(NL) Call for Papers: "Music and Patronage in the Low Countries" -- KVNM Autumn Meeting (Nov. 12-13, 2010)
Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis (KVNM)
Royal Dutch Society for Music (KVNM)
Deadline for submission: 15 May 2010
In many languages the term “maecenas”, derived from Gaius Cilnius Maecenas (70 BC - 8 BC), councilor of emperor Augustus, has become synonymous with lavish and enlightened patronage of the arts. Being in service as a musician or a composer, however, did not necessarily imply that the artist had found himself a maecenas. In 1556, for instance, Orlandus Lassus dedicated his first book of motets to Antoine Perrenot de Granvelle, most likely because Lassus hoped that this influential statesman might help provide him with a position in the internationally renowned capilla flamenca of Philips II. Unfortunately for Lassus, his colleague Pierre de Manchicourt, who preceded Lassus in dedicating a music publication to Granvelle, was appointed instead.
For more than 15 years, the American Bach Soloists have presented annual performances of SummerFest in Belvedere, San Francisco, and Davis.
SummerFest returns this year in conjunction with the inaugural season of the American Bach Soloists ACADEMY, an elite training program for advanced conservatory-level students and emerging professionals in the field of Historically Informed Performance Practice.
Music of J.S. Bach and Sons
The International Baroque Institute at Longy offers a comprehensive program for professional and pre-professional singers and players of Baroque violin, cello, recorder, traverso, oboe, viola da gamba, harp, lute and harpsichord, taught by an unparalleled international faculty. Other instrumentalists or continuo players are welcome to participate in chamber ensembles or the institute orchestra.
An intensive workshop in early dance, with emphasis on baroque dance but also including a daily late-renaissance dance class. Intended for experienced dancers with a serious interest in early dance, the workshop will include classes in technique, repertoire, and dance notation, with opportunities for independent projects and performance.
“Heinrich Schütz and Europe”
The International Heinrich Schütz Society cordially invites you to the 42nd International Heinrich Schütz Festival. From 28 October – 3 November 2010 in Kassel, under the banner “Heinrich Schütz and Europe”, plans are in place for numerous concerts, two main lectures, exhibitions, a choral project for active choristers and an international scholarly symposium in conjunction with the “Ständige Konferenz Mitteldeutsche Barockmusik e.V.” [Standing Conference of Central-German Baroque Music] focusing on “Heinrich Schütz and Europe” and “Heinrich Schütz in Kassel”. The Festival is integrated with the Kasseler Musiktage 2010 (which, until 14 November 2010, offers more events of interest under the banner “Kreuzungen – Elend und Glanz” [Intersections – Misery and Splendour]).
* Recorder and viol consorts at all levels except beginner
* Recorder master class
* Renaissance reeds
* Mixed ensembles
* Early notation
* Historical dance
* English country dancing
* All-group playing & singing
* Rogers Breukink recorder consort
The Von Huene Workshop will be in residence full time with instruments, music, and books for sale. Open to the public!
Connecticut College, New London, CT
Join us for one or two weeks of music-making with our acclaimed international faculty as we explore the musical legacy of France. Hold the dates, and plan to join us!
Festival Theme - France: Source of European Music
Venue: Cornish College of the Arts
Kerry Hall, 710 East Roy St, Seattle WA, 98102, USA
This year's workshop moves from Seattle Pacific University to Cornish College of the Arts as part of an expansion of the College's music department to encompass an early music program.
Bray Baroque announces its newest title: Playing the Baroque Harpsichord (2010)
Essays on the instrument, interpretation and performance, with relevant topics for the clavichord and organ. By C. Di Veroli.
This is an integrated collection of updated and expanded essays, some of them endorsed by leading harpsichordists. Only a few chapters are specific for the harpsichord: most of the book applies to all the Baroque keyboard instruments and some chapters to general Baroque music interpretation topics. Several colour figures are included, as well as musical examples from well-known Baroque works. The reader will find here the answer to well-known long-standing problems. Thorough guidance is provided on difficult matters such as ornamentation, articulation, tempi, registration, sesquialter rhythms, notes inégales and further topics that have been found to be useful to the modern performer of Baroque keyboard music, whether amateur, advanced student or professional player.
(FR) Festival of traditional musics and folk dances - Festival des musiques et danses traditionnelles (Aug. 15-18, 2010)
“For this 35th edition, the organizers have decided to honour the cultural heritage of Berry and have chose Mic Baudimant as the associate performer, an ardent defender of the arts and traditions of Berry.
