Location: San Ginesio (MC) - Italia
"The great success of the first two editions of the Competition (2013 and 2014), has confirmed the good intentions and motives that led the "Associazione Musicale Selìfa" to organise this important musical event: to offer young musicians from every nation the opportunity to perform and succeed in the world of concert performance and to create an event with a high musical profile and with a cultural level that could promote and spread international interest in Early Music. ...
THEME: The Music in the Time of the Jesuit Missions.
The 4th edition will be between 16-21 July in Rosário, Bacabeira, Alcântara and São Luís where the best baroque music groups in Latin America (Paraguay, Venezuela, Cuba and Brazil) will appear.
The importance of the Jesuit in Brazil's history is quite significant and was also felt in the music performances of the day ...
(From a recent "Unquiet Thoughts" blog newsletter)
"Today’s post summarizes a few thoughts and reactions after spending two days auditing Nigel North’s masterclasses for guitarists interested in Bach’s music for lute. Nigel has for many years expressed strong reservations as to whether Bach’s music works at all for the 18th-century baroque lute, given the constraints of its odd tuning of d-minor. ...
(From Peter Pontvik, Artistic Director Stockholm Early Music Festival welcoming message ...)
"Let's take a look at this year's treasure chest! On top of the wish list – SEMF proudly presents La Fenice, one of the most celebrated early music ensembles in France, led by Jean Tubéry, making a rapturous start in the festival with the vocal music of Charpentier. The exclusive presence of Philippe Herreweghe, the conductor of Collegium Vocale Gent, is yet another highlight, a delight of sounds for many of you. Gesualdo's Sixth book of madrigals could probably not be approached more accurately. ...
Ever take a plane trip and lost your luggage? Have you ever wondered where the un-claimed luggage ended up? Have a peek on the walls of a photo displayed on this particular article from the Smithsonian Magazine page, you may recognize your instrument, or at least know where to check for possible treasures ...
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