News » Discography
(From a recent email from Julian Perkins to the harpsichord list)
I thought you would like to know about a new solo harpsichord recording of mine that features two possible firsts; the first complete recording of John Christopher Smith's op. 3 set of Six Lessons of 1755, and the first commercial recording of a single-manual harpsichord made by Mabyn and William Bailey in London in c1770. ...
(DE) TYXart CD Release:"Accademia dell'Arcadia - Roma 1710" (Baroque Masterpieces of a Secret Society)
Sabrina Frey, Recorder & Direction - Fiorenza de Donatis, Violin - Andrea Rognoni, Violin - Marco Frezzato, Cello - Philippe Grisvard, Harpsichord & Organ - Vincent Flückiger, Theorbo & Baroque Guitar - Bret Simner, Double Bass - Naoki Kitaya, Organ
Works by Corelli, Scarlatti, Marcello, Sieber, Bononcini* and Valentini* (* Premiere Rec.)
The composers and literati of the Accademia dell’Arcadia established in Rome in 1690 worked in secret — the pope had prohibited secular baroque music by decree. On this CD, recorder player Sabrina Frey — together with top-ranking artists — presents a few musical jewels of the secret society. The manuscripts are scattered throughout all of Europe today. ...
The new solo CD of Toyohiko Satoh, the 72 year old Japanese lutenist who is considered my many as one of the most influential lute players of the last century, presents a well-known repertoire of baroque lute music. Mr. Satoh was the first lutenist to record Bach’s lute music on LP in the 70s (Phillips). Now he returns to this music 40 years later, delivering a completely different rendering of these iconic pieces. ...
"Over 30 years ago, in 1980, Jérôme Lejeune created the label Ricercar. It promptly became a major actor in the rediscovery of ancient music.
Every Ricercar disc is a page in the history of music, to be discovered by listening, but also by reading the detailed commentary, accessible to the wider public. ...
(From a recent Harmonia Early Music newsletter.)
Bud Roach performs music of Giovanni Felice Sances.
(From a recent BIS newsletter)
Marcin Świątkiewicz, harpsichord; Arte dei Suonatori
"Johann Forkel, the biographer of J.S. Bach, numbered Müthel among the most remarkable of Bach’s pupils. Another of the great chroniclers of 18th century music, Charles Burney, described Müthel's works as 'so full of novelty, taste, grace, and contrivance, that I should not hesitate to rank them among the greatest productions of the present age.’ ...
"This hour, we'll hear some bawdy songs and tragic ballads, as well as more uplifting, devotional songs and hymns. Plus, a featured CD of Tudor church music. ...
(From a recent BEMF February Newsletter)
"The Boston Early Music Festival has released the world premiere studio recording of Agostino Steffani’s Niobe, Regina di Tebe on the Erato/Warner Classics label, with production support from Radio Bremen (Germany). Originally presented as the 2011 Festival Operatic Centerpiece, Niobe is the seventh in BEMF’s series of ...
W.A. Mozart: Piano Concerto No.15 in B flat major, K 450
Piano Concerto No.16 in D major, K 451
Rondo in D major for piano and orchestra, K 382
Ronald Brautigam, fortepiano
Die Kölner Akademie / Michael Alexander Willens
"In May 1784, shortly after completing the two piano concertos recorded here, Mozart described them in a letter to his father as 'concertos which are bound to make the player sweat.’ In his correspondence he also pointed out the particular importance of the wind instruments in the two works. ...
(From the latest Harmonia Early Music January 9th newsletter)
"A 2014 Linn records release of the viol consort Phantasm and the Choir of Magdalen College, Oxford, is dedicated to the music of John Ward and his compositions for voices and viols. ...
"A curious and unsatisfying reduction of huge music for tiny forces? By no means. These are not, after all, symphonies in the way that Beethoven, let alone Mahler, understood the term, but breezy three-movement affairs which had lately sprung out of an operatic context and were enjoying a new and independent life through the always-unpredictable idiom of C.P.E., who wrote eight such works between 1741 and 1762. Most of them began as symphonies for strings, with wind parts added later when Bach’s orchestra was enlarged. ...
