An examination of musical institutions at Versailles from Louis XIV to Louis XVI.
“… Music is mainly the “Musique de la Chapelle”,“Musique de la Chambre“ and the Grande Ecurie, divisions of the Chapelle, the Chambre and the Ecurie. Each of these musical departments tasks are theoretically different but it is not uncommon for musicians from one are required to complete the complement of another. We will briefly examine each of these groups. …“
In cooperation with the Lute Society of America, Inc.
The Lute Society of America is pleased to return to the West Coast, and co-present this Workshop with Early Music Vancouver.
(US) Retrospective: Early Music America Competition Winners, part 1 and part 2 -- Harmonia Mundi Early Music
The focus of its publications lies in "source-works" from Antiquity, the Middle Ages and the Early Modern period. By this is meant critical editions of original texts and documents in their original language, reference works such as encyclopaedias, handbooks and bibliographies, as well as monograph studies and cutting-edge research.
(FR) "Famille Bach" et "Méditerranée sacrée" (LE Choeur de Chambre Les Éléments) -- Concerts (2011 April 21 and 22)
La famille BACH, Les Motets
Le Choeur de Chambre Les Éléments and Ensemble Jacques Moderne – Joel Suhubiette, conductor
Culmination of the double chorus repertoire from the Baroque period, the Motets of JS Bach is a work of confounding richness, virtuosity and beauty .
Thursday, April 21, 2011 at 21h, Odyssud, Blagnac
Reminder that the Italian Journal of Musicology has a new publisher, the Italian Music Library ( LIM ). The current version is larger than usual as it consolidates the 2008-2010 journal articles. The journal is available to members of the SIdM (Società Italiana di Musicologia).
(FR) "Miserere a dùo" and "El Diablo mudo - Escena del auto sacramental" José de Nebra (1751) -- Les Passions (2011 May 22)
Spanish Baroque Music: José de Nebra (1672-1748 )
Eglise Saint-Aubin de Toulouse
Specializing in the restoration and the rediscovery of the major works of the Spanish Eighteenth century, Los Musicos de su Alteza present this enigmatic work which the composition date is unknown.
(US) Steve Ross, Ann Monoyios and the Four Nations Ensemble ~ Brushe up Thy Shakespeare (2011 April 20-21)
for Baroque Lute
Adam Franz Ginter: Life and Works edited by Michael Treder
Adam Franz Ginter (1661 ? 1706), a colorful character, has been one of the few castrato sopranos of Austrian origin, working in the court chappel (Vienna).
A reminder from the BEMF:Great seats are still available for two extraordinary operas at the 2011 Boston Early Music Festival. Don't miss out. BEMF Opera productions consistently sell out.
(FR) "Nais, opéra pour la paix" Jean-Philippe Rameau presented by La Simphonie du Marais - Hugo Reyne (2011/04/06)
(US) Cleveland Early-Music Ensemble Les Delices Set to Make New York Debut (Donald Rosenberg, The Plain Dealer, Cleveland.com)
Summer School of Early Music is an Early Music course targeting the historically informed performance mainly of Medieval, Renaissance and Baroque Music. Some of the recorder classes concentrate on contemporary music as well.
The first performance of Thomas Arne’s masque Alfred took place at Clivedon House on the Thames near Maidenhead, in August 1740.
More Historical Dances
Author: Wood, Melusine
Published: 1956, 2010
Melusine Wood's previous book, Historical Dances : 12th to 18th Century, was in the nature of an introduction to the subject, each major period being illustrated by one or more typical dances.
In 1762, John Christian Bach, youngest son of the old master, Johann Sebastian, journeyed to London for a lucrative position with the King’s Theatre. Shortly thereafter, he was appointed Music Master to Queen Charlotte Sophia (wife of “Mad” King George III) and the Royal Family. With a few close musical friends, the "London Bach" formed an ensemble to entertain Her Majesty in her private chambers: The Queen’s Chamber Band.
(US) La Donna Musicale celebrates Women’s History Month with the modern premiere performance of “Sofonisba” by 18th-century Italian composer Maria Teresa Agnesi.
Sophonisba: Heroic Queen.
Don't miss this tale of power, love, honor, and death presented by a cast of star singers and musicians in this extraordinary concert! March 25, Boston, MA & March 26, Arlington, MA. This is the first “opera seria” written by a woman composer.
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