President of the Thiaulins de Lignères (association of traditional music and dance of Cher), Vice-President of the Association Française de l’Ane Grand Noir du Berry, Vice-President of l’Union for the Ressources Génétiques du Berry, members of the association “on the steps of the Maitres Sonneurs”, Mic Baudimant is also a storyteller, piper, “brioleux” (someone who sings songs to oxen while ploughing), singer and graduate of the first competition of the festival in 1976.
The Boston Early Music Festival announce their 2010-2011 concert series.
“I have collected these pieces over the years from the internet or have entabulated and/or arranged or realized them myself. I have edited all of them and formatted them to fit nicely on US letter size paper (8.5 x 11 in), though some are formatted for US legal size (8.5 x 14 in). I have not formatted any for A4, as life is too short. Again, if you have Fronimo, it is pretty easy to reformat these to taste. I have tried to create performable copy in all cases. These pieces are mostly for renaissance lute, but quite a few are for baroque lute and archlute, and a very few for theorbo, cittern, bandora, guitar etc. Other pieces include songs and continuo pieces, listed by composer. Under Lute ensemble in the list of composers, you will find pieces for two or more lutes. Source facsimiles are now grouped together in one place.
FIRST CONGREGATIONAL CHURCH, Free and open to the public
Theme "500 Years of Vespers" informs this year's EMA Early Music conference. Modeled as part scholarly symposium, part workshop, it focuses on the Monteverdi Vespers of 1610 and its chant and Renaissance ancestors.
“Experience the magnificence of Italian music in and around 1610, from the glories of St. Mark's Cathedral in Venice to the haunting spiritual cloisters of Milan, a golden age filled with the glorious sounds of centuries past.
- - The early clavichord from first iconographical documents to the earliest extant instruments (organology and repertoire)
- - The pedal clavichord, from its origins to the XVIIIth century
- - The clavichord in the XIXth century
(US) Society for Seventeenth-Century Music 2011 Conference in Minneapolis -- Call for Proposals (April 7-10, 2011)
“The Society for Seventeenth-Century Music will hold its Nineteenth Annual Conference from Thursday through Sunday, 7-10 April 2011, in Minneapolis, Minnesota, hosted by the School of Music at the University of Minnesota. Proposals on all aspects of seventeenth-century music and its cultural contexts are welcome.
“This is the city where Johann Sebastian Bach spent his final 27 years and composed many of his major works, including the St. Matthew and St. John Passions, the Mass in B Minor, the "Art of the Fugue" and nearly 200 cantatas. And this year, amid the predictable Easter-season concert programming, Leipzig marked the composer's 325th birthday with the opening of a renovated and greatly expanded Bach Museum, part of the Bach-Archiv Leipzig. Founded in 1950 (the 200th anniversary of the composer's death), the Archiv is one of the finest Bach research institutes on earth, largely thanks to its important collection of Bach manuscripts.
During the Musica Summer school, now in its second year, you can discover masterpieces of polyphonic music through original notation, coached by members of Cappella Pratensis. The 2010 Laus Polyphoniae festival will examine a choice selection of manuscripts, illustrating the evolution of polyphonic music over 500 years. This singing course will link up with this tradition by looking at the first printed sources of polyphonic music: The Petrucci Files.
(US) Society of Early Music, the Northern Maryland Chapter of the American Recorder Society Spring Workshop: "Dance Music of England, Germany, France, Spain, & Italy" (April 24, 2010)
Players of recorders, viols, sackbuts, shawms, crumhorns, lutes, harps, guitars etc. are more than welcome.
Saturday, April 24, 2010, 9:00 - 4:00
Maryland Presbyterian Church, Towson, MD
Featuring clinician Larry Lipkis
Larry Lipkis is a Professor of Music and Composer-in-Residence at Moravian College. He directs the early music ensembles at the college (the Collegium Musicum, the Monteverdi Ensemble, and the Baroque Ensemble) and also teaches music theory, contemporary music, and composition.
(CA) Nota Bene Period Orchestra "Meet You at the Crossroad plus Tactus Vocal Ensemble" Concert (April 18, 2010)
Our final concert of the 2009-2010 season draws on music from both the Western and Eastern liturgical traditions. In celebration of Easter, we are collaborating with the TACTUS Vocal Ensemble to present a selection of movements from Georg Frideric Handel's Messiah, a choral work by English composer John Tavener and several unaccompanied works from the Serbian Orthodox liturgy.
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