Composer : Carl Philipp Emanuel Bach
Artist: Andrea Chezzi harpsichord
Instrument: Alberto Colzani (2000), after Goermans-Taskin (Russel Collection of Edimburgh, 1764-1783)
Release: April 2014
From a recent newsletter item from Harmonia Early Music, an hour-long podcast of anything of "Catherines"
"We’re listening to music for, by or about famous Katies, Catherines, and Katerinas. Next, we’re shining a spotlight on that namesake and getting to know one visionary in the revival of early music: Catherine Mackintosh. ...
"Renaissance to Baroque: a new era The 16th century’s interweaving lines of contrapuntal choral polyphony gave way in the 17th century to monody—accompanied solo song—in which treble and bass lines...
From a recent newsletter from Outhere Music
"what a year it has been! Once again we've just finished a year full of good surprises! With various awards and distinctions in the press all over Europe, we want to put forward the STAR artists and albums for 2013!" ...
"Few of the many recordings devoted to Henry Purcell have succeeded in capturing all the richness and diversity of musical instruments of the late 17th century. Here well-known pieces by Purcell played take on an entirely new and unexpected colouring, while also serving to highlight the theatricality of the vocal airs. ...
From a recent il Gardellino newsletter news item:
il Gardellino announces the release of their latest CD recording “Solo Cantatas for Bass”.
BWV 82, 158, 56, 203
il Gardellino & Dominik Wörner (Bass)
From the latest Grigorian.com newsletter:
"Over the month of September, the Decca label will be on sale, with over one thousand titles involved in this sale. Single CDs are on sale for $11.98! All other Decca products will be 20% off! Decca has a huge catalog, and is one of the best in the business. With artists such as Pavarotti, Bartoli, Fleming, Sutherland, Fischer, Richter, and Solti, how could you not love Decca."
"Have you ever heard a wonderful piece of music on the radio and then tried to track down a copy on CD?
ArkivMusic works with most classical radio stations in the U.S. to help with that search. But early on, we realized that many of those recordings (over half) are actually out of print.
So some years ago we started our ArkivCD program ...
Many new titles added to the Grigorian.com site of which many in the early music field. You may want to see what is on their list. You can see their latest catalog for the month of may on the Grigorian.com website.
(From a recent Harmonia Mundi news release)
“The award-winning choral ensemble Stile Antico presents Passion and Resurrection, an album featuring texts inspired by the dramatic events of Holy Week and Easter set to music by some of the greatest Renaissance composers from England and the Continent. Included is a setting of the poem "Woefully arrayed" composed especially for Stile Antico by John McCabe. This is the work's first recording.”
(From a recent eClassical newsletter)
“This week we (eClassical) would like to present a number of releases from the small Japanese company: Arte dell'arco, led by Hidemi Suzuki, the famous Baroque Cellist, brother of Masaaki Suzuki, Leader of the Bach Collegium Japan. They are also 24-bits for the price of mp3, and as a pair, we offer BIS-CD-807 with Concerti by CPE Bach, played by Hidemi and the BCJ, for a 30% discount. …”
(From a recent Grigorian.com newsletter)
“Can you believe it is already mid-November!? With Holiday Season upon us, we at Grigorian have begun to compile a list of some of the great gift items that have come out this past year. These include some of the amazing box sets that have been released, as well as outstanding CDs and DVDs.”
(Editor) Of particular interest to early music enthusiasts …
(US) Harmonia Mundi New Release: "Kristian Bezuidenhout Plays Mozart Concertos" (13 Nov 2012) and Performance (19 Nov 2012)
(From a recent Harmonia Mundi news release)
“Mozart places melody at the very heart of his concertos. Introverted and sometimes uncertain at the start of K.453, it is subsequently transmuted into birdsong - foreshadowing Papageno - and leads to a finale worthy of an opera buffa. …