, who can use this site as a platform for enjoying music. " ... See site for more info:http://imslp.org/wiki/Main_Page
In the morning the WEKA conference will take place at Saint Mark’s Episcopal Cathedral in Seattle’s Capitol Hill District. In the afternoon we will travel to Seattle’s Queen Anne District. The day’s activities (including brunch, lunch and hors d'oeuvres) are free to WEKA members. WEKA dues are $35 for a regular membership, $25 for a senior over 65 and $15 for a student. Nonmembers may participate in the day’s activities for $25. There will be an additional charge of $15 for students participating in a master class. " ...
Topic of the Acadey 2007
Buxtehude and the Meantone Organ
Dieterich Buxtehude 1637-1707
Deadline for application: Active participants May 20, observers June 15. Applications received before May 1st receive a 20 % discount.
See the website link below for more information:
CALL FOR PAPERS
The 8th International Symposium on Spanish Keyboard Music “Diego Fernández” will be held in Almería, Andalusia, from 11th through 13th October, as part of FIMTE 2007: the 8th International Festival of Spanish Keyboard Music. The festival shall feature both mainstream and fringe concerts as well as various courses and exhibitions. Proposals for papers are particularly encouraged in the following areas:
-Portuguese-Spanish musical relations during the 18th century with an emphasis on keyboard music and keyboard instruments.
- Domenico Scarlatti: the Sonatas, Performance Practices, Keyboard Instruments
- New research in Spanish keyboard music (16th through 18th century)
See the site for more information: http://www.fimte.org
Organ visiting - City tour - Concerts - Tango show and classes - Dinner - Wine tasting
Hotel accomodation - Ground transportation
Enjoy the beauties of Buenos Aires and its people...
A rare opportunity to experience the musical life and culture of the city of Buenos Aires, Argentina by signing on to the Last Frontier Organ Tour this coming May 26-June 3, 2007
There be organs, of course some fantastic European instruments by Europe's finest builders among them Cavaille-Coll, Walcker, Serrasii. Early music concerts, a couple tango lessons, visits to the cultural monuments of that great city and a harpsichord recital are planned for Buenos Aires.
This is our sixth consecutive year that we are offering an international concert Cycle focused on early keyboard instruments such as the harpsichord, the spinet, the virginal, the muselaar, the fortepiano, and the historic organ.
For the 2007 Cycle, we have not yet the support to incloude of master classes, talks with musical examples and commented concerts, with the pourpose of better divulging the art of playing on period instruments. By now, we have just programmed some concerts scheduled already last year for this one, and will be anounced when confirmated. We are searching for people to join the team and colaborate with the management of the Cycle.
Sugested by many of the people who attended the formers editions, the Cycle will be supported by a $20 Contribution Bonus (argentine pesos = USD 7) for concerts. Like last year, we added the chance to support the Cycle as Benefactor or Protector, giving them admision free for two people to all events and the mention of them in printed programs, and an enhanced mention or advertisement for Sponsors. ... (more)
Direction – Pam MacKinnon
Leipzig, Germany, 1722: seven rival musicians jump at the chance to fill the most sought-after musical post in Europe: organmaster at Leipzig. Inspired by actual events, emerging playwright Itamar Moses has crafted a hilarious fugue of schemes and mayhem as each musician deliciously blackmails, bribes, and double-crosses to win the position. When Bach at Leipzig played at the Milwaukee Repertory Theater last season, the Milwaukee Journal Sentinel said, “Imagine the Marx Brothers and Tom Stoppard collaborating on a play.” ...